What are some of the most beautiful handwritten pen characters you ve seen?

This thing should be written with heart to write a very beautiful handwritten pen letter. My own pen writing is terrible. You can go to the ** to find the pen words of the calligraphy master.

If you want to write a beautiful fountain pen, you must prepare the fountain pen and calligraphy you use, and keep practicing every day, and you will make rapid progress. Let's talk about how to write a beautiful pen handwriting in detail.

01 Prepare the pen.

To practice fountain pen writing, you must buy a smooth and easy-to-use fountain pen, which is not necessarily particularly expensive, but it must be easy to use, and with a good fountain pen, you can write smooth and beautiful fountain pen words.

02 Buy a copybook.

To practice pencil writing, first buy a copy of the block letters, because the block letters are the most regular and neat, and it is faster to get started.

03 Appreciate the calligraphy of famous artists.

After practicing for a period of time, you can take a look at the famous calligraphy on the Internet, write a word with the same content as the famous calligraphy, make a comparison, find your own gap, and correct it.

04 Practice diligently.

To learn calligraphy, practice is the key, you must insist on practicing every day, find the gap while practicing, as long as you have perseverance, practice more, progress will be rapid.

There are a lot of regular scripts, such as, Tian Yingzhang, Jing Xiaopeng, Lu Zhongnan. For example, Wu Yusheng, Gu Zhongan, Shen Honggen, Huang Ruozhou, Chen Weixun ......

First of all, see if you have the following four things, and the other calligraphy and anything else are not important parts.

Here are four things that make the most important part:

First. You have no interest in the second. Do you have the patience for the third.

Is your understanding high or not? Can you stick to the above four items only"Third"It can not be high, but the other three must be there. Without these three items, don't expect to be able to practice words quickly.

If you have the above four items, then it will be very easy for you to practice calligraphy. There are many ways to do this.

Here I will talk about the most common way to practice words: 1Choose a good copybook (I personally think that Sima Yan Sima Dong and his son's words can be chosen, the font is good, and the most important thing is that it is easy to practice.)

It is recommended that you buy the kind of 8 yuan book with a blank paper in the middle to practice, which is easy to use and economical).

2.Write 1 2 pages on white paper every day, no need to write too much (the important thing is to be slow, write one stroke at a time, carefully experience, ponder the way the pen moves, you can remember it as a smooth "stroke by stroke in place, carefully ponder and experience").

3.After writing it, start reading the post (look at the words on the copybook, what is the layout of the side of a class of words, how to place it?) Feel the direction of its pen movement, write it in your head) When it comes to reading the post, let's talk about it again.

In addition to looking at the calligraphy, you can see the signboards and plaques of some shops on the street or somewhere, as long as you think the characters are good, you can look at them. It's very effective. "I have nothing to do on weekends, so I walk around the street, look at the plaques when I have nothing to do, and I don't have to use my pen to practice the words."

4.At this time, you have finished writing the blank paper in the notebook, you evaluate yourself, feel whether your words have grown, whether they have grown big, whether they can satisfy themselves, if you don't grow big, then you can buy some thin white paper and then print the notebook for a period of time. If it's already very effective, you don't need to print a copybook at this time.

It can be imitated according to the copybook. Write according to the words on the notebook. At this time, you should be very proficient, you can speed up and increase the amount of writing.

5.At this time, your handwriting has grown a lot, and you can throw away the copybook. Hehe. Of course, you can't throw away the copybook. If you are interested, take a look and correct your handwriting.

It seems that you are just in a hurry, one is to write better with a pen, and the other is to get a signature! The signature is designed by someone outside, and after hard practice, it becomes difficult for others to imitate. In addition, find a good pen and book, and copy it many times with a pencil, hehe, it will be effective soon.

Practice 100,000 words while sitting, then 100,000 words in a handstand, 100,000 words while asleep, 100,000 words in squatting, then hold your breath, and wait for 10 minutes before ...... breathing

Then you can go out of the mountain.

Practicing fountain pen writing is generally easier than adults for primary school students and some young people whose fonts have not yet been finalized. This is because they are receptive to new fonts, and once they have the right guidance, choose the right font, the right method, and have a consistent attitude, they can get good results in a short period of time.

And for adults whose fonts have been finalized, it is not so easy to practice pen characters. Because they did not pay attention to the quality of the words before, some ugly or even wrong writing has become a bad habit and it is difficult to correct it. They want to practice calligraphy now, but they often only tinker with the existing font and choose a font similar to their own, so that they often do not learn the good and do not lose the bad, so that the more they practice, the more ugly it becomes.

So how do you get these people to practice handwriting well? My experience is that first of all, they have to completely forget about the previous font and start from scratch, starting from the most basic dots.

Then practice the structure. For fountain pen characters, the most important thing is the structural problem, and the quality of the knot directly affects the beauty of the word. Therefore, it is most important to write a good pen type.

But now there is a very difficult problem to solve, that is, it is difficult to forget the previous font, and often bring the old habits into the new font in the process of posting. The best way to change this situation is to first choose a block block script that is different from your previous font. The purpose of practicing block letters is to correct the shape, and if you practice it for a week or two or more, you can be in shape.

When the shape is correct, you should also choose a calligraphy that is completely different from my original font and is what I think is beautiful. If the previous font is restrained, choose an unrestrained copybook; If the font is loose, choose a rigorous copybook; If the font is rigid, choose a chic copybook; If the font is soft and smooth, choose a firm copybook, if the font is bloated, choose a delicate copybook. After practicing in this way for two to three months, you can learn new fonts.

I often encounter such problems in learning, and it is normal to make rapid progress in the first few days, but after a period of time, I feel that the more I write, the worse I write. At this time, you must calm down, continue to practice, and after a period of hard work, you can get out of the predicament and get on the track. The purpose of copying is to forget the previous words, memorize the words on the copybook, and apply them.

After that, it is necessary to arrange the relationship between words and lines, which is the so-called chapter cloth white. For people who generally just want to write beautifully, but don't want to achieve anything in this area, it is enough to be able to do the above. This is the experience I have gained from my studies, and I have also introduced these experiences to others, and the results have been good.

If you want to achieve something in the art of pen calligraphy, it will not be achieved overnight. Not only must we learn from the brush calligraphy, such as the brush, knot, chapter, rhyme, etc., but also must give full play to the inherent characteristics of the pen. Only in this way can the art of pen calligraphy flourish and give her a strong and permanent vitality.

Otherwise, pen calligraphy can only be a vassal of brush calligraphy, and cannot be developed and innovated, and there will be no strong and permanent vitality.

Perseverance in copying. and constant practice. is the most effective way.

Buy a good book to practice.

Landlord, the following are the answers of my other netizens, very well received! Hope it can help you too.

As the old saying goes: "There is no other thing, only the hand is familiar". As long as the landlord has perseverance and proper practice, he will be able to write well with a pen.

It can be seen that the landlord is also a person who likes the art of calligraphy, and the following is based on my personal experience, giving the landlord three practical suggestions:

1. Choose a classic calligraphy copy, start practicing from the regular script, there are many excellent pen calligraphy on the market, such as: Tian Yingzhang, Sima Yan's regular calligraphy, the key recommendation is Mr. Pang Zhonghua's "Talk about learning to write pen characters", this book explains the writing method in simple terms, and I benefited a lot from it back then.

2. Choose a good fountain pen with moderate and excellent writing. If you want to do a good job, you must first sharpen your tools! You can search for [How to choose a fountain pen calligraphy for beginners and choose a fountain pen], which has a very complete range of fountain pens and selection methods, all of which are some practical tips that I personally organized.

3. Have a persevering heart. Nothing can be done overnight, and so is it if you want to write well. Since the landlord asked this question, he must already have some skills, so he must insist on practicing, even if he does not become a calligrapher, he will have a big harvest.

If you believe and can learn from me, here are my works.

Everyone knows that "Orchid Pavilion Preface" is known as "the first line of calligraphy in the world" and is the most famous calligraphy in history, so there are many people who learn it.

Recently, a well-known calligraphy public account made an online review "Hard pen Linlan Pavilion preface, who is the best?" 》。The public account selected 5 of the most classic "Orchid Pavilion Preface" hard pen works from each calligraphy, and asked netizens to vote for the best "Orchid Pavilion Preface" hard pen work in history.

It should be said that the 5 temporary works selected by the platform are of a very high level, and they are all similar to "Orchid Pavilion Preface". However, Zeng Runiu's temporary work is not only close to the original, but also full of three-dimensional and dynamic, which is amazing, and finally his work ranks first with an absolute advantage. Why did the presence of the ox have such a miraculous effect?

Let's compare and analyze his work with the second place Pang Qian's work, and it is not difficult to see the mystery.

Let's look at the word comparison first:

The second vertical line is Pang Qianlin, the overall structure is very similar, and the strokes are thick, like a brush writing, but because the ink color has not changed, the word looks flat, and Zeng Runiu's character ink color has a change in shade, and the stroke has a change in thickness, so there is not only a three-dimensional sense of deep and shallow, but also a sense of movement that is sometimes fast and slow. This is like the reason why stereoscopic movies have a three-dimensional sense is because the picture transmits different information from multiple dimensions, which can give people a three-dimensional feeling.

Legend has it that the master's ability to write calligraphy through the back of the paper is actually a three-dimensional sense produced by the change of ink color. Just as a high-level painter is good at using ink gradients to create a three-dimensional effect.

The existing "Orchid Pavilion Preface" is a facsimile, not an authentic work, so there is no change in ink color.

What needs to be noted here is that the "Orchid Pavilion Preface" we see now is not Wang Xizhi's authentic handwriting, but the ink filled in after sketching, so there is no change in ink color, so there is no three-dimensional effect. If it is Wang Xizhi's authentic work, it is impossible not to have a three-dimensional sense.

Zeng Runiu Lin's "Orchid Pavilion Preface" (detail).

Judging from the whole work, Zeng Runiu's orchid pavilion preface has a strong ink color in some places, and light ink in some places, and the visual effect is very rich, so the words seem to be flying on the paper.

Pang Qianlin's "Orchid Pavilion Preface" (detail).

Because the ink color of Pang Qian's work does not change, the whole work feels flat and static.

From the above comparison, it is not difficult to see that the three-dimensional sense and dynamics of Zeng Runiu Orchid Pavilion are mainly created by the visual effect created by the change of ink color. Therefore, if you want to write three-dimensional and dynamic calligraphy, you have to learn the skills of using ink.

Do you all have your own photo album? I once opened the photo album and saw the past, thinking back on the past, did I cry or laugh or cry and laugh? Everyone has a story that belongs to TA, and there is a story behind each **.

The story may belong to the person in the picture, or it may be a reflection of the mood of the photographer at the time, or it may just be the feelings of the audience.

Every girl has a fairy tale in her heart, and she once fantasized that she was the heroine of a fairy tale world, met a prince who came from a fairy tale, and then we lived a fairytale life together. If not, do you hope that one day you will meet the right person who can give you a fairy tale world? It's like what is written in **

Create an exclusive fairy tale world for you. The love words that many people want to get, and it is also what we hope to be able to do for the people we love. Seeing such a fairytale scenery and sighing at the beauty, I always think about it.

The sea is wide, boundless, and unobstructed. Thinking more about our relatives and friends and our hearts are also in that sea, even if there is a wall, our hearts are still together: a wall cannot separate a lake, and I hope that our hearts are connected into a sea.

When we see those beautiful scenery, we always can't help but want to keep them, and after successfully staying, we will give them a mood and make them more colorful.

To write a good handwriting, the method is very important.

Talk about my personal feelings.

I have just practiced for three months, not for a long time, but compared with my previous words, it is not the same as the first time I learned, I watched Tian Yingzhang's ** lecture, mainly mastering the method of moving the pen, but because I don't like his words very much, it is not a bad writing, but a matter of personal preference.

I basically mastered how to move the pen and fountain pen, looked at the ancient stickers of the face body, learned to read the stickers, practiced the strokes, and then learned Huang Ziyuan's ninety-two methods of frame structure, which had some effect.