Who is the author of The Ascendant, and what is the background of the writing of The Ascendant ?

I hope you are mainly emphasizing this, his opinion is very high, hype Dengden, look far.

Background:This poem was written in the autumn of the second year of the Tang Dynasty (767), when Du Fu was in Kuizhou. This was written by a fifty-six-year-old poet in extreme embarrassment.

At that time, it had been four years since the Anshi Rebellion ended, but local warlords had risen up again and fought with each other for turf. Du Fu originally entered the Yanwu shogunate and relied on Yanwu.

Soon Yan Wu died of illness, and Du Fu lost his support, so he had to leave the thatched cottage in Chengdu, which had been in operation for five or six years, and buy a boat to go south. I wanted to go straight to Kuimen, but due to illness, I stayed in Yun'an for a few months before arriving in Kuizhou. If it weren't for the care of the local governor, he wouldn't have been able to live here for three years.

And in the past three years, his life is still very difficult, and his health is also very poor. One day, he climbed the high platform outside the White Emperor City in Kuizhou alone, climbed the heights and overlooked, and had mixed feelings. What you see in your hope is what you feel in your mind; The bleak scenery of the Autumn River triggered the emotion of his life experience, and infiltrated the sorrow of his old illness and loneliness.

As a result, there is this song "Ascending", which is known as the "crown of the seven laws".

Appreciation of works. The first half of the poem is written in the scene, and the second half is lyrical, and each has its own intricacies in writing. The first couplet focuses on depicting the specific scenery in front of you, just like the painter's brushwork, and the shape, sound, color, and state are expressed one by one. The second couplet focuses on rendering the whole autumn atmosphere, like the painter's freehand, which should only convey the spirit and let the reader supplement it with imagination.

The triptych expresses feelings, from the vertical (time) and horizontal (space) aspects, from the wandering in a foreign land to the sick and disabled. Silian went from gray hair to sickness and drinking, and it was attributed to the fact that the hardships of the times were the root cause of the unbearable. In this way, Du Fu's sentiments when he was worried about the country and his sadness jumped up.

All eight verses of this poem are true. At a cursory glance, the beginning and end seem to be "not right", and the chest and abdomen seem to be "unintentionally right". Play carefully, "In a sentence, every sentence is lawful, and in a sentence, every word is law".

Not only "the whole article can be lawful", but also "use sentences and words", "people in ancient and modern times will not dare to say, and they will never be able to Tao". It can win the reputation of "the work of the Vast Dynasty" (see Hu Yinglin's "Poems"), which is a matter of course.

The author of "Ascending" is the Tang Dynasty poet Du Fu. The whole poem is as follows:The wind is urgent, the sky is high, the ape is howling, and the white bird flies back.

Boundless falling trees and Xiao Xiao, endless Yangtze River rolling.

He is often a guest in the sad autumn, and he has been on stage alone for more than a hundred years.

Hardship, bitterness, frost and sideburns, pouring down a new turbid wine glass.

The literal meaning of the whole poem:The wind is strong, the ape is crying, and the birds are hovering on the river island.

The boundless trees fall their leaves, and the endless Yangtze River water rolls and rushes.

Sadness to the autumn scenery sighed thousands of miles of wandering all year round as a guest, a lifetime of illness riddled with illness today alone on the high platform.

Life is difficult, often resentful of the failure of the cause and the body is old, the decline is full of bias and the suspension of the sorrowful wine glass.

Brief Analysis:The first four lines of this poem describe the scenery, describing the sights and stories of ascending, closely following the seasonal characteristics of autumn, and depicting the empty and lonely scenery by the river. The first joint is a local close-up view, and the jaw joint is an overall distant view.

The last four sentences are lyrical, writing about the feeling of ascending to the heights, focusing on the author's own life experience, expressing the sadness of poverty, old age and illness, and living in a foreign land. The neck couplet self-injures his life experience, revealing the metaphor, symbolism, and hint contained in the first four sentences; The tail couplet makes another statement, ending with a self-image of decay and illness. The language of the whole poem is concise, the whole poem is dual, and there is still a sentence in one or two sentences, which fully shows that Du Fu's grasp and use of poetic language and rhythm in his later years has reached the realm of roundness.

登 (dēng) 高 (gāo).

唐 (táng) 杜 (dù) 甫 (fǔ).

Wind (fēng) 急 (jí) 天 (tiān) 高 (gāo) 猿 (yuán) howling (xiào) mourn (āi), 渚 (zhǔ) 清 (qīng) sand (shā) white (bái) bird (niǎo) fly (fēi) back (huí).

无(wú)边(biān)落(luò)木(mù)潇(xiāo)潇(xiāo)下(xià),不(bú)尽(jìn)长(cháng)江(jiāng)roll(gǔn)roll(gǔn)来(lái).

万 (wàn) 里 (lǐ) sad (bēi) autumn (qiū) 常 (cháng) 作 (zuò) 客 (kè), 百 (bǎi) 年 (nián) 多 (duō) illness (bìng) solitary (dú) 登 (dēng) 台 (tái).

卧 (jiān) difficult (nán) bitter (kǔ) hate (hèn) 繁 (fán) frost (shuāng) temples (bìn), loose sail ruler.

潦 (liáo) pour (dǎo) new (xīn) stop (tíng) 浊 (zhuó) wine (jiǔ) cup (bēi).

Du Fu (712 770), the character is beautiful, and he calls himself Shaoling Ye Lao. Jujin Shi is not the first, once served as a member of the inspection school engineering department, so the world is called the Du Gong Department. He was the greatest realist poet of the Tang Dynasty, and was revered as the "poet saint" after the Song Dynasty, and was called "Li Du" along with Li Bai.

"Ascending" is a poem of seven laws made by Du Fu in Kuizhou in the autumn of the second year of the Great Calendar. Focusing on rendering the whole autumn atmosphere, like the painter's freehand, it is only appropriate to convey the mind. Each of them is intricate in their writing, creating an autumn mood and connecting with their own and the country's situation.

Mountain climbing. The wind is urgent, the sky is high, the ape is howling, and the white bird flies back.

Boundless falling trees and Xiao Xiao, endless Yangtze River rolling.

He is often a guest in the sad autumn, and he has been on stage alone for more than a hundred years.

Hardship, bitterness, frost and sideburns, pouring down a new turbid wine glass.

The first four sentences of the scene are written in the sense of comparison, symbolism, and suggestion, revealing the experience of ascending, closely following the seasonal characteristics of autumn, and depicting the empty and lonely scenery by the riverside. The first joint is a local close-up view, and the jaw joint is an overall distant view. The last four sentences are lyrical, writing about the feelings of ascending, focusing on the author's own life experience, writing from the two aspects of vertical (time) and horizontal (space), from wandering in a foreign land to being sick and disabled, expressing the sadness of poverty, old age and illness, gray hair, caring for illness and not drinking, and flowing in a foreign land.

The final couplet makes another statement, ending with a self-image of sorrow and illness, attributing it to the fact that the hardships of the times are the root cause of the depravity. In this way, Du Fu's sentiments when he was worried about the country and sadness jumped up, fully showing that Du Fu's grasp and use of poetic language and rhythm in his later years had reached the realm of perfection.

The author of "Ascending" is the one who sells Duan Du Fuzhong's reputation.

Original text: I drank Changsha water and ate Wuchang fish. Thousands of miles of the Yangtze River crossed, and the eyes of Chu Tianshu were extremely eye-catching.

Regardless of the wind and waves, it is better than a leisurely stroll, and today you have to be envious and lenient. The son said on the river: Send the deceased to tease like Sifu!

The wind is moving, the turtle and snake are quiet, and the plan is ambitious. A bridge flies north and south, and the moat becomes a thoroughfare. The stone wall of the Xijiang River is erected, the clouds and rain of Wushan are cut off, and the high gorge is out of the Ping Lake.

The goddess should be unharmed, and the world should be shocked.

Translation: I just drank the water of Changsha, and now I have eaten Wuchang fish. I crossed the Yangtze River and looked up at the stretching sky.

No matter how the wind blows and the waves surge, all this is like a leisurely walk, and I can finally linger to my heart's content today. Confucius sighed on the shore: Time is as far away as flowing water!

The sails on the river are fluttering, the two mountains of turtles and snakes stand quietly, and the grand plan in the chest rises. The bridge spans the north and south, and the Yangtze River moat will be unimpeded. I also want to erect a dam on the west side of the Chang Seep River to cut off the rainy floods in Wushan and make the Three Gorges a flat reservoir.

The goddess must be healthy, but she will be shocked that the world has changed.