The author of the child chases the yellow butterfly in a hurry, 0 332

Xu Gong store in Suxin City.

Yang Wanli's hedge is sparse and deep, and the flowers on the tree are not shaded.

The children hurriedly chased the yellow butterflies and flew into the cauliflower and were nowhere to be found.

Notes] 1 Xinshi Xu Gongdian: place name.

2 Fence: Fence.

Trail 3: Path.

4 Shade: The foliage is lush and thick.

5 Hurrying: Running.

Translation] Beside the sparse hedge, there was a rugged path that stretched into the distance, and the flowers on the trees beside the road had already withered, and the new leaves had not yet formed shade.

The children ran happily, chasing the fluttering yellow butterflies, and the butterflies flew into the yellow cauliflower bushes, and the children were bored and could not find the butterflies again.

Appreciation 1: A hotel is located on the outskirts of the new city, with bright doors and windows facing a beautiful field.

The poet 伫 (zhǜ) stands at the window, his eyes cast through the sparse fence to a field path. The path was thin and long, stretching far, far away; On the trees beside the road, the new leaves are shining green, and have not yet grown into a thick shade; Rape flowers are in full bloom, the ground is full of gold, a thriving spring scene.

Suddenly, a child chased a butterfly from the path and hurried to it, and in the blink of an eye, the butterfly flew into the cauliflower. The little guy is looking for it, looking for it, in a piece of yellow cauliflower, how can I not figure out that the butterfly is hidden in **!

Please don't be disappointed, little friend, don't you see that the golden cauliflower on the ground is like thousands of yellow butterflies dancing?

Appreciation 2: This is a poem describing the rural scenery in late spring, which depicts a picture of a child fluttering butterflies in spring.

The first two sentences "the fence is sparse and the path is deep, and the flowers on the trees are not in the shade" point out the background of children's butterfly hunting. There is a sparse fence and a deep path. There are also a few trees next to the fence, their petals falling from the branches, and the young leaves have not yet become shaded.

Fences and paths, pointing out that this is rural; "The flowers have not fallen into the shade" and the "cauliflower" in the concluding sentence both indicate that this is the twilight spring season.

The last two sentences, "Children rush to chase yellow butterflies, fly into cauliflower and nowhere to be found" turn the colored pen into the center of the picture, depicting the joyful scene of children catching butterflies. "Hurry" and "chase" mean to run and chase quickly. These two verbs are very vivid, and they portray the child's innocence, liveliness, curiosity and competitiveness in a subtle and vivid way.

And "Flying into the Cauliflower and Nowhere to Find" suddenly turns the camera of the event to a static one. The words "nowhere to be found" leave the reader with room for imagination and aftertaste, as if a child who is hesitant and overwhelmed in the face of a golden cauliflower appears in front of us.

This poem uses the technique of white drawing, which is easy and natural, and the image is distinct. Yang Wanli is very familiar with rural life, and his descriptions of nature are truly touching and funny.

About the author: Yang Wanli (1127-1206), (1124-1206), poet of the Southern Song Dynasty, Zi Tingxiu, No. Cheng Zhai, Jizhou Jishui (now Jiangxi) people. He is one of the writers with the most ancient poems in China. His poems are popular, fresh, smooth and natural, and are known as "Cheng Zhai style".

The content of the poem is mainly about landscapes and natural scenery, so his good friend once humorously joked with him that "mountains and rivers everywhere are afraid to see you".

Yang Wanli (1127-1206), (1124-1206), a poet of the Southern Song Dynasty, was a native of Jishui, Jizhou (now Jiangxi). He is one of the writers with the most ancient poems in China. His poems are popular, fresh, smooth and natural, and are known as "Cheng Zhai style".

The content of the poem is mainly about landscapes and natural scenery, so his good friend once humorously joked with him that "mountains and rivers everywhere are afraid to see you".

The hedge is sparse and the path is deep, and the flowers on the trees have not become shaded. The children hurriedly chased the yellow butterflies and flew into the cauliflower and were nowhere to be found.

Song Dynasty Yang Wanli "Suxin City Xu Gongdian" original text:

The hedge is sparse and deep, and the trees are new and green.

The children hurriedly chased the yellow butterflies and flew into the cauliflower and were nowhere to be found.

Translation: A path leads to the distance by the sparse hedgeh, and the petals of the trees beside the road are falling, and the new leaves have just grown before they form shade. The child ran after the yellow butterfly, but the butterfly flew into the cauliflower bush and was never found again.

Background of creation

This group of poems is dated to the third year of the reign of Emperor Guangzong of the Song Dynasty (1192 AD). At that time, Yang Wanli was serving as the deputy envoy of Jiangdong Transport, and his office was in Jiankang (now Nanjing, Jiangsu).

The "new market" in the title of the poem was a town at that time, in the northeast of present-day Deqing, Zhejiang, between Lin'an (now Hangzhou, Zhejiang) and Jiankang. Surrounded by land and water, the boat and car are all right, and it is a necessary place for the author to leave Lin'an to go to Jiankang, or to return to Lin'an from Jiankang to report on his work.

The author passed through here, stopped for a while, stayed for a short time, saw the scenery and feelings, and felt it, so he wrote this group of poems.

"Children rush to chase the yellow butterfly" means to chase in a hurry, and the whole sentence means that the child is running to chase the yellow butterfly, from the Song Dynasty Yang Wanli's "Xu Gongdian in Suxin City", which is a poem describing the rural scenery in late spring, depicting a scene full of spring.

Original text: The hedge is sparse and deep, and the new green of the tree has not become shade.

The children hurriedly chased the yellow butterflies and flew into the cauliflower and were nowhere to be found.

Through the description of the scenery at the turn of the seasons in late spring and early summer, the vitality of all things is reflected. The scenery ingested in the whole poem is extremely plain, and the activities of the characters depicted are also extremely ordinary, but due to the combination of scenery and characters, and the writing technique of intermingling movement and stillness, it successfully depicts the tranquil and natural twilight of the countryside, quiet and fresh.

The children hurriedly chased the yellow butterflies and flew into the cauliflower and were nowhere to be found.

From Yang Wanli's "Xu Gongdian in Suxin City" in the Song Dynasty

The hedge is sparse and the path is deep, and the flowers on the trees have not become shaded.

The children hurriedly chased the yellow butterflies and flew into the cauliflower and were nowhere to be found.

The last two sentences, "Children rush to chase yellow butterflies, fly into cauliflower and nowhere to be found" turn the colored pen into the center of the picture, depicting the joyful scene of children catching butterflies. "Hurry" and "chase" mean to run and chase quickly. These two verbs are very vivid, and they vividly portray the child's innocent, lively, curious and competitive demeanor and psychology.

And "Flying into the Cauliflower and Nowhere to Find" suddenly turns the camera of the event to a static one. The words "nowhere to be found" leave the reader with room for imagination and aftertaste, as if a child who is hesitant and overwhelmed in the face of a golden cauliflower has emerged in front of him.

The whole poem is poetic:

The hedge is sparse and one path deep): There is a path next to the sparse hedge that stretches into the distance, (the flowers on the tree have not yet become shade): the flowers on the tree have just withered, and the leaves are sparse and not dense.

A child is running after a yellow butterfly, (flying into the cauliflower and nowhere to be found.) ）：

Butterflies flew into the cauliflower, and the children could not find them.

Suxin City Xu Gongdian" Yang Wanli.

The hedge is sparse and the path is deep, and the flowers on the trees have not become shaded.

The children hurriedly chased the yellow butterflies and flew into the cauliflower and were nowhere to be found.

Appreciation

Chengyin: Fences and paths, pointing out that this is a rural area; "The flowers have not fallen into the shade" and the "cauliflower" in the concluding sentence both indicate that this is the twilight spring season.

The last two sentences, "Children rush to chase yellow butterflies, fly into cauliflower and nowhere to be found" turn the colored pen into the center of the picture, depicting the joyful scene of children catching butterflies. "Hurry" and "chase" mean to run and chase quickly. These two verbs are very vivid, and they portray the child's innocent, lively, curious and competitive demeanor and psychology vividly.

Flying into the cauliflower and nowhere to be found, the camera of the activity suddenly turns to a standstill. The three words nowhere to be found leave room for the reader's imagination to reminisce, as if a child who is hesitant and overwhelmed in the face of a golden wheel sedan chair cauliflower.

This poem uses the technique of white drawing, which is easy and natural, and the image is distinct. Yang Wanli is an honest official, he has been jealous of rape, and he has lived in the village for a long time after being dismissed, and he is very familiar with rural life.

The author of this poem wrote more than 20,000 poems in his lifetime, including a large number of landscape poems. His poems are fresh and funny, cleverly conceived, and his language is popular, and he is in a family of his own, and he was as famous as Lu You and others at that time. This poem is a seven-character quatrain describing an idyllic scene.

The title of the poem suggests that the content of the poem is the scene that the poet saw when he stayed at Xu Gongdian.

When the poet was staying at an inn opened by a family surnamed Xu in a new town in Deqing County, Zhejiang Province, he saw a field of rape with yellow flowers. There were happy children running there. They were chasing yellow butterflies.

The yellow butterflies flew into the yellow rape flowers, and the children couldn't tell which was the butterfly and which was the yellow flower, and they couldn't find the butterfly anymore. The poet vividly described the beautiful pastoral scenery in simple language and sang the praises of the beautiful mountains and rivers of the motherland.

From the Song Dynasty Yang Wanli's "Xu Gongdian in Suxin City".

The original text is as follows: the hedge is sparse and the path is deep, and the new green of the tree is not yet shaded.

The children hurriedly chased the yellow butterflies and flew into the cauliflower and were nowhere to be found.

Children rush to chase yellow butterflies" is a dynamic description of the characters. The combination of "hurrying" and "chasing" shows the excitement and cheerfulness of the children's hands fluttering with their hands, and the two ants stumbling and chasing butterflies with their feet, reflecting the innocence and liveliness of the children.

Fly into the cauliflower and find nowhere to find it" The cauliflower is yellow, and it is a luxuriant piece, a small butterfly, flying into this yellow ocean, is naturally nowhere to be found. It is conceivable that at this time, the anxious state of the children of Sewa looking around, and the disappointment of searching for the big return, etc., show the innocence and childishness of the children.