How do compositional relationships arise in calligraphy?

With the improvement of our education level, people's cultural level has been significantly improved, so people like to do something they are interested in when they are free, most people will practice calligraphy in their spare time, but when they practice calligraphy, they like to delve into some more interesting problemsTherefore, some people will ask how the combination relationship is generated in the creation of calligraphy. In fact, the relationship between the combination is what we are familiar with: one horizontal and one vertical, one skimming and one stroke.

For example, our simplest big character, we can see that this big character combination is a combination of horizontal and vertical and a skimming to form this big character, calligraphers are through this simple and a horizontal and vertical to form our Chinese countless Chinese characters, the Chinese characters we are now in contact with are produced by these simple combinations, combined into the Chinese characters in the knowledge we are learning every day, through the combination of Chinese characters we can learn the broad and profound Chinese culture.

When we start learning in elementary school, we begin to learn how to combine words, learn how to combine sentences to express our wishes in life, our emotions are also expressed by these simple combinations, we become sentences of different lengths in our lives through the combination of Chinese characters, of course, the words written by calligraphers are also inseparable from these simple strokes of the combination of words, only with these simple strokes we can see the perfect calligraphy in the calligrapher.

We people are the same, but also by the combination of little by little parts, from the beginning of a small cell dyed and then have our organs, through the combination of these organs into our human model, so we live every thing is inseparable from the relationship of simple things combination, just like the words in calligraphy, but also by a horizontal and vertical and a skimming of the relationship to form the hundreds of words we have learned now.

The combination of one horizontal and one vertical, one skimming and one pinch in the creation of calligraphy is transformed according to the relationship between the original Chinese characters, and the overall character will still be the same as the original, but the shape may change.

Brush and ink and blank space are the largest formal composition of calligraphy works, they are relatively independent wholes, each with its own shape and aesthetic connotation, not only focusing on the shape of dot painting and knots, but also emphasizing the shape of the blank space around the first-class works of dot painting, structure, knots, and columns.

If you practice more, you will naturally know how to combine these words, how to write to have a sense of beauty, to put it bluntly, it is a kind of aesthetic cultivation, you have to see more, practice more.