Wang Shuo Xu Ye s synopsis and evaluation

Xu Ye" If Wang Shuo is in "Animal Fierce".

The use of "writing more than one thing" (I specifically refer to here: writing a past event into multiple stories and putting it in the same **text because it is too difficult to remember clearly or the rumors are too difficult to unify) is a kind of stream-of-consciousness memory, and the "more than one thing to write" in "Playing is the Heartbeat" is to cooperate with the flashback technique, so the "more than one thing" in this article seems to be meaningless. It's nothing more than a few stories similar to "Shanghainese in Japan" or "Beijingers in New York", and there is no literary brilliance or original details.

In these stories, the character traits of the characters are not clearly expressed, and the writing is neither humorous nor heavy, but only expresses a helpless atmosphere.

But I think the description of Xu Liyu, the predecessor of "Xu Ye", in the first half of the text is still in place. A person who was humiliated by his low family status when he was a child still has a deep inferiority complex after becoming a taxi driver who was very popular at the time, so even if "I" and Wu Jianxin were degraded by Xu Liyu's money and himself, Xu Liyu was indifferent and still treated as friendly as ever, if he was a guest, it can be said that he endured humiliation, and the more he wanted to win the respect of his friends by eating, drinking and having fun, the more he was led by his friends as an object of bullying and arbitrarily squeezed out. In the end, Wu Jianxin and Xu Liyu fell out, and "I" stopped playing with them.

I quit public service and began my writing career. When taking a taxi, "I" accidentally bumped into Xu Liyu, who was still a taxi driver. "I" have become famous, and Xu Liyu is still the same.

He is still so inferior, so inferior that he doesn't want to ask about "my" achievements and "my" works. "I" also went with the flow and left Xu Liyu **, but I didn't want to continue to develop any friendship.

At this point, the text is well written. Next, in the restaurant of the half-aged Xing Suning, after a period of lay-out, the "Xu Ye" who was popular with many wives and celebrities finally appeared. What he brings to people is a beginning, a little interesting, but more and more uninteresting, and finally ends hastily with a very vulgar baggage.

This is a "love story" with about 3,000 words. I know that this is not that Xu Ye is boring, but that Wang Shuo is boring, and if he can't write brilliantly, he has to write and he has to write so long, like rolling thinner and thinner noodles.

Throughout the whole article, the first half is impressive, because there is life experience there. The second half (from verse 10) seems to be strong there, there is no basis for life, only hearsay, and finally there is a "**synopsis**", and there is no so-called "fake is true, true is false" Cao Xueqin.

Kung Fu had to make me read as light as water.

The story seems to be based on real life, but its absurdity and exaggeration are far beyond reality and detached from reality.

Wang Shuo's **, praised and hotly discussed, is often his early works, often those ruffian protagonists, and the gray life stories of ruffian protagonists. But as far as my own feelings are concerned, I think Wang Shuo's later works can really be called sleek and mature, and they run freely. The literary character is getting stronger and stronger.

His masterpieces are like "Xu Ye", "Animal Fierce", and "I Am Your Father", which are characterized by the fact that the author hides behind the words, calmly tells a cruel story, and completely leaves the feelings of love and hatred to the reader. Take "Xu Ye" as an example, it is to abandon specific characters such as ruffians, army courtyard disciples, criminals, etc., and take the most ordinary and ordinary little people as the protagonists. Through the portrayal of their stories, it reflects the changes in the background of the times and the significant impact that this change has had on the lives of the little people.

To put it bluntly, they are the victims of the times. Of course, a tragedy like "Xu Ye" can't be completely blamed for the changes in the times. The tragedy of "Xu Ye" also has many common problems in the little people, such as vanity, such as evasion, such as gains and losses, and so on.

These, Wang Shuo has a lot of touching descriptions that make people cry in "Xu Ye", and he is both sympathetic and resentful of the protagonist. Personally, I think that these ** are more pure literary writing, which is much stronger than half sea water and half flame. At the beginning, Wang Shuo had a "culture in China" **, so I wrote a post, saying that half of it is sea water and half of it is flame, whether it is content or structure, it is what an essay looks like.

As a result, it was hung on the home page by that **, and I can't help but say that people have generosity. In the last sentence, the fate of Xu Ye is the tragic fate of some little people in the city in the context of the changes of a specific era, as well as their numbness and struggle with this fate, which ended in a very tragic failure.