What does the bottom of the porcelain mean?

Porcelain is recognized.

The style on the ceramic refers to the bottom or other parts of the utensils, carved, scratched, printed or written to indicate the age, origin, hall name, personal name, use and auspicious words and other contents, and there are also some patterns on the bottom or body of the vessel. Because the content, format, font, calligraphy and other aspects of the recognition have distinctive characteristics of the times, therefore, it has a non-negligible role in the dating of ceramics, the determination of the kiln mouth and the identification of authenticity, and is an important part of the identification.

Categories of Styles].

The style on the ceramic can be roughly divided into six categories: the chronological model, the name of the hall, the name of the person, the auspicious language, the pattern and other special categories.

Chronology: Chronological is a kind of identification that indicates the age of porcelain firing. Chronology can be divided into two categories:

One used the imperial year name at that time, called the year name, such as "Ming Xuande year", "Qing Kangxi year" and so on. The other is a combination of the heavenly stem and the earthly branch, which is called the Ganzhi chronicle, such as "Emperor Tomorrow Qinian Bingyin Jidan", "Qianlong Bingwu" and so on. The chronology is mostly official kiln porcelain, but some private kilns also have the writing of the chronology.

The font of the folk kiln is sloppy, far less regular than the official kiln. The porcelain is more used in the Ming and Qing dynasties.

Hall name: refers to the private porcelain engraving, printing, writing of their own hall number. The content includes the name of the hall, the name of the house, the name of the house, the name of the room, the name of the hall, the name of the building, the name of the pavilion and so on.

The name of the hall has been seen in Jiajing in the Ming Dynasty, such as "Zishutang", "Dongshutang" and other hall numbers, popular in the late Ming Dynasty. In the Qing Dynasty, there were all dynasties, especially in the Kangxi period, such as "Zhonghe Hall", "Shende Hall", "Humble Cunzhai", "Fuxiangxuan" and so on.

Personal name: refers to the name or alias engraved, printed or written on the craftsman or private custom-fired ceramics. For example, the "Shi Yuan Yizuo" on the celadon of the Yue kiln in the Three Kingdoms, the Changsha kiln in the Tang Dynasty "the first in the world in the Zhengjia Xiaokou", and the "Zhangjiazao" porcelain pillow in the Cizhou kiln in the Song Dynasty and so on.

During the Ming and Qing dynasties, it was common, such as "Chen Shougui made", "the first year of the Apocalypse rice stone hidden made", "Spring Education Master Collection" and so on.

auspicious language: refers to the auspicious words engraved, printed and written on the ceramics, expressing praise and blessings. From the late Ming Dynasty to the Qing Dynasty, it was the most popular, such as "Wanfu Xiutong", "Rich and Noble Instruments", "Peace in the World", "Fushou Kangning" and so on.

There are also those with only one word, such as "Fu", "Shou", etc.

Pattern: refers to the auspicious pattern mark of the engraved, sealed, calligraphy and painting on the ceramic, also known as the "mark paragraph". Most of the patterns are used in private kilns. The Ming and Qing dynasties were the most popular, such as Bagua, Taijitu, Babao, Hai, Rabbit, Pisces, Ganoderma lucidum and so on.

From the description analysis, your porcelain is probably a ritual vessel. Porcelain is divided into daily porcelain and ornaments, porcelain and ceremonial ware. Daily porcelain, as the name suggests, is the porcelain that is commonly used in daily life.

Bowls, plates, cups, jars, etc. Worship pieces of porcelain in general bottles, scenes. Ceremonial porcelain is the porcelain used for ancient sacrifices.

Probably the name of a craftsman (ceramicist).

In ancient times, there were cases where craftsmen signed on utensils, for example, many weapons (such as crossbow machines) were unearthed. However, in this case, it is generally written: Craftsman so-and-so.

Therefore, the bottom of this artifact may also be the name of a kiln.

The picture is too small, have you found an expert to break the generation? What period of the item?

It can also be considered as a metaphor for the word "country".

Anyway, 5 points is too little.

Passing by, don't divide.

This ......It's not a god horse.,It's a kind of payment.,Don't think too much.,You're not a good thing.。

The style of porcelain is somewhat similar to the current trademark.

It should not be "jade play", it is "playing jade", and playing jade is mainly popular in the late Ming and early Qing dynasties.

Ancient blue and white porcelain, the painting decoration is delicate and elegant, the text at the bottom of the porcelain, the pattern is varied, and the style of each period has distinct characteristics of the times. According to the form and type of blue and white porcelain, it can be mainly divided into chronicles, auspicious words, praises, ornaments, and names. Five categories.

Your porcelain is written to play with jade, which should be regarded as a praise model!

The so-called praise paragraph.

It is the love of ceramic art for porcelain, such as"Jade treasures"、"Ancient and modern treasures"、"Changjiang beautiful jade"Wait.

In the eighties, the jade word bean green cup, now the empty song market has not paid attention to it, this cup has more inventory of all products, it is the elegant representative of the porcelain in the eighties, and it can be collected.

**Shown are three bottoms and do not usually appear on the same piece of porcelain.

Although there are three different base money, they all belong to the flower deposit of the Jiaqing period of the Qing Dynasty. At that time, this kind of style often appeared on the porcelain of the folk kiln.

Judging from the exposed part, this piece of porcelain in the picture should be a douqing glazed plate from the Jiaqing period. This kind of porcelain plate is one of the most common practical porcelain in the folk from Jiaqing to Daoguang, and the amount of firing at that time was huge, and there are many extant porcelains.

This type of porcelain is a low-end collection, and the market ** ranges from 300 yuan to 1,000 yuan according to different diameter specifications.

On the far right is the "Great Qing Jiaqing Year" flower deposit, and the others are also the late Qing Dynasty flower deposits.

I can't see it clearly, but the general payment is not interesting, it's just the name of the craftsman.

Most of the dried tofu items are utensils from the middle of the Qing Dynasty. Most of the ancient craftsmen were illiterate, and most of them copied the bottom of the seal book, and the copying was not good, so it became like this, like dried tofu, so it was called dried tofu in the industry. Basically, they are all used in private kilns, and their value is not high.

Marking is the best way to distinguish porcelain.

Style: Guangxu year.

This kind of style and craftsmanship is not seen in porcelain, Guangxu porcelain is mostly blue and white, blue and white seal book, Jiujiang style, and a kind of sustenance (not written in this dynasty, mostly for the Chenghua year).

The landlord of the style is a stamper process, I have not seen the real thing, (of course, personal knowledge is also limited, I do not deny that I have not seen it must be wrong, hehe).

It is best for the landlord to upload more pictures of the utensils, and I can give the landlord a more accurate answer after seeing the whole map, glaze, and mouth edge.

Seal book: Guangxu year, imitation.

Flower deposit, late kiln porcelain, ordinary practical goods,

What does it mean that the porcelain is modified porcelain?