How did Fan Bingbing perform in Guanyin Mountain ?

Fan Bingbing plays an adolescent rebellious and kind girl named Nanfeng in this play, in which she is the protagonist, and literary films often have higher requirements for the inner drama of the leading actor. My evaluation of her performance in this movie is: there is more than a bold drama, but not enough inner drama.

In some more exaggerated scenes, such as drinking viciously in front of his father, Fan Bingbing's play is okay, but it focuses on spicy, and I always feel that something is missing. When it comes to the inner drama part, Fan Bingbing's performance is not so satisfactory, and many scenes in "Guanyin Mountain" rely on the facial expressions of the actors to express the inner world of the characters and the emotions of the movie. The two most obvious paragraphs I watched are the scenes in the play where Nanfeng beats his mother twice.

The actor speaks to the mobile phone, and the other end of ** is a virtual person, some non-existent scenes, everything has to be imagined and pondered by the actor himself. This kind of time is the time to test the acting skills of actors. And when Fan Bingbing was acting in these two parts of the play, he felt that he was really "acting", unlike the characters, and the meaning of contrived was stronger.

However, I have also watched a lot of movies starring Fan Bingbing in the past two years, "Apple<>

October Siege", "Zhao's Orphan"; I think Fan Bingbing, an actor, still has room for shaping and development, her acting skills are not very good, but she has the potential to cultivate. Her main problem is that when she acts in psychological dramas, she feels more "empty", and the greater the actors, the better they are at acting psychological dramas, such as Colin Fils, the actor of the Chinese king in "The King's Speech", is a good hand at acting inner dramas. Fan Bingbing already has an innate advantage:

Among the beautiful female stars, there are not many who are so "charming". But if her acting skills don't keep up, then it's hard to say what will happen in the future. There are many Hong Kong and Taiwan idol actors who hope to transform by acting in some art films, but I don't see any hope for Chen Bolin to transform.

His play is not as good as Ruan Jingtian in "Mong". Chen Bolin's performance in the play has a relatively obvious lack of confidence, or his performance is not confident. He doesn't quite know how to play a role yet, and I guess he might not be able to find himself even more when he plays with these two big names.

Therefore, the character he played in the movie felt so unconfident when he scolded "dependent", and he didn't scold anger or rebellion.

There is a Guanyin temple on Guanyin Mountain, the Guanyin temple has long been destroyed, the Buddha statue is also buried in the ruins, and even the golden boy and jade girl have become one-armed. The scene was more horrible than desolate. There is a method in the movie called showing the character's heart with scenes, such as the protagonist's home, which is basically a visual display of the protagonist's heart.

A clean and tidy bedroom shows that this person is also very regular and quiet inside. Clutter is a counter-example. The murderer's home is full of rag dolls, which suggests that he is still a child at heart.

It's not something too profound, but it's actually quite popular.

In this film, Guanyin Mountain and Guanyin Temple are also a visual hint of the character's heart. In this case, it refers to faith, or sustenance, or something like that. It is also appropriate to use temples or Buddha statues to allude to people's hearts, which is something related to religious beliefs.

The temple is destroyed, the Buddha statue is gone, and several protagonists are like no soul, confused and mixed in this world. In the second half of the period, he began to donate money to build a temple and rebuild the golden body of the Bodhisattva, which was naturally to pick up faith and rebuild hope. With hope, people will live transparently, and Chang Yueqin, who has never been able to let go of her dead son, also knows what it means to be lifeless and dead.

Nanfeng and Ding Bo, who have never dared to be together, also dare to love each other. Probably, these are some of the things that the director wants to say in the depths of the film. <>

Therefore, Li Yu's ambition is extremely great, a story that seems to be confused and youthful, but it puts such a grand proposition in it. We always say that we are living in an era of broken faith, and not only young people, but also all of us are living without support. Not only materially, but also in the heart of the sense of nothingness.

Therefore, it does take a lot of courage to dare to bring out topics such as faith and life and death in this film. Because this is not what a movie can carry, and the film is too conceptual, especially in the end, it is only explained by a few ambiguous words, as if "loneliness is not forever, being together is forever." "It's inevitable that it will look light.

The director said that he liked Kim Ki-duk, and I think it was very real, it was all metaphysical things.

Of course, there is nothing wrong with jumping away from the metaphysical topics mentioned above, and simply looking at the film as a film that depicts the confused life of urban youth. The three characters do touch on some life phenomena in their own way, and several characters have their own problems. Nanfeng's biggest problem is that she has never had a reliable love, and Ding Bo's feelings for her have always been inseparable.

Ding Bo is entangled between his career and his father, how to get rid of the shadow of his father's failure and become a man who can take on love. In the same way, Sanyuqin and Soap also have their own confusions, and several troubled and lonely individuals naturally get together, rely on each other and heal each other.

Guanyin Mountain" theme song Singing: Fan Bingbing Lyrics: Han Han Composer: Fan Xiaoxuan.

Lyrics Look at the coming night train Take it or face it Lonely or crazy Bloody sprinkled ** Youth will come to an end Come on Sprinkle here Anyway, let's go on the road together It's like a rhetorical tree I always can't keep it He understands or doesn't understand Anyway I don't follow You understand You have to understand Otherwise, what should I do Passionate blood is sprinkled in youth Paint the ground with you It's a pity that I'll always be cold and ask you to stay or leave.

Lyrics by Han Han and music by Fan Xiaoxuan.

The theme song "Crazy" composed by Fan Xiaoxuan, lyrics by Han Han, sung by Fan Bingbing, and directed by Li Yu as the MV!

The characters played by Fan Bingbing and Chen Bolin fell in love with each other, Sister Chang was guided by the monk to see it, flew down next to the waterfall on the mountainside, and passed away, and then the characters played by Fan Bingbing and Chen Bolin sat in the train with Feilong in grief.

Guanyin Mountain is a literary film directed by Li Yu and starring Fan Bingbing, Chen Bolin, Feilong, Zhang Aijia and others, which was released on March 3, 2011 in Funian Mainland, China.

The film tells the story of the landlady Chang Yueqin and three young tenants, Ding Bo, Nanfeng, and Soap, who comfort each other and understand the power of love. In 2010, the film won two awards at the 23rd Tokyo International Film Festival: Best Artistic Contribution Award and Best Actress.

is called Li Si Danni, and she is now participating in the Fast Girl, the top 13.

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