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Wang Zengqi's prose representative works include: "Passing Water", "Puqiao Collection", "Grass and Trees in the World", "Travel Food Sketches", "Dwarf Paper Collection", "Wang Zengqi Sketches", "First Visit to Fujian", "Wang Zengqi Essays".
Wang Zengqi's prose does not have the painstaking management of the structure, nor does it pursue the mystery and mystery of the theme, it is plain and simple, eloquent, and homely.
He uses personal and trivial themes to "aestheticize daily life", making people relive the charm of the once disappearing classicism of Qiao Chi Chi Sui celebrity style prose, so that daily life, tranquility and grace return to prose, and let the prose go out of "a thousand people, a thousand parts and one tone".
Roaming in Wang Zengqi's prose, I feel the gentle and delicate emotions like water, this hot spring gradually flows into people's hearts, with its warmth and quietness, and then the reader will taste this emotion with a touch of nostalgia and a little Beijing nostalgia.
Wang Zengqi's linguistic charm:
Wang Zengqi's linguistic charm is good at learning the way of literary expression from the oral language of the people. Not only deliberately absorb nutrients from the mouths of the people, but also pay attention to the various words on the streets, and can feel the fragrance of the spoken language from the various notices and confessions of filial piety from the flow of pulp sellers.
In "** Pen Talk", Wang Zengqi first talked about language, and wrote this sentence at the beginning: "I heard the traffic safety propaganda vehicle broadcast in Xidan: 'Don't run down when crossing the road', I think this is a good language."
I saw a sentence on a poster outside a police station promoting summer hygiene: 'Leftovers must be returned to the pot to see before eating', which I think is also a good language. ”
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Wang Zengqi's prose representative works include "Passing Water", "Puqiao Collection", "Grass and Trees in the World", "Travel Food Sketches", "Dwarf Paper Collection", "Wang Zengqi Sketches", and "First Visit to Fujian".
Wang Zengqi (March 5, 1920 - May 16, 1997), a native of Gaoyou, Jiangsu, was a contemporary Chinese writer, essayist, dramatist, and writer of the Beijing School. He is known as "a lyrical humanitarian, the last pure literati in China, and the last scholar in China." ”
Wang Zengqi is knowledgeable, has a wide range of interests, loves calligraphy and painting, is happy to talk about medicine, and has in-depth research on drama and folklore. There are many vigorous events he has experienced in his life.
However, he deeply felt the hustle and bustle of modern social life, which made readers form a psychological stereotype of yearning for tranquility, leisure, and tranquility, and pursued the pleasure, purification, and sublimation of the soul.
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Take a look at Bai Yang's "Outline of the History of the Chinese".
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Bing Xin (author), Lin Fei (editor).
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