Fang Bing Cao Huma poems, who is the author of Fang Bing Cao Huma Poems .

Works: Fang Bing Cao Huma's poems.

Contents: Huma is famous, sharp and skinny.

The bamboo batch has both ears, and the wind is light into the four hooves.

There is no space in the direction, and it is really worthy of life and death.

Xiaoteng has this, thousands of miles can be rampant.

Fang Bing Cao Huma (Tang Du Fu).

The first four lines of this poem concretely describe Hu Ma's thin bones like a knife peak, his ears and bamboo sharpened like a sharp tower, handsome and vigorous, his steps are brisk, his hooves are vigorous, and he is a horse. The last four verses praise Huma for his skills, pointing out that wherever he goes, there is nothing to stop him, and that he can trust the rider to trust him even to entrust his life, because Huma is so brave and swift. Therefore, thousands of miles can also be rampant. The poem not only praises Huma, but also expresses the poet's desire to make a contribution.

In the course of China's cultural development, ancient poetry has always been a shining pearl. There are many ancient Chinese poems, so who is the author of "Fang Bing Cao Huma's Poems"?

1. "Fang Bing Cao Huma Poem" is a poem written by the Tang Dynasty poet Du Fu. This poem depicts a "Hu Ma" who is clear and galloping thousands of miles with a expressive pen, in order to expect Fang Bing Cao to establish a meritorious career for the country, expressing the poet's resolute and courageous character and lofty ideals of galloping through the storm. The style of the whole poem is super vigorous and optimistic, and the combination of form and lyricism is natural and seamless.

2. The original text of the work: Fang Bing Cao Huma poems Huma is famous, sharp and skinny. The bamboo batch has both ears, and the wind is light into the four hooves. There is no space in the direction, and it is really worthy of life and death. Xiaoteng has this, thousands of miles can be rampant.

3. Translation: Fang Bing Cao's horse is a famous Dawan horse, with lean muscles and bones as prominent as a blade. The ears are sharp, like oblique bamboo tubes; Running with four hooves is brisk, like a whirling wind.

Where you go, there is no such thing as a long mileage; It can be described as a step of a thousand miles, and it can really be entrusted with life. With such a good horse that is good at galloping fast, it is enough to run rampant thousands of miles away and make a contribution to the country.

Appreciation

This is a poem of words. Du Fu was originally good at horseback riding, and he also loved horses, and wrote many horse poems. The style of this poem is super vigorous and vigorous, reflecting the enterprising spirit of the young Du Fu.

The first four lines of the poem describe the dynamics of the horse's appearance, and the last four lines transcribe the horse's character. The neck is connected to the galloping horse, writing that it gallops vertically and horizontally, and has an infinite and vast world of activities; Its ability to overcome all obstacles is enough to be trusted. It seems to be writing about horses, but it is actually writing about people, which is actually the image of a loyal friend, a brave soldier, and a chivalrous hero.

The tail couplet first uses "Xiao Teng is like this" to summarize the above, summarize the horse, and finally open a sentence: "Thousands of miles can be rampant", containing endless expectations and ambitions, and opening up the artistic conception very far-reaching.

This couplet can be closed and released, it is not only a description of the horse galloping thousands of miles, but also the expectation that Fang Bing Cao will be a national meritorious, but also a portrayal of the poet's own ambition. In the Tang Dynasty, the strength of the country and the development of the territory inspired the pride of the people. This vigorous uplift'It is indeed most appropriate for the spirit to be expressed by a horse.

This is really different from Du Fu's compassion for the sick horse in the later period to express his concern for the country.

Zong Bing's "Painting Landscape Preface" of the Southern Song Dynasty believes that the truth of "Chang Shen" can be achieved through writing the form and conveying the spirit. If an artistic image cannot "relax the mind", that is, convey the author's feelings, then no matter how cool Xiao is, it is inanimate. Du Fu's poem combines form and lyricism in a natural and seamless way.

In writing about horses, people are also written, and people are inseparable from writing horses, so that on the one hand, horses are endowed with living souls, and horses are further written alive with the spirit of people; On the other hand, writing people has the character of horses, and people's emotions have also been vividly expressed. The predecessors said that "poetry is the most difficult to work, if it is too pertinent, it will stick to the belt bones, and if it is not relevant, it will catch the wind and catch the shadow, and it must be between not leaving" Qian Yong's "Walking in the Garden and Talking about Poetry", this requirement Du Fu has done.

Du Fu Hu Ma is famous, sharp and skinny.

The bamboo batch has both ears, and the wind is light into the four hooves.

There is no space in the direction, and it is really worthy of life and death.

Xiaoteng has this, thousands of miles can be rampant.

Inscription] wrote about Huma's sharp edges and skinny bones, and used the horse's divine horse to express his confidence in the future. The pen is arrogant and arrogant, and it is very expressive.

Translation] Fang Bing Cao's horse is the famous Dawan horse. Skinny and sharp, like a knife edge. The ears are sharp, like sharpening bamboo.

The four hooves are brisk, like a strong wind. The place where you go, the desert is empty. Not afraid of dangers, life and death.

There is such a strong, galloping and fast horse, enough to run rampant thousands of miles away!

This is a poem of words. Commentators generally believe that it was composed in the 28th year of the Kaiyuan Dynasty (740) or the 29th year, during a period when the poet roamed Qi and Zhao, the flying eagle lackey, and Qiu Ma was mad. The style of the poem is super vigorous and vigorous, reflecting the enterprising spirit of the young Du Fu.

The poem is divided into two parts. The first four sentences are written on the front, which is a real writing. The poet is just like a Danqing skillful hand, and he uses a expressive pen to describe a clear and bone-wise "Hu Ma" for us.

It comes from Dawan (the name of the Western Regions of the Han Dynasty, known for producing "sweat and blood horses"), and is naturally extraordinary. Next, a figurative portrayal of the horse was made. Nanqi Sheikh's "Catalogue of Ancient Paintings" put forward "six methods", the first is "vivid rhyme", and the second is "bone method with a brush", which is put forward as the primary condition for vivid rhyme.

The so-called "bone method" is to write the demeanor and temperament of the object. Du Fu writes about the bones of the horse: rugged and towering, like sharp edges, outlining the outline of the gods.

Then he writes that the horse's ears are as sharp and strong as a knife and an axe, which is also a characteristic of a good horse. At this point, the horse's extraordinary treasure has jumped on the paper, we seem to see its fierce jet, eager to try the situation, the following homeopathic writing its four hooves in the air, the majestic posture of galloping is very natural. The verbs "batch" and "enter" are extremely expressive.

The former writes that the ears are straight and erect, and there is a kind of upright strength; The latter does not write four hooves to generate wind, but writes the wind into four hooves, which has a unique charm. According to the rider's feelings, when the wind is galloping, it is as if the horse is not moving, and the scenery on both sides flashes back quickly, and the wind whistles into the hooves. The poet portrays meticulously and realistically.

The two sentences of the jaw couplet highlight the last word of each sentence with the rhythm of "two-two-one": "Jun" writes the spirit of the horse, and "light" writes its gallop, all of which show the ingenuity of the poet. This part writes about the style and bones of the horse, using a large brush outline method, omitting unnecessary details, only writing its bones, ears and galloping state, because these three can best reflect the characteristics of the horse.

As Zhang Yanyuan commented on the painting: "The pen is only one or two, and the image has been answered, leaving the dot painting, and the lack of time is seen, although the pen is not thoughtful and thoughtful." This is the so-called "freehand expressiveness".