What should we pay attention to in appreciating one or two lines of poetry? Then there s what the ro

Updated on culture 2024-08-02
9 answers
  1. Anonymous users2024-02-15

    The most important thing in appreciating one or two sentences is to find out what kind of image (that is, what we say has special meaning), and according to the imagery found, isomorphize one's own experience of reading ancient poems, and the specific meaning represented by the image, and accurately judge what kind of feelings this is a poem. It is the basis of appreciation, the premise. After that, everything revolves around an emotion.

    In addition to imagery, you also need to pay attention to verbs, as well as the expression of clouds, such as supporting things and words, revealing your mind, and seeing the big from the small. It is enough to grasp these three aspects.

    Then conceive and organize the language. The basic format is: in these two verses, what is described... The scenery stands out... The psalmist begins with... The technique of expression... The emotion of the epic sentence is more expressive.

  2. Anonymous users2024-02-14

    Routines in the exam: explain and analyze the techniques, and synthesize the whole poem to find the main idea. Experience the author's mood and restore the scene of writing poems.

    Non-exam self-appreciation: naturally when reading poetry, the five senses and six senses are each affected by that side, when you appreciate it, it is best not to follow the routine, and what you say is not for others to hear, you will record it if you feel it in your heart, what level you read is what level, there is no difference between good and bad right and wrong in reading, and there is something to gain from having experience. I advocate self-appreciation, I don't like textbook-like routine analysis, and there are really too many restrictions on the words of a family......

  3. Anonymous users2024-02-13

    Probably first explain its meaning, then talk about the writing technique, and finally say what is the meaning of it... You can learn from it. I'm just going to make generalities.

  4. Anonymous users2024-02-12

    1. Pay attention to what kind of poem it is: straightforward, hazy, abstract, and meaningful.

    2. Distinguish what it is written about: such as lyrical, lovely, artistic conception, generosity, sadness, nostalgia, and achievement.

    3. See whether the ideological content to be expressed can be clearly expressed in poetry, or whether it can be expressed.

    4. Then look at the structure of the text expressed in the content of the poem, and the proficiency, and whether the tempering of the text is in place.

    5. See if the overall poem can be appealing after reading.

    FYI!

  5. Anonymous users2024-02-11

    First understand the poet's writing background and social environment, so that you can fully grasp the connotation of the poem, and then explain it word by word, and connect its meaning, then the poet wants to express the thoughts and feelings.

  6. Anonymous users2024-02-10

    There are different perspectives on the appreciation of verses with different contents. It can be answered mainly from the following aspects: 1. Use of words.

    For example, the most expressive "green" in "The spring breeze and the south bank of the Green River, when will the bright moon shine on me". 2. Imagery and artistic conception. Poetry is very particular about artistic conception and imagery, and poetic imagery is a major difficulty in poetry appreciation.

    3. Symbolism. A lot of poetry has a certain symbolic meaning, so symbolism is also a very important aspect.

  7. Anonymous users2024-02-09

    "Listening to the Flute in the City at Night" is rendered. The scene is expressed through the side of the scene.

    Plug on and listen to the flute" performance technique: the combination of virtual and real. Between the staggered reality and the time and space, the soldiers' ambition to fight on the border and homesickness are organically linked and unified, forming a beautiful and euphemistic and moving picture.

    "Listening to the Flute in the City at Night" is a seven-character quatrain composed by the Tang Dynasty poet Li Yi.

    Full text: The sand is like snow in front of Huile Feng, and the moon outside the city is like frost. I don't know where to blow the reed pipe, and I recruit people to look at the hometown overnight.

    Translation: The sand in front of Huile Peak is as white as snow, and the moonlight outside the city is like autumn frost. I don't know where to blow the desolate reed pipe, and recruit people to look at their hometown one by one overnight.

    and Wang Qiyumen Guan Listen to the Flute" is a poem composed by the Tang Dynasty poet Gao Shi.

    Full text: Xuejing Hu Tian herded horses back, and the moon was bright and Qiang was between the buildings. By asking where the plum blossoms fall, the wind blows all night over the mountain.

    Judging from the whole poem, the first two sentences are written about color, and the third sentence is written about sound; The last sentence expresses what I feel in my heart, and what I write is love. The first three sentences are all set off and foreshadowed for the direct lyricism of the last sentence. At the beginning, the visual image leads the nostalgia, and then the auditory image leads the undercurrent of homesickness to the torrent of feelings.

    The first three sentences have already gained momentum, and the last sentence is generally written in direct expression.

  8. Anonymous users2024-02-08

    1.inconsistencies, one is to lament that the sergeants who died in vain in the war are not cared for; The first is to lament the separation of husband and wife caused by the war. But in general, it is a criticism of the war, and it is the embodiment of the poet's concern for the country and the people.

  9. Anonymous users2024-02-07

    "Ascending".

    Du Fu was in a hurry, the sky was high, and the ape howled, and the white bird flew back.

    Boundless falling trees and Xiao Xiao, endless Yangtze River rolling.

    He is often a guest in the sad autumn, and he has been on stage alone for more than a hundred years.

    Hardship, bitterness, hatred, frost and sideburns, pouring down a new turbid wine glass.

    Work appreciation: This is a seven-character poem that best represents the desolate and vast scene in Du's poems. The first two couplets write about the scenery of climbing and hearing, and the last two couplets express the feelings of ascending. The scenery is selected by the feelings, and the feelings are allegorical in the scene, which fully expresses the poet's complex feelings of wandering for many years, worrying about the country and sadness, and being old and sick and lonely.

    The style is majestic and high, impassioned, high-spirited, ancient and modern.

    This poem is very special, its four couplets rhyme, all of them are work pairs, and the first two sentences, and the sentence is self-right, which can be described as "in a piece, every sentence is law, and in a sentence, every word is law". As far as the scene is written, there is a fine brush (first couplet), which writes the shape, sound, color and state of the six kinds of scenery of wind, sky, ape, nagisa, sand and bird, each scene is only described with one word, but it is vivid and vivid, refined and expressive; There is a large freehand (jaw couplet) to convey the charm of autumn. lyricism has a longitudinal time to write, writing the memories of "often being a guest"; There is also the ink of the horizontal space, and the "solo stage" after writing the "ten thousand miles" itinerary.

    From wandering all his life, he wrote about the drifting of his soul and bones, and finally attributed the hardships of the times to the root of his misery. The use of such intricate techniques expresses the poet's desolation of old age, sickness and loneliness when he is worried about the country and the people, and expresses it as depressed and tragic. It is no wonder that Hu Yinglin of the Ming Dynasty said in "Poems" that the whole poem "has fifty-six characters, such as corals under the sea, thin and indescribable, deep and unfathomable, and the essence is full of light, and the strength is ten thousand."

    Through the chapters, syntax, and calligraphy, there is no one in the past, and there is no one to learn in the future. However, this poem should be the first of the seven words of ancient and modern times, and it does not have to be the first of the seven words of the Tang people."

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