What are the words of the battle in Chinese?

Confrontation is also known as duality. Because the ancient ceremonial guards, like the current drama stage, are facing each other on the left and right, it is called a battle. Confrontation is a rhetorical device that forms the neatness and beauty of words, and it is also an important factor in forming the form of the rhythm and presenting the atmosphere of the rhythm.

Paying attention to symmetry is the characteristic of ancient Chinese culture, from the emperor's palace and mausoleum, to the common people's portals, furnishings, and ladies' dresses, all pay attention to the symmetry of the left and right. Literature is no exception, because there are many monophonic words in Chinese, even if they are polyphonic words, the morphemes in them are quite independent and easy to cause duality, so dual sentences appeared in pre-Qin poetry. For example, the Book of Songs says:

In the past, I went back, and the willows followed; Now I think about it, the rain and snow are falling. "("Xiao Ya Caiwei") "Chu Ci" said:"Let Yuanxiang have no waves, so that the river flows peacefully.

The birds are on the house, and the water is under the hall. "("Nine Songs, Xiangjun"). There are also often dualities in prose, such as in the Book of Changes:

Respond with the same voice and seek the same breath. "After the Jin and Wei dynasties, the influence of duality expanded, and the articles that were scattered and intertwined in the past were developed into a style of prose throughout the text. It was also from this period that the duality in poetry changed from untidy to gradually neat, from casual use to gradual standardization.

After the early Tang Dynasty, during the period when the rhythm was fixed, duality became an important part of the rhythm poem.

Duality generally requires that two words in the same position must be opposite, that is, noun to noun, verb to verb, adjective to adjective, adverb to adverb ....... The battles in metrical poetry are neater and stricter than those in ancient poems and prose. It requires:

First, the sentence and the antithetical sentence are opposites;

Second, the words in the same position of the sentence and the couplet sentence have the same part of speech, but the words cannot be the same.

For example: The fire tree and silver flower are closed, and the iron lock of the star bridge is opened.

Ping Ping, Ping Ping, Ping Ping.

Su Wei "The Fifteenth Day and Night of the First Lunar Month").

Fire Tree"Right"Singbridge"，"Honeysuckle"Right"Iron locks", both noun to noun; "Yes"Right"On", verb to verb.

The spring silkworm is dead to the end, and the wax torch turns to ash and tears begin to dry.

Ping Ping.

Li Shangyin, Untitled).

The duality in the poem is called a battle. In ancient times, the guard of honor was opposite each other, which is the origin of the term "battle". Confrontation is also known as "duality" or "lizi".

That is, the meaning of similarity or opposite, with the same number of words and penmanship, to form a beautiful sentence. Such as: "Tears fall from the old mountains, and the spring grass grows when the disease comes", "The boundless falling trees are Xiaoxiao, and the Yangtze River is not endless", "Xiaozhan follows the golden drum, sleeps and hugs the jade saddle", "The country breaks the mountains and rivers, and the spring grass and trees in the city are deep".

"Confrontation" is a rhetorical method that uses a pair of phrases or sentences with an equal number of words, the same structure and form, and symmetrical meaning to express two opposite or similar meanings. Of course, to be symmetrical on both sides, there can be no more words and no fewer words.

Duality usually refers to the rhetoric of two groups or sentences in a sentence that are opposite to each other, have an equal number of words, are syntactically similar, are opposite to each other, and have related meanings. In the sense of duality, the two parts are closely related, concise and concentrated, and have a strong generalization powerIn terms of form, the front and back parts are neat and even, the syllables are harmonious, and there is a sense of precept.

Strict duality also pays attention to Pingxuan, making full use of the tone of the Chinese language. The duality has unique artistic characteristics, looks neat and eye-catching, sounds sonorous and pleasant, catchy to read, easy to remember, recited, and is popular for people to hear.

Words of battle: heaven vs. earth, rain vs. wind, continent vs. sky, mountain flowers vs. sea trees, red sun vs. sky.

Confrontation is one of the manifestations of medieval poetic rhythm. The strict duality in poetry is called a duel. The battle mainly includes two aspects: the mutual confrontation of words and the mutual confrontation of sentence structure. Battles are mostly used in pun.

Confrontation is to put words of the same kind or opposing concepts in the corresponding position to make them appear in a state of complementing each other, making the sentence more charming, and increasing the expressiveness of words. The battle is like a guard of honor in the public government, and the two are facing each other. The battle is closely related to the puppet sentences of the Han and Wei dynasties, and it can be said that it was developed from the puppet, and the battle itself should also be a puppet.

Two yellow orioles are singing green willows, and a line of egrets is in the sky.

The window contains a thousand autumn snow in Xiling, and the door is berthed in the Dongwu Wanli ship.

This poem is a very special quatrain, it is a battle between one and two sentences, and three or four sentences are also against each other.

And the general quatrain only requires three or four sentences to fight. It can be seen that the author is of a high level.