The meaning of Han Shaogong s return, what does Han Shaogong s Return want to express?

This ** should be the prelude to Han Shaogong's exploration of "root-seeking literature", which already shows the meaning of "searching", but what is looking for is "self". It can be seen that Han Shaogong's road of "root-seeking" began from the search for himself. However, what is the "self"?

The ancient Greek philosophers had a motto of "knowing oneself" very early, Sigmund Freud.

It is also discussed specifically and incorporated into the "three self" system, which countless writers have also touched on in their works, and Han Shaogong's attempt is just one of the personal efforts of writers in the 80s to "rebuild themselves".

It's just that we watch "Homecoming".

At the end of the year, this "attempt" eventually fell into the quagmire of metaphysics: Who am I? Because of the complexity of the self's problems, the tendency of ** to magical reality is very natural.

The protagonist's invasion of the village is equivalent to breaking into the "magic", he becomes a different person, and goes through various stories under this identity, until one day he takes a shower, the heat is thick, and he feels a certain sense of unreality, and then returns to reality - an inn, magic and reality are intertwined. Isn't that what the self asks?

It's actually an "existentialism."

Sartre's thought that action shapes oneself seems to contradict the ideas presented in Han Shaogong's article, which is worth pondering.

Han Shaogong's profile.

In 2013, the long-form ** "Day and Night Book" was published in "Harvest" magazine.

At the end of March of that year, the ** single book was published by Shanghai Literature and Art Publishing House, and the traditional Chinese version was published by Taiwan's Lianjing Publishing House in November, and won the title of "Southern Weekly".

Cultural originality, "Tribute to Person of the Year" and other honors. In August of the same year, the short story "What Happened on the Other Side of the Mountain" was awarded the "** Monthly".

The 15th Hundred Flowers Award.

In September, the "Book of Day and Night" seminar organized by the Institute of Literature of the Hunan Academy of Social Sciences and the Hainan Literary and Artistic Critics Association was held in Changsha. In November, the "Day and Night Book" seminar sponsored by the Creation and Research Department of the China Writers Association and the Hainan Writers Association was held in Beijing.

In November, he was invited by the Institute of Social Literature of Taiwan Chiao Tung University to serve as the school's writer-in-residence for one month, and gave lectures at universities in Taipei, Changhua, Chiayi, Nantou and other places. In the same month, the "Han Shaogong Workshop" was held in Hsinchu, Taiwan. Convene.

Summary. This is a magical realism**, and it is also a typical literary work of root-seeking. The "return" that the author wants to express is actually a process of struggling to find self-identity between the "returning" horse glasses and the "returning" Huang Zhixian, between the dreamlike past and the living reality, and between the lost and the searching.

What does Han Shaogong's "Return" want to express?

This is a magical limb staring at realism**, and it is also a typical literary work of root-seeking. The "return" that the author wants to express is actually a process of struggling to find self-identity between the "returning" horse glasses and the "returning" Huang Zhixian, between the dreamy past and the living reality, and between the lost and the searching.

Returning to Han Shaogong's analysis.

Returning to Han Shaogong's analysis.

The above is an analysis of Han Shaogong's return.

Hope it helps.

"Returning" is actually a process of searching for self-identity between the "returning" horse glasses and the "returning" Huang Zhixian, between the dreamlike past and the living reality, and between the lost and the seeking.

Through the protagonist's experience in the countryside and the city of Xiangxi, this work reveals the conflict between modern civilization and traditional culture, and finally denies the former and promotes the latter.

Summary. Hello, this ** should be the prelude to Han Shaogong's exploration of "root-seeking literature", which has already shown the meaning of "searching", but what is looking for is "self".

What does Han Shaogong's "Return" want to express?

Hello, this ** should be the prelude to Han Shaogong's exploration of "root-seeking literature", which has already shown the meaning of "looking for things with land", but what is looking for is selling sedan chairs "self-cover".

If the content is helpful to you, I hope to get your likes, thank you very much!

Are the king and the horse the same person?

Hello, that's another person who the protagonist broke into the "magic" So it's the same person?

That's right. The protagonist's invasion of the village is equivalent to breaking into the "magic", he becomes a different person, and goes through all kinds of stories under this identity, until one day he takes a shower, the heat is thick, which makes him feel a certain sense of unreality, and then returns to reality - an inn, where magic and reality are intertwined and hidden. This level of annihilation is a question of the self of the match.

If the content is helpful to you, I hope to get your likes, thank you very much!

Summary. The last paragraph of the return speech expresses his thoughts on the universe and life, which can be regarded as a confession of seclusion. "It's over, how long will it take to regain the shape of the universe!

I don't want to stay! "It means that you are between heaven and earth, but for a short moment, why don't you decide what you want to do? And what he yearns for:

Huai Liangchen is lonely or planting a cane. Dengdong Gao is a poem with Shu Xiao and a clear stream. The author uses the epilogue to convey his own interests.

Finally, the full text was concluded with "Talking about multiplication to the end, and Lefu's destiny is doubtful", saying that with the change of life and death, everything is left to its nature, and Lotte knows his fate and does his best for the rest of the year. This is an expression of the author's philosophy of life and life conclusions. Although it is inevitably negative, it does come from the heart, and contains the painful reflection of retreating from the vulgar and sinister officialdom, with the profound experience of the positive and negative sides of the past.

Therefore, it is different from the kind of false hermit who talks about metaphysics and pretends to be high.

The last paragraph of the return speech expresses his thoughts on the universe and life, which can be regarded as a confession of seclusion. "It's over, how long will it take to regain the shape of the universe! I don't want to stay!

"It means that you are between heaven and earth, but for a short moment, why don't you decide what you want to do? And what he yearns for is: "Huai Liangchen is lonely, old and old or planting sticks."

Dengdong Gao is a poem with Shu Xiao and a clear stream. The author uses the epilogue to convey his own interests. Finally, the full text was closed with "Talking about multiplication to the end, Lefu's destiny is doubtful", saying that with the change of life and death, the hall will never listen to its nature, and Lotte will know his fate and do his best for the rest of the year.

This is the author's philosophy of life and life conclusion. Although it is inevitably negative, it does come from the heart, and contains the painful reflection of retreating from the vulgar and sinister officialdom, with the profound experience of the positive and negative sides of the past. Therefore, it is different from the kind of false hermit who talks about metaphysics and pretends to be high.

It's Han Shaogong's ** "Return".

Wait a minute, I'll sort it out for you right away.

My tiredness mainly stems from mental distress and pressure; "Never get out" shows that this kind of "tiredness" has a profound and long-lasting impact on "me"; The "huge me" here refers to the "me" in the memory of the mountain people, which forms a huge contrast with the real "me", making the "me" feel shocked and suffocated; The cry of "mother" is not only the instinct of "I make trouble" to the mother of life, but also the natural return to the "cultural matrix", which echoes the title of **.

Okay thank you.

This ** should be the prelude to Han Shaogong's exploration of "root-seeking literature", which already shows the meaning of "searching", but what is looking for is "self". It can be seen that Han Shaogong's road of "root-seeking" began from the search for himself. However, what is the "self"?

The ancient Greek philosophers had a motto of "knowing oneself" very early, and Freud also discussed it and incorporated it into the system of "three selfs", which countless writers have also covered in their works, and Han Shaogong's attempt is only one of the personal efforts of writers in the 80s to "rebuild themselves".

It's just that when we look at the end of "Homecoming", we know that this kind of "attempt" finally falls into the quagmire of metaphysics: Who am I? Because of the complexity of the self's problems, the tendency of ** to magical reality is very natural.

The protagonist's invasion of the village is equivalent to breaking into the "magic", he becomes a different person, and goes through all kinds of stories under this identity, until one day he takes a shower, the heat is steaming, which makes him feel a certain sense of unreality, and then returns to reality - a return to an inn, magic and reality are intertwined. Isn't that what the self asks?

This is actually a question of "existential amusement", Sartre thinks that action shapes oneself, and Han Shaogong's idea of thinking in this article seems to be incompatible, which is worth pondering.

Summary. Hello! Han Shaogong's magical realism** is characterized by organically combining the realistic expression of unusual things with the exaggerated and deformed descriptions of ordinary things, but maintaining its realistic tone.

It expresses the author's duality, civilization and ignorance, metaphysical to metaphysical, and the ending is thought-provoking.

What does Han Shaogong's "Return" want to express?

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Hello! Han Shaogong's magical realism is characterized by the combination of realistic expressions of unusual things and exaggerated descriptions of ordinary things, but maintains its realistic tone. It expresses the author's thoughts on duality, civilization and ignorance, metaphysical and old, metaphysical and metaphysical, and the ending is thought-provoking.