How do you feel about China in the Classics ?

China in the classics>> After watching it:

"China in the Classics" is also based on excellent traditional culture.

It focuses on the classics in the classics, and the first issue chooses to interpret the "Book of Shang".

The intention is far-reaching, so that although this book is a condescending tooth, it is ranked among the "Five Classics."

At the same time, the program comprehensively uses new technological means such as screen projection and real-time tracking, supplemented by the form of stage partitions, to realize the cross-time and space meeting of ancient and modern readers. This kind of visualization of the Chinese characters of the book, the essence of the classics into stories, and the visual and emotional impact of the intuitive form of expression can be said to be wonderful.

Program Features:

As a cultural program, "China in the Classics" has a unique path, focusing on "Shangshu", "Analects", "Tao Te Ching", "Biography" and "Heavenly Creation".

Dream of Red Mansions, Compendium of Materia Medica

Classic books such as "The Art of War", "Historical Records", "Book of Songs" and "Chu Ci" use the expression method of "drama + film and television + cultural interview" through the innovative form of time and space dialogue.

It tells the origin and circulation of classics in the long history of 5,000 years and the shining stories in the book. Among them, the dramatic presentation through the past and the present has become a highlight of the show. The program pulls the audience's thoughts and emotions, allowing people to empathize while gaining knowledge.

This morning, I watched a CCTV cultural column "China in the Classics", and the classic selected in this issue is "Shangshu". "Shangshu" is known as the ancestor of political books and the ancestor of historical books, and it can indeed be called a classic. This program adopts the way of allowing modern readers to travel, and realizes the dialogue between modern people and the bookkeeper and storyteller of "Shangshu" in the Western Han Dynasty, so as to interpret the classic essence of "Shangshu".

There are two main scenes, one is through Wang Wei's painting "Fu Sheng's Teaching of the Scriptures", which led Xiang Yu to set fire to Xianyang, so that many precious books were burned, Fu Sheng hid the "Book of Shang" in the wall, and after a few years, some bamboo slips have been destroyed and the content was scattered, and fortunately, Emperor Wen of the Han Dynasty attached great importance to culture, and sent Chao to learn the essence of "Book of Shang" from Fu Sheng, and also made an indelible contribution to the circulation of "Book of Shang".

Then again, how did "Shangshu" become a classic? The most important thing is that it is ideologically far-reaching. For example, "the people are the foundation of the state, and the state is solid", this is the earliest people-oriented thought, which is the same as Mencius's "the people are precious, the community is secondary, and the monarch is light", and they all emphasize that the people play a decisive role in the development of a country.

The expression of this theme is interpreted through the interpretation of the "Pastoral Oath" in the "Book of Shang". The "Battle of Muye" between the Shang and Zhou dynasties was a typical battle in which fewer won more, which highlighted the importance of putting the people first and the aspirations of the people. Another display of content is "Yu Gong", this story is to tell future generations the historical facts and significance of dividing Kyushu through Dayu's water control.

That was the initial territorial division of our China, and on this basis, our China has undergone thousands of years of territorial evolution, and after the division and merger, it has formed a unified Greater China.

The greatest significance of this program is to tell the people of today the cultural inheritance of the Chinese nation and the precipitated national spirit through the interpretation of the classics. This also fully reflects China's cultural self-confidence. But at the same time, I also think that the audience for watching such a purely cultural program is still very limited, after all, people with a low level of education have an extremely inadequate understanding of ancient Chinese classics.

In real life, people who can read "Shangshu" independently, I am afraid that they must have at least a high school degree in terms of academic qualifications, and to be able to understand the essence requires intellectuals and even experts with strong professional ability, so "China in the Classics" can be like "Hundred Lectures", so it is more meaningful that historical literature can be popularized and promoted in one program, just like "Hundred Lectures". Especially in today's flood of entertainment, I still hope that the mainstream ** can have more programs like this, and strive to reverse the bad situation that teenagers pay too much attention to entertainment gossip.

How do you feel about "China in the Classics"?

We believe too much in the power of the invisible hand of the market, but not enough in the visible hand of regulation, and not enough in the ability to do better. The power of the market economy is amazing, and once the traditional Chinese who have come from the small-peasant economy and the planned economy have mastered the method of market economy, they will be like a fish in water and will never tire of it. While this is generally a good thing, at the same time we are beginning to become dependent and superstitious about market forces.

In modern times, Chinese began to pay attention to dialectical viewing, believing that the market and the market are opposites and unified, but the actual situation is often only to see the opposites and forget the unity. The market and ** are one yin and one yang, two faces of the same thing, one is not two, but this correct view of things has no market. It is said that "grasp with both hands, both hands should be hard", but in practice, we are often completely biased towards one side, only indulging in all kinds of "one grasp and die, one release and live".

It is obviously wrong to be too superstitious and emphasize one aspect of the market, and the level of governance is precisely China's traditional strength for thousands of years.

We are too superstitious about selfishness and neglect of the public. We have indulged in freedom, magnified individual desires, and neglected public management. There is no doubt that the people are the masters of New China, and this point has been deeply rooted in the hearts of the people.

However, in terms of the way to achieve it, we were once influenced by the West, and pursued free elections too much and placed too much emphasis on personal interests. The result is more freedom, more chaos, more selfishness, and more hurting each other. At its worst, it almost returned to the state of scattered sand before liberation.

How do you feel about "China in the Classics"?

Taste the books and taste the classics].

"China in the Classics" uses performances and dialogues to interpret the stories in the classics, and the scenes are reproduced, allowing the audience to read the classics more deeply. The first issue chose "Shangshu", "the ancestor of political books, the source of historical books". The Book of Shang, also known as the Book of Books, has many founding expositions of Chinese culture, such as the first appearance of "rites" and the formulation of the calendar for the first time.

Shangshu is a "cultural canon", and many, many firsts are in it.

After the professors explained the "Book of Shang", the curtain opened and the performance began. Speaking of "Shangshu", the most important person is Fu Sheng, Fu Sheng's real name is Fu Sheng, he is a doctor of Qin in the Qin Dynasty, who has kept the "book" and talked about the "book" all his life, and is the inheritor of the "Shangshu", so he is the protagonist of the story. In the story performance, the dialogue between the elderly Fu Sheng and the modern Sa Beining is the main line, and the stories in the two books of Dayu controlling the water and King Wu swearing and Chao Cuo were ordered by Emperor Wen to come to learn the historical story of the "book", so that the audience can have an in-depth understanding of the story in the "Book of Shang".

The Fu Sheng in the story is touching. He loved "books" all his life, and his family protected "books" with their lives, and when he was old, he talked about "books" in Shandong and inherited "Shangshu". Teacher Ni Dahong brought Fu Sheng to life, as if he was standing in front of me.

The show was over, but my thoughts weren't over. Stay at the opening sentence. "Read the book and know the foundation of the sages' governance, read the book and know the reasons for the rise and fall of dynasties, and read the book to know the key to personal self-cultivation. "Classics are the crystallization of the wisdom of our ancestors and are precious treasures.

"China in the Classics" tells the story of creating civilization in this land of China, letting us know where our life originated, where our steps are going, reading the classics in a new way, and bringing the words written in ancient books to life. Read the classics, taste the classics, absorb wisdom, absorb the essence, and become a different self.

China in the Classics" was really moved after reading it. Ancient Chinese human beings were already very advanced and very intelligent. Many products of advanced civilization have been created.

Very wise, but also very broad and profound. Leave a valuable cultural treasure to future generations. It is very admirable, focusing on the excellent Chinese cultural classics such as the Analects of Shangshu and other classics that have been passed down through the ages, well-known at home and abroad, showing the Chinese wisdom, Chinese spirit and Chinese values contained in them.

After the end, I have a deep understanding of the classics, and I also have a further understanding of the development of the book, and it also stimulates my enthusiasm for this work, which is a good work, and it is very worthwhile.

Classics are not only the words in documents and classics, and tradition is not only the various norms followed by the ancestors in the past years, all classics and traditions are part of history, all history is contemporary history, any reality and any present are derived from history and randomly integrated into history, and accumulated into new history, and our study and review of history are inevitably in response to reality, seeking the practical significance of classics in the collision of classics and reality. The value of classics is an unavoidable system of causal relationships formed in the accumulation of history, which has always shaped us. The infinitely complex connection between the classics and a nation from ancient times to the present will be carried into the future as history, and will not be denied by any individual or group in any era.

The inexhaustible vitality of the classics runs through the development and evolution of a nation's history, and in this process, through continuous dialogue and collision with reality, through study, reflection and interpretation, and through the process of overall cognition and reality transformation, all kinds of important historical questions are answered, so as to interpret reality and face reality, classics and history and reality are inseparable.

It should be said that this episode is the worst, or even the worst, of the current ten episodes.

First, this episode has almost no relationship with Zhou Yi itself, and the only thing related to Zhou Yi is the appearance of Fuxi, King Wen and Confucius, as well as the countless recitations of "Tianxingjian gentleman with self-improvement, terrain Kun gentleman with virtue" These two sentences.

It's like Zhou Yi just said these two sentences.

If you face a person who has read Zhou Yi, it is far from enough.

If you face people who don't know Zhou Yi, you won't know what "Zhou Yi" is after watching this episode.

Second, the "retroism" and "antiquism" of the three generations of saints and the saints of Wen Wang are disgusting.

King Wen and King Wu were completely portrayed as an all-knowing and all-powerful saint, who loved the people as himself, "conforming to the way of heaven" and "asking for life for the people". Completely ignoring historical facts, completely skipping the slavery system, and directly treating the Three Dynasties and the Zhou Dynasty Shang as the "perfect political era". I doubt that the people in the production team are members of the Communist Party and have been educated in Marx's historical materialism.

Third, another argument that ignores historical facts is that the purpose of the Shang dynasty in the Zhou Dynasty was to "establish a unified dynasty". Even the previous episode of "Historical Records" believed that the Yanhuang Alliance was the beginning of China's great unified dynasty.

This kind of historical nihilistic view of history, as well as the retro antiquist tendency of Zunkong, are too worthy of vigilance.

However, as for the "Zhou Yi", the personnel themselves did not succeed in reading the original text, and they must only use the explanations in the traditional concept, and most of the explanations in the tradition are based on Zhu Xi and Hu Shi, which were originally the books of divination, and it is difficult for the study of Chinese philosophy and the education of Chinese society in this area to come to an end, and there is no room for optimism.

Zhou Yi should be the main content of "China in the Classics", and it is necessary to speak about "Zhou Yi" with the ability to successfully read the original text of "Zhou Yi", so that the study of Chinese philosophy can go to the world, in order to bring vitality and vitality to the Confucius Institutes in the world, and "China in the Classics" can transmit positive energy for the new era and become an immortal work.

The second phase of China's perception in the classics is the pride and ambition of the people to help the people through the world. Very unexpectedly, this issue is about heavenly creation, such a practical book other than the Confucian classics such as the Four Books and the Five Classics, that sentence This book has nothing to do with fame and enterprising, and it is also inferior in everything, only the ancient times with high reading, what kind of open-mindedness and pride, as a reader who reads poetry and books but has a bad reputation, can compile what he has thought, heard, heard and learned all his life into an immortal classic that can be called an encyclopedia.

Chinese perceptions in the classicsThe greatest significance of this program is not to sing those one or two classics through the TV screen for the audience to memorize, but to inspire people to understand what kind of people were in the creation era of these classics, what unusual things happened, and the impact of these people and events on future generations, as well as the problems of the times that the authors of the classics hope to solve, and this is far beyond the scope of popular common sense, and the dialogue between ancient and modern times is a major highlight of China in the classics.

When watching the show, many netizens were moved to tears, why is China one, it has been one since ancient times, this sentence is too poignant, the dialogue between ancient and modern times is very dramatic, and you can feel the profound cultural heritage, and the historical inheritance of Chinese civilization depends on us young people, read more books from today onwards, so that these stories can be passed on from generation to generation.

What is there that you have dedicated your life to protecting? As the saying goes, only poetry and distance cannot live up to it. Then for Fu Sheng, only the "book" and the "book" cannot be disappointed.

The sound of the fire of war drowned out his sighs; The dust raised by the military vehicle obscured his book. Don't you sigh, the Chu people have been burned into scorched earth; Don't you hate, war is chaotic and disturbs the peace; Unfortunately, Fu Sheng left a book to pass on a thousand arguments and split the ancients. His back is full of precipitation of the moon, and the "Shangshu" he talks about has realized the passage of thousands of years.

Fu Sheng's family, regard the "book" as their life, and work hard all their lives to get a break and pass on the torch. Fu Sheng guarded the life of "Shangshu", guarded the precious Chinese civilization, illuminated the past, and illuminated the future. Today, when we are enjoying prosperity and peace, the stones and sticks on the border ruthlessly took the lives of the four frontier heroes.

Cheng is both brave and martial, and finally strong and invincible", write down what he has guarded all his life in the snow-capped mountains, and it is incumbent on him to guard the border with his actions. "Clear love, only for China", Chen Hongjun, Xiao Siyuan, Chen Xiangrong, Wang Zhuoran martyrs squandered their blood on the frontier and defended the country without losing half an inch. Heroes patriotic and guarded the border and sacrificed their lives to achieve peace and integrity of the country.