Who are the four masters of Mozhu in the Ming Dynasty? Who is the founder of ink and bamboo painting

Song Ke, Yang Weihan, Wang Fu, and Xia Chang are collectively known as the four masters of ink and bamboo in the Ming Dynasty.

Song Ke (1327 1387) was a native of Changzhou (now Suzhou, Jiangsu). It is one of the famous calligraphers in the early Ming Dynasty "Three Song and Two Shen". and Gao Qi are called ten friends, and poems are called ten talents.

Hong Wuchu was known to Fengxiang. Su Gong Caoli won the law of Zhong and Wang, and the pen was exquisite and graceful. And work to write bamboo, although the inch of the hill is cut, and thousands of jade, the rain stacks smoke, Xiao Ran has no vulgar atmosphere.

Try to make a chicken perch stone industry strip, the inscription has the sentence "art does not feel self-contained", which is said to be irretrievable. Calligraphy is in a hurry, so writing bamboo can be wonderful. Taste in the test yard with a red pen to sweep the bamboo, Zhang Boyu has the sentence "occasionally see a branch of red caryophyllus", people think that Zhu Zhu began with Song Ke.

Died at the age of sixty-one. Song Ke's calligraphy was quite famous in the Ming Dynasty, and Song Pu and Song Guang, who were good at calligraphy at that time, were called the Three Song Dynasty.

Yang Weihan, the word Zigu, the number Fangtang, Zhuji people, Ming Dynasty calligrapher and painter.

Yang Weizhen's brother, learned the epic scriptures from his father Yang Hong when he was a child, and did not go downstairs for five years. In his early years, he served as a county scholar, then changed to Cixi school official, and in his later years, he served as the head of Shuangxi Academy in Raozhou (now Shangrao, Jiangxi), and died in office. Good at painting ink bamboo, Ke Jiusi is very respected, known as "Fangtang bamboo".

Together with Song Ke, Wang Fu and Xia Chang, they are known as the four masters of ink and bamboo in the Ming Dynasty. He is the author of "Art Travel".

Wang Fu (wángfú), a great painter in the early Ming Dynasty, is good at landscapes, especially fine dead wood, bamboo and stone, painting bamboo and collecting the strengths of various famous artists since the Northern Song Dynasty, with a unique style of swaying freely, vertical and horizontal, clear and green, people call his ink bamboo is "the first in the Ming Dynasty". In the first year of Yongle (1403), he began to participate in the compilation of the Yongle Canon.

Xia Chang (1388-1470), the name Zhongzhao, the name of the self-contained layman, Yufeng, Kunshan people, later generations known as his master of painting bamboo. His first surname was Zhu, his name was Chang, and his surname was Xia, and Taizu changed his name to Chang, and the word Zhongzhao was changed. No. Zizai, also known as Yufeng, a native of Kunshan, Jiangsu, and Xia Yu's brother.

Painting ink bamboo master Wang Fu, can get the wonderful, when the push first, famous, compete for gold to buy.

In the history of Chinese painting, there is an independent art subject - painting bamboo. In the specialty of painting bamboo, there are colored bamboo, vermilion bamboo, and ink bamboo, among which the influence of ink bamboo is the greatest. Who is the creator of Mozhu? Historically, there have been different interpretations.

One said that it was Wu Daozi of the Tang Dynasty. Wang Yi said in the "Mustard Seed Garden Biography": "The valley clouds, Wu Daozi painted bamboo, without adding danqing, has been very similar, and the ink bamboo began with Daozi."

"Valley" is the name of Huang Tingjian in the Northern Song Dynasty, and Huang Tingjian's words are literally translated: Wu Daozi painted bamboo, without adding Dan and Qing two colors, it is extremely similar, and it is expected that ink and bamboo painting was founded in Wu Daozi. It is a pity that in the ink left by Wu Daozi, there is no ink bamboo, and some people doubt this.

One said that it was Wang Wei of the Tang Dynasty. Zhu Sheng of the Qing Dynasty proposed in the "Qingshitang Bamboo Spectrum": "The transmission of ink bamboo begins in Maha", which means:

According to legend, ink bamboo began with Wang Wei (the word Maha). The evidence for this is also insufficient. Only in the forest of steles in Xi'an, there is a double-hooked bamboo stele painted by Wang Wei copied and engraved by later generations, but because the stele has been weathered, the original is a double hook or ink writing can no longer be recognized.

Another version is that Emperor Li Longji of the Tang Ming Dynasty. Zhang Huigong, a famous painter of bamboo in the Yuan Dynasty, said in "The Story of Ink and Bamboo": "The man who paints ink and bamboo is from the Ming Emperor and passed on to Xiao Yue." "Whether Emperor Tang Ming founded ink bamboo remains to be verified, but Xiao Yue is indeed a person, he is famous for painting bamboo in the Tang Dynasty.

There is also a theory that it began with the Li family, the wife of Guo Chongtao in the fifth generation. Xia Wenyan of the Yuan Dynasty recorded it in the "Drawing Treasure". Something to the effect of:

Li once sat alone in front of the south window in the evening, and when he saw the bamboo shadow on the paper window, he paused to get up, study ink and pick up the pen, and copy the bamboo shadow on the window paper. When you look at it during the day, it has a special charm. This method of painting gradually spread, and so there was ink bamboo.

In history, there is indeed a Li family, but his ink and bamboo works have not been handed down. The truth and falsity of the above statement still need to be further verified.

The founder of Mozhu is Wen Tong.

According to historical records, the first ink bamboo was the Northern Song Dynasty Wentong, which opened a new situation of ink and bamboo painting, and Su Dongpo's first painting of Zhu Zhu was respected as the "originator of Zhu Zhu". Contemporary Banqiao Chen Peihua integrated Yi Xue into the painting of bamboo, painted bamboo with cinnabar and ink, painted the bamboo with vermilion and ink, and named it"Zhu Mozhu". Summarize an overview of creative theory.

Since Wentong first created "ink bamboo", a new situation of literati painting bamboo after a thousand years has been formed, adding a heavy brush to the Chinese culture and Chinese painting literati painting bamboo, creating the "Zhu Mo Bamboo School". Chen Peihua is known as the "founder of Zhu Mozhu".

Chen Peihua, the founder of Zhu Mozhu, is known for being good at painting bamboo. He pays attention to absorbing the strengths of all families, advocating writing instead of painting, painting Zhu Mozhu at the same time, and integrating easy learning into creation. He painted bamboo with cinnabar and ink, and for the first time proposed the idea of thick ink painting near light ink painting, thick Zhu painting near light Zhu painting far, three-dimensional space idea.

Created a two-color bamboo with vermilion and ink, and named it"Zhu Mozhu". Summarize the overview of Zhu Mozhu's creative theory. Deeply loved by calligraphy and painting lovers, it has formed a new situation of literati painting bamboo after a thousand years since Wentong opened the "ink bamboo", adding a heavy pen to Chinese culture, and creating the "Zhu Mo Bamboo School" is respected as the founder of Zhu Mo Bamboo.

The literati of the Ming Dynasty also developed ink opera painting. Song Ke, Wang Fu, Xia Chang, and Lu Dezhi are famous for Mozhu, Sun Yiji and Chen Xianzhang are famous for Momei, and Zhou Tianqiu is famous for Molan. Among them, Xia Chang's Mozhu Xiaosen was called the first at that time.

Chen Zihe's "Su Wu Shepherd" The story of Su Wu shepherding sheep in the snow in the Beihai Sea during the era of Emperor Wu of the Han Dynasty is a relatively common subject in Chinese historical figure paintings. —General depiction of Su Wu holding an envoy, sitting or standing, with a calm posture and a gentle expression. This picture is different, Su Wu's face is slightly up, looking at Han Ke obliquely, his two sleeves arched to his chest, not only supporting the joint, but also hanging a saber on his waist.

The eyes are blazing and righteous. The background is dyed with light ink, and the cold air is pressing, which sets off the majestic and unyielding loyalty of the theme characters. Figures, flocks, old trees, wild grass, pen and ink vertical and horizontal, unrestrained without losing the law, the style of painting belongs to Wu Wei all the way.

The times are also close to each other. There were many Fujian painters in the Zhejiang School of the Ming Dynasty, and Chen Zihe was one of them. His works have rarely survived, and this old picture was made when he was seventy-one years old, which is particularly rare.

Poem title: MozhuDynasty: MingFull Text:

Fu Shu Qingying fell into the Yao altar, and the jade dew had no sound and the green feather served the cold.

One night, the small window quietly rents the reeds in autumn, and the west wind blows the old Bilang.