Wen Tingyun s Bodhisattva is barbaric, is it good or bad?

This represents the loneliness of the beauty, and at the same time expresses her mood and entrusts her loneliness.

"Bodhisattva Man" is a kind of poem that Wen Tingyun is good at writing, and almost always uses the lyrical means of borrowing scenes to express the author's feelings of wanting to serve the country.

1. Differences:

Background: Wei Zhuang, according to the research of Professor Ye Jiaying, an expert in Chinese classical literature, the "Jiangnan" in Wei Zhuang's "Five Songs of the Bodhisattva" refers to the land of Jiangnan, not to Shu. This group of lyrics was created in the period when Wei Zhuang lived in Shu in his later years, and it was written by the author to recall the old trip to the south of the Yangtze River.

Wen Tingyun, this word was written in the late Dazhong period (Tang Xuanzong year, 847-860). According to the records of "The Biography of Tang Caizi" and "Northern Dream Trivia", Tang Xuanzong liked the lyrics "Bodhisattva Man", and Xiangguo Linghu secretly asked Wen Tingyun to fill in the new words of "Bodhisattva Man" on his behalf. Based on this, it can be seen that the words of "Bodhisattva Man" were written by Wen Tingyun and presented by Linghu to Tang Xuanzong.

It was between October of the fourth year of Dazhong (850) and October of the thirteenth year (859).

Content: Wei Zhuang, a love affair with a Qinglou woman in Jiangnan.

Wen Tingyun, the scene of the hostess missing her distant relatives.

2. Similarities: They are all two-tone small orders, composed of five or seven words, and forty-four characters.

The bright moon of the jade building remembers her appearance, and the willow silk is weak. The grass outside the door is green, and the gentleman is sent to smell the neighing of the horse.

Painting Luo Jin jade, incense candles into tears. The flowers are crying, and the green window is a fan of dreams.

Wen Tingyun. The fourteen poems of the Bodhisattva Barbarian are important works in the "Flower Collection", so they are placed at the front of the volume. The selection here is one of the masterpieces.

"Between the Flowers" is a selection of words compiled by Zhao Chongzuo of Shu five generations later, including 500 works, most of which depict the emotional world of the characters in detail, which is the precursor of Song Ci.

Wen Ci "Bodhisattva Man" (Yulou Mingyue looks like a memory) can be called one of the representative works of the Huajian School. The whole article is filled with affectionate thoughts, but the ink points before and after are different. The first film focuses on the memories of the past, and the next film focuses on the depiction of reality.

Let's look at the former first. The author deliberately pointed out the "appearance memory", which not only recalls the "bright moon of the jade building", but also "the willow silk is weak in spring", "the grass outside the door, send the gentleman to smell the horse neighing". The mental activity of the protagonist is like this:

People from afar, the life under the bright moon in the jade building is worthy of our eternal memories and cannot be forgotten. I remember that when I said goodbye that day, the willows were soft and the grass was luxuriant, but the spring was so bleak because you were leaving. The horse you're riding is whining softly, as if it can't bear to leave.

The sad sound of the horse tore my heart ....... The depiction of memories is very typical, and the poet grasps a few vivid details to depict the waves of the characters' feelings.

The second half goes into realistic imagery. Painting Luo Jin jade, incense candles into tears. "The environment is in the house at night, and the protagonist sits in a tent painted with gold and jade flowers, staring at the incense candles in front of the bed that are melting into tears.

Du Mushi: "The candle has a heart to say goodbye, and weeps for others until dawn." (Farewell) This is all about love.

The concluding sentence is inexhaustible and evocative. The flowers are crying, and the green window is a fan of dreams. Zigui is the cuckoo bird, and the call is homophonic as "it is better to go back".

Ancient poems often write sub-rules to express feelings of farewell or homecoming. Li Baishi: "Yang Hua fell to the end of the rules, and heard that the dragon marked the five streams."

Hearing that Wang Changling moved to the left and Long Biaoyao sent this send) Tang Dynasty anonymous poem: "Waiting for a home to return to the home, the cuckoo Xiu cried to his ear." (Miscellaneous poems) Residual Dreams:

Shattered dreams. Delirious: intoxicated, immersed, non-comatose.

Li Baishi: "The lost flowers leaning on the stone have suddenly been twilight." Just when the flowers fell and Zigui was screaming, she was immersed in the green window and the broken dream, deeply missing the parting person.

Classical Chinese aesthetics attaches great importance to the subtlety and obscurity of the work. Liu Xian's proposal that literature should be "hidden": "Those who are hidden are also the most important things outside the text."

Hidden is the body, the righteous life is outside the text, the secret sound is bypassed, and the hidden is hidden. This is the aesthetic requirement of "hidden". It means that "hidden" is the meaning of the words and sentences, that is, the thoughts should be contained outside the words, the secret sound comes from the side, and the latent literary brilliance shines in the dark.

It can be seen that "hidden" mainly refers to the subtle beauty and hazy beauty of literature.

Wenxin Carving Dragon", an incisive aesthetic theory about "hidden", is very helpful for us to further appreciate the implicit feelings of Wen Tingyun's poem "Bodhisattva Man", and for us to deeply appreciate the aesthetic connotation and image uniqueness of all hazy poems.

1. "Bodhisattva Barbarian, Small Mountain Overlapping Jin Ming Annihilation" is a representative work of Tang Dynasty writer Wen Tingyun. This word describes the delicate posture of the woman when she gets up and freshens up, as well as the mood after makeup, suggesting the lonely and lonely state of mind of the character. The lyricist wrote the woman's appearance very beautifully, the costumes were very luxurious, and the posture was also very delicate, as if depicting a picture of a lady in the Tang Dynasty.

The whole word successfully uses contrasting techniques, euphemistically and implicitly revealing the inner world of the characters. The partridges are both in contrast to the loneliness of the characters; The description of the appearance and clothing contrasts with the loneliness and emptiness in the characters' hearts. The work fully reflects the author's style of words and artistic achievements.

2, the original text of "Bodhisattva Barbarian: The Mountains Overlap and the Bright Extinction": The hills overlap and the gold is extinguished, and the temples and clouds want to be fragrant and snowy. Lazy to draw moth eyebrows, makeup and grooming late. Before and after the flowers, the flowers reflect each other. The new post embroidered Luo shirt, double golden partridge.

3. Vernacular translation: The overlapping hill scenery on the painting screen reveals the morning light that is bright and dark; It was as if a wisp of green clouds were floating on the snow, and black sideburns brushed her face. I was lazy and didn't bother to draw my curved eyebrows, and I was a long time late before I got up to comb my morning makeup.

When taking a flower arrangement, the front mirror faces the back mirror, and the mirror is full of flowers. Dressed in a brand-new silk robe, the embroidered partridge seems to be about to fly; The partridges embroidered with gold thread in pairs aroused her lovesick tenderness.