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The sound of a guitar depends on many factors.
The first is the strings. Thickness, length, and tension all affect sound quality and volume.
The second is wood.
The distribution and amount of stomata are different for different timbers.
The stomata mainly play the role of sound absorption.
It can absorb some of the noise that is too loud.
There are too many pores, too big, too dense.
The sound is dry. It's too little, and the sound is muffled.
So wood is also a very important factor.
The third is the size of the resonance box.
The size of the resonance chamber affects how wet and dry the sound is.
That is, the size of the reverberation.
But bigger is not better.
Nor is smaller better.
When making the side plates.
The luthier's technique is important.
It is important that the curve of the side panels is sleek.
The fourth is paint and glue.
Glue the piano board when it comes to gluing.
Bubbles will be left behind.
The plate may not absorb sound completely.
So the glue is bad and the luthier uses the technique of glue.
It also has a big impact.
In addition, the final and third process of making the piano is lacquering.
Handmade pianos should have at least 10 layers of lacquer.
The quality and thickness of each coat of paint, as well as the material.
It will affect the sound of the piano.
Especially the outermost paint.
The matte one definitely sounds better than the crystal one.
But matt paint doesn't protect the body.
Therefore, many of the world's top pianos are matt lacquer.
Sound quality can be guaranteed.
There are also some pianos that are in primary colors and not painted with colored paint.
The sound quality is also very good.
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The texture of the wood, whether the paint is thin or not, the texture of the strings, and most importantly the size and vibration capacity of the resonance box.
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Summary. Solution:
1. The strings collide with the strings: because the string shaft hole is too close to the first line, the two strings are close, and they will rub against each other and sizzle when vibrating. Processing:
Use a screwdriver to split the two strings that rub against each other, and use a screwdriver to split the strings from above the string pillows, and stumble between the strings to separate the strings.
2. There are debris between the strings: there are debris between the strings or between the strings and the horse, and these debris will be encountered when the strings vibrate.
3. The strings rub against the strings: if the strings are not pressed tightly, the chords will rub against each other to produce noise, and the strings can be judged if the noise disappears with a screwdriver above the string pillow. Treatment: Tighten the chord screws.
4. The strings rub against the string screws: If the strings are too close to the strings, the strings will also rub against each other when vibrating, resulting in noise. Handling: A cloth can be padded between the strings and the string screws.
5. The strings rub against the other string nails: if the string nails are loose or the position is not right, the strings cannot be effectively pinned, and the noise will be generated. Treatment: Pin the pin or correct the position.
Solution: 1. The strings and the strings collide: because the pinshaft hole is too close to the first line, the two strings are close, and they will rub against each other to make a sizzling sound when vibrating.
Treatment: Use a screwdriver to split the two strings that rub against each other, and use a screwdriver to split the strings that are difficult to split from above the string pillows, and trip the strings between the strings to separate the strings. 2. There are debris between the strings:
There is debris between the strings or between the strings and the horse, and when the strings vibrate, these debris will make a "sizzle" sound, treatment: clean up these debris. 3. The strings rub against the strings
If the string is not pressed tightly, the chord will rub against each other to produce noise, and the string can be judged if the noise disappears if the string is pressed against the top of the string pillow with a screwdriver. Treatment: Tighten the chord screws.
4. The strings rub against the string screws: If the strings are too close to the strings, the strings will also rub against each other when vibrating, resulting in noise. Processing:
You can put a cloth between the strings and the string screws. 5. The strings rub against the other string nails: if the string nails are loose or the position is not right, the strings cannot be effectively pinned, and the noise will be generated.
Treatment: Pin the pin or correct the position.
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The reasons could be:
The left hand did not press the strings tightly, resulting in no sound, and the left hand pressed into the middle of the fret.
2.Your fingers may touch the string you need to play as you press the string.
3.It could be that the strings are not tightened.
4.The left hand is pressed in the middle of the fret. The correct way to press is to press a little lower on the fret.
It is recommended that if you are a beginner, it is best not to rush to play big tunes, and it is best to do the basic skills first.
A very important thing to do is to open your hand, using your right hand to force between each two fingers of your left hand to the sides, which is a necessary part of the work before playing the piano.
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Judging from the symptoms, the pickups used by the landlord have single-coil pickups, so this cannot be absolutely avoided with any shielding wire, and there is no way for the masters to perform live. It is recommended to switch gears, and the gear used by ordinary single and double line (or single room) circles can reduce a lot of noise, and some masters will put a girl to tie her hair from the headstock to the neck on the spot, but the main thing is to reduce the vibration of other strings when solo. Of course, it is still very important to buy a few civilian shielded wires such as Colin.
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There are several aspects to the general noise!
1. The connection wire is not shielded well (continuous noise, hand pressing the strings or bridges will reduce the noise) 2. The guitar pickups are of inferior quality (continuous noise).
3. The speaker knob is aging (intermittent noise).
4. The ground wire of the guitar is soldered (it will continue to be noisy anyway after powering on) 5. The effect noise cancellation off will also increase the noise (properly set) Your problem should be the first! If your cable diameter is less than a centimeter, it's almost certain! Just change a good line and it's OK!
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The first thing to consider is the problem of the cable, and the socket problem of the speaker, you check it.
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The sound quality and tone of the guitar mainly depends on the case, and frequent bumps can cause the case to be slightly deformed.
Deformation and cracks in the guitar case will change the sound quality and timbre of the guitar, making the sound impure.
Acoustic guitars made of raw wood are more resistant to bumps, and log guitars have a purer sound than other guitars.
When choosing to buy a guitar, it is important to carefully check the case for deformation and cracks to avoid unnecessary troubles in the future.
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Although I didn't learn guitar, I learned piano. But one thing is for sure, try not to hurt the instrument, which will not only affect the aesthetics, but also the sound quality.
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Look at where it is, if it's a string, it's possible, it's okay else, my guitar touches it, but I still pay attention to maintenance, and it feels like this when I play it.
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Yes, the top of the guitar is thin and is meant to vibe, not to touch.
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It will definitely be, but if it is only superficially damaged, it will not be very serious, but be careful not to bump the strings and speakers as much as possible, and remember to put it in the case or hang it high when not in use, and just take care of it yourself.
Generally speaking, swearing is related to quality, and at the same time, it is also related to personal habits, but generally speaking, people with high quality will not swear, so swearing can be said to be a sign of low quality!
1.The strength of the bullet. 2.The velocity and position of the strings. 3.The material of the string. 4.The material of the piano. 5.Wrist strength. 6.The environment in which the piano is located and the workmanship.
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