What are the differences between European and American manga and Japanese manga?

The style of European and American comics is relatively rough, and the storytelling focuses on text narration, and the picture only needs to roughly express the plot clearly, so sometimes the two frames are incoherent, and they have to be supplemented by the lines of the dialog box. Japanese comics are more delicate, focusing on the use of cinematic techniques to express the plot, and the plot is mostly presented by frame shots rather than lines. In terms of character portrayal, the difference between Eastern and Western values, most of the image portrayals of European and American characters are relatively general, and even rarely subdivide the difference between good and evil, such as the protagonist in Green Lantern, who does not hesitate to be the enemy of everyone for his own interests and becomes a bad servant.

And the Japanese style of good and evil is basically distinct, and even the face-painted characters can be judged at a glance.

I've always felt that Riman has a strong sense of dynamics.,Juvenile mans such as dragons and sea thieves and other fights are very exciting and exciting,And Meiman feels that the sense of staticness is stronger,Or the storyboard is far less smooth and rich than Riman,As a result, I rarely feel anything very exciting in Meiman.,The feeling of fighting is to put on a very handsome poss.,Although the single grid is very stylish.,But the overall is not as comfortable as the Japanese man's fighting.,It's like two people fighting.,Japan is to make a move for the character.,The next grid and then punches,And the United States often swoops the two together all of a sudden.。 And the American comic pictures have a lot of information.,It's often dense dialogue.,And the American comic lines are very faithful to the story content.,I feel like the screenwriter doesn't dare to desert.,The lines are all saying that the plot feels very serious.,And the Japanese comic lines are more free and more joyful.,Often erupt into a comic dialogue.,Even lines like Gintama are better than ** makes people happy.。

I feel that the comic lines of the American comic are rougher, while the Japanese comic is more fine. And American comics generally focus on the portrayal of expressions and movements. Riman is a portrayal of scenes and feelings.

Personally, I prefer Japanese comics, because it is easy to get into it by following the rhythm of the plot and looking down. I remember that when I was in college, I really couldn't sleep when I watched Japanese comics, and the more I watched it, the more addicted I became.

For example, European and American comics, especially European comics, are very artistic, and they are willing to collect them if they are very expensive, compared to most of the comics in Japan that lack some artistry, and they are more willing to buy imitations, and only a few have collection value.

In terms of combat effectiveness, it seems that Riman is more enthusiastic than Meiman, and Meiman pays more attention to conceptual combat than Japanese. The general protagonist of the Japanese comic is very powerful.,The general protagonist of the American comic is a waste, and occasionally there is a high-level state.。 Meiman prefers to use the real world to imagine, and Riman directly imagines the whole world.

Japanese comics have some more realistic love comics, and most of American comics are hero comics.

To compare European and American manga with Japanese manga, it is first necessary to compare the differences between Eastern and Western cultures. Then let's look at the attitude towards comics. European and American comics are like Hollywood movies, magnificent and heroic, but lack delicate emotional descriptions; Oriental people are reserved and introverted, which is also reflected in Japanese manga.

Of course, there are a few exceptions, but after all, they are in the minority.

American comics are comic companies, comics are all color, the works are vast, and the narrative is characterized by a net, even native English speakers don't understand it after reading it; The style of painting is rough. Japanese comics are beautiful, Japanese comics are all black and white, and Japanese comics are created by individuals; The narrative of Japanese comics is characterized by a single line and a single work.

Personally, I think Europe and the United States always like to draw muscular men, while Japan is delicate and beautiful. Personally, I still like to watch Japanese comics.,Don't talk about the style of painting, just say that the plot is simple and easy to understand.,Europe and the United States are too brain-burning.,It's a few hundred years of big events at every turn.。

The style of art, the theme of the story, and so on, are determined by the culture and the way the business operates, and more importantly, Japanese manga and European and American mangaStoryboardingIt's different, you just need to read a few classic comics of these two types to know. In terms of this difference, the storyboard method of modern Japanese manga is innovative from modern European and American manga (of course, modern European and American manga also have their own development). The reason why Osamu Tezuka is revered as the god of Japanese manga is because he invented (perhaps organized and expanded) the storyboard basis of Japanese manga.

Three years ago, I had a conversation with a friend. Friend: When I was in college, I read a lot of Teenage Mutant Ninja Turtles manga, I don't know if it's a Japanese manga or an American manga?

Me: American comics. The easiest way to distinguish is that Japanese comics are mainly black and white, and American comics are basically full color.

My friend wondered: But I remember that the comics I read at that time were in black and white. Me:

Pirated, right? Friend: Why are you so sure?

Me: Can you tell which one is the black and white Teenage Mutant Ninja Turtles? Japanese comics pay more attention to character expressions, while European and American comics pay more attention to character images.

First of all, in a broad sense, Japanese anime is more humane, with a stronger team spirit, they are always pursuing a realistic fantasy beauty, and they pay more attention to the local culture of Japan, just like Naruto has always preached the ultimate meaning of ninja.

And American cartoons have always tried to integrate into reality, Transformers is a successful example, it is very spectacular, the scene is very atmospheric, but the story is old-fashioned, like a vase, very good-looking, but not practical, and the story plot is easy to be "broken".

Japanese manga is very delicate in the character's personality, emotion, and psychological portrayal, and it attaches great importance to character building. In contrast, European and American comics pay more attention to the construction of the plot and the balance of the overall picture effect.

Japanese manga will spend a lot of pieces or pictures to show the character's expression, action, or reflect the character's psychology with the changes in the surrounding scenery, and the technique will be more artistic. European and American comics pay attention to the construction of the plot and the overall balance of the picture effect.

On the other hand, Japanese manga is richer in themes, because Japan wants to develop manga as an art and a major industry, so Japanese manga is richer in themes, thoughts, and emotions. It is said that European and American comics are rich in content and grandiose. On the contrary, European and American comics are rough and not delicate enough.

It is said that the picture of Japanese comics is simple or even simple, but on the contrary, the theme of Japanese comics is concentrated and delicate.

It's not wrong to say something about Japanese comics, but it's not so simple to analyze, as far as the modern mainstream is concerned, there are several differences between American and Japanese styles.

The richness in the animated films you are talking about is actually a depiction of facial muscle movements that do not hesitate to paint, and this kind of realistic facial depiction is also common in Mi Man. However, expressions, especially highly realistic expressions, are continuous facial depictions rather than screenshots, and comics with a high degree of realism have a sharp decrease in expression expression when they can't move, especially after getting used to the big moves of animation.

In contrast, Riman uses more so-called comics, from simple angry cross muscles, inspiration bulbs, and large art characters in the background, to high-level vertical lines on the contour line of the king's face in the picture below, which is the manga of the tiger's body. The function of symbols is to simplify and abstract expressions and actions, and then combine the inherent signifier of the pattern with the psychological signifier of emotional expression. Relying on the high development of this kind of technique, Riman has obtained a richer means of expression of expression.

Of course, here I am only pointing out the differences, not the advantages and disadvantages. The difference is the result of the evolution of the characteristics of each side. The symbols of Japanese comics were originally taken from the techniques of Omi animation and satirical comics, but this fits the general environment of the early development of Japanese comics, where cartoonists have limited personal creative ability and energy, and can only rely more on such high-information-density techniques.

Learn from laziness, innovate in borrowing, and be lazy in innovation, this process of repetition is the development characteristics of devil animation that has been insufficient in manpower and material resources, and it has remained unchanged to this day. But what is created in being lazy and saving money is the unique technique of changing comics and the reader's aesthetic sense of exclusive comics. In terms of richness and originality, there is more room for the collective creation of the United States comics is incomparable, they have evolved more for the improvement of the realism, the study of the painter, the artistic skills, the plot of the heritage, etc., this kind of improvement in their respective fields is the embodiment of the division of labor in the United States comics.

Some people may say that Dad's painter can only lift shoes no matter how hard he works, but the skills developed by the devil or something, can't Dad just use it? It's not that simple. When I was a child, I always thought when I watched volleyball that the Chinese team could only rely on defensive tactics to fight against the Euro bomb body, and once Cuba practiced fastball, it would be a fart.

However, it is not difficult for a mature system to take one or two small skills from other people's systems, and it is not just a matter of saying that it comes from the essence of others. Cuba is just not good at playing fastball, and the symbols are out of place in comics with a high degree of realism. To put it in detail, this is a spontaneous aesthetic rejection of abstract patterns when the reader looks at a highly visual picture.

It doesn't matter if you use it, but it's "weird" when you look at it, so it's more and more repulsed. Naturally, the style differentiation of Rimi has intensified.

The difference between European and American manga and Japanese manga is mainly in the style of painting and plot.

The style of European and American comics mainly portrays the characters close to reality, especially the faces, and there will be no situation where the current Japanese comics remove the hair and everyone looks the same.

In addition, European and American comics with heroic themes have a different side from Japanese comics when it comes to fierce scenes such as battles, emphasizing the use of thick lines and bordered text to describe them.

Speaking of plots, Japanese manga covers a wide range of subjects, and even school families can draw good works.

European and American comics, on the other hand, are based on personal heroism and have superpowers, from Daredevil who has had extraordinary vision from radiation waste, to Fantasic4, who mutated in space, from Captain America to Spawn, all of them are heroes who single-handedly fight against countless evil forces!

Can it solve your problem?

Riman pays attention to the style of painting, and Meiman pays attention to the story.

1. All Chinese animations generally like to use historical themes or animals as the main content. Japanese comics still focus on urban people, while Europe and the United States have a wide range of themes and outstanding plots.

China is better now, I take Qin Shi Mingyue as an example, based on history, with excellent technology to make up for the weakness of the animation industry's shallow foundation, the character design is more Chinese-style, but it is slower. The Pleasant Goat focuses on childlike fun, or mainly for children.

Riman takes the three most representative anime as an example, whether it is the Hokage Grim Reaper or the Pirates, they all occupy the market with a fast film production speed and a combination of animation and comics. European and American works take cats and mice as examples, the painting style is not gorgeous, and the profits are maximized with high-quality plots and sufficient peripherals.

Sorry!Chinese animation will never be good-looking, if you want to look good-looking Chinese animation, it's possible to dream!But the person who watches has to pay the price, that is, the person will have a lot of IQ to be killed!It's up to you to decide, but don't regret it!

First of all,Although there are Confucianism in the minds of China and Japan,But Japan is not only Confucianism,And China's thinking has not changed and progressed for 5,000 years,And then some departments,According to these ideas, the outer man is blocked out of the country,This will hinder the development of Guoman,Always blindly repeat the same Guoman,Refuse foreign nutrition,If it goes on like this, Guoman will really become a shame of culture and entertainment,At that time, even garbage can't be done!Alas!

The advantages of foreign anime are:

1.Suitable for people of any age.

2.The art style is suitable for the tastes of modern anime fans.

3.The content is novel and not naïve and popular.

4.Most of the endings are accepted by modern anime fans.

5.**Support and** match the needs of modern anime fans.

The disadvantages of Chinese anime are:

1 Anime is something that only children watch.

2 Don't value it.

3 Most of the plagiarism, such as kitten lala, plagiarism of Japanese sweet private cats, Hoshihara Senji, plagiarism of Japanese Macross fortress.

4 It is despised, and it is forbidden to forbid anything else.

5 The art style is too bad.

6 Lines are clichéd.

7 China is about harmony.

8 Personally, I don't think Chinese sounds like Japanese, it's just personal.

9 Only pay attention to the number of investments and production technology, but not the plot.

More than 10 advantages of foreign anime, Chinese anime are not available!

As long as China's animation company does not change for a day,Guoman company will never have a future,I'm sure Guoman will not change one day,Pinch!

Do you want to be on par with the international level? That's impossible, because Guoman is still stuck in the previous mode!

My conclusion:Guoman only needs money and no future,The only thing that can save Guoman is "de-sinicization"!

First, from an epistemic point of view.

Chinese animation is almost a young children's type, with a limited scope, improper material, no enthusiasm, not enough attention, a bit of relying on the old and selling the old, dominating the old man who doesn't work, completely lacking the enthusiasm and momentum of the early days.

Japanese comics have a wide range and many talents, so there is almost everything, not to mention Europe and the United States, heroes and fairy tales, mythological categories, more acceptable themes and vivid expressions have laid the foundation for success, although Europe and the United States are also positioned for children to create, but what they give is more of a dream.

Second, talk about it from enthusiasm.

Third, in terms of national resources.

I don't want to say more.