Koike The last two lines of the poem What do people use to describe it?

Xiao Chi Song Yang Wanli.

The spring is silent and the water is soft.

The little lotus showed its sharp corners, and a dragonfly had already stood on its head.

This poem describes a spring, a trickle, a pond of shade, a few small lotus leaves, and a small dragonfly, forming a vivid picture of the scenery of the small pond, showing the intimate and harmonious relationship between all things in nature.

At the beginning, the two sentences "the spring is silent and cherishes the trickle, and the shade of the tree shines on the water and loves the sunshine", which brings the reader into a small and delicate, soft and pleasant realm, and a thin stream slowly flows out of the spring without a sound; The green trees by the pond are illuminated by the slanting sun, and the shade of the trees is thrown into the water, and the light and shade are mottled and clearly visible. The word "pity" turns ruthlessness into affection, as if the spring is because of the love trickle, so that it flows slowly and silently; The word "love" gives life to the green tree, and it seems that it likes this sunny and soft scenery, so it uses the water as a mirror to show its graceful demeanor.

In the third and fourth sentences, the poet is like a clever photographer, using a quick mirror to shoot an interesting shot: "The little lotus has only shown its sharp corners, and a dragonfly has already stood on its head." "It's not yet the height of summer, and the lotus leaf has just emerged from the water with a sharp horn, and a small dragonfly stands on top of it.

One "only dew", the other "early standing", before and after, realistically depicting the scene of dragonflies and lotus leaves leaning on each other.

The spring is silent and the water is soft. The little lotus showed its sharp corners, and a dragonfly had already stood on its head.

1 metaphor just beginning to show talent.

2. It is a metaphor for the vigorous vitality of new things.

3 is to say that talented people are easy to emerge and easy to be appreciated!

4 Later it was used as a metaphor for the perception of the discerning as soon as something new appeared.

The whole article is made of "small" words. Poems need to have different themes and some major themes, and they must write a magnificent realm and magnificent momentum; Some themes are very small, just a detail in life, but they can write about romance and fun. So Wang Guowei said:

There are big and small realms, and there are no advantages or disadvantages based on what is" ("Words in the World"). These two sentences are like a bonsai, a small painting, writing a kind of small and exquisite, rich business victory: the new lotus is just emerging from the water, the green leaves seem to be sleepy, and a small dragonfly has flown to the top.

The four words "Cai Lu" and "Early Standing" are injected into the poet's perception, blending into the scene, and being interesting. [Original] the spring is silent and cherishes the trickle, and the shade of the tree shines on the water and loves the soft eyes. The little lotus showed its sharp corners, and a dragonfly had already stood on its head.

The tender lotus leaves have just protruded their sharp horns out of the water, and there are already mischievous dragonflies standing lightly on them. The whole poem focuses on the "small", vividly and meticulously depicts the vivid new scene full of life and dynamic sense in the small pond in early summer, which is used to describe the newcomers who are just starting to emerge.

Describe a newcomer who is just starting out.

The poem "Koike" describes the characteristics and changes of the natural scenery around Koike.

"Xiao Chi" is a seven-character quatrain composed by the Song Dynasty poet Yang Wanli. The first sentence says that the small pond is connected by living water. The second sentence writes that there is a touch of green shade on the small pond.

The third sentence writes that the small lotus water is accompanied by the small pool. The concluding sentence writes that the dragonfly is affectionate, and flies to be accompanied by the little lotus. It shows the poet's love for natural scenes.

Appreciation of "Little Pond".

The poet touches the interest of things, uses agile and dexterous techniques to depict specific scenes full of interest, and writes about the very ordinary small things in nature that are close to each other, harmonious, lively, lively, witty, and popular.

And this poem is written like a painting, the picture is rich in layers: the sun, trees, small lotus, small pond, bright colors, bright sunlight, dark green shade, emerald green lotus, fresh dragonflies, clear spring water. The picture is full of action:

The flying dragonflies and the shadowy pond water are full of poetry.

The water of the spring flowed out of the spring quietly, so small, as if the spring cherished it and was reluctant to let it flow away; The green trees on the shore cast shadows on the water, and it seemed that they loved the clear and soft blue waves of the pool. The newly grown lotus leaf was still rolling, and a sharp corner had just emerged on the surface of the water, and a dragonfly had already stood lightly on it, unwilling to fly away. Summer.

What kind of picture does Koikemoto's poem paint.

The meaning of the last two lines of the poem is: the delicate little lotus leaf just stool Tuanxin peeked out of the water with sharp horns, and a naughty little dragonfly stood on it. "Little Pond" comes from a quatrain composed by the Song Dynasty poet Yang Wanli.

Original text: The spring is silent and cherishes the trickle, and the shade of the trees shines on the water and loves the sunshine.

The little lotus showed its sharp corners, and a dragonfly had already stood on its head.

Translation: The silent spring is due to the reluctance to let the water flow, and the shade of the trees reflects the water surface because of the love of the sunshine and the gentleness of the wind.

The delicate little lotus leaf had just emerged from the water, and a mischievous little dragonfly was already standing on top of it.

In this poem, the author uses rich and novel imagination and anthropomorphic techniques to delicately describe the characteristics and changes of the natural scenery around Koike. The first sentence says that the small pond is connected by living water. The second sentence writes that there is a touch of green shade on the small pond.

Or the third sentence of the tomb writes that the small lotus is accompanied by the water and the small pool. The concluding sentence writes that the dragonfly is affectionate, and flies to be accompanied by the little lotus. It shows the poet's love for natural scenes.

This poem about a small pond and its surroundings is a description of a small pond and its surroundings. First of all, the first sentence "the spring is silent and cherishes the trickle", which shows the special point of the small pond, the water flow is small, as if it is gushing out of a small spring, and it is very quiet at this time, without any sound. Next, the poet expresses the beauty of the surrounding natural environment, "the trees are towering and shadowy", describing the trees towering to the sky, the branches and leaves competing with each other, and the sunlight casting mottled shadows through the leaves.

At this time, Koike is no longer alone, but has become a part of it.

In the second paragraph, we can further expand and extend the deeper meaning of this Koike poem. Koike's ancient objects are an image often mentioned in the literature of the Middle Bend Kingdom, representing the source of the original source and the place where the vast soul surges. The small flow of water indicates that the poet uses a small range of imagery to express that grandiose momentum.

It would not be profound enough to show only the scene of nature here, but the author does not engage in fancy things, but directly grasps the theme, making Koike an excellent image, integrating his own complex emotions with the changes in the natural environment, and expressing the author's deep emotions through this Koike poem.

Finally, there are some general and subtle imagery in Koike's poems, such as "Natsuki Yin Yin", which may be suggesting some indescribable illusions and emotions. Therefore, we can say with a joke that Koike's poems perfectly demonstrate the poet's understanding and grasp of inner emotions and natural beauty. This kind of small poem is often widely used by ** people and calligraphers, and its flow and diffusion are more interesting than the slab narrative or explicit explanation, and it develops new mysteries and resonances.

Author: Yang Wanli.

1127-1206), Zi Tingxiu. He was a native of Jishui (now Ji'an City, Jiangxi Province) and a famous poet of the Southern Song Dynasty. Together with You Yuan, Fan Ran, Sun Chengda, and Lu You, they are known as the "Four Masters of the Southern Song Dynasty".

Original. Song Yang Wanli.

The spring is silent and the trickle is silent, and the shade of the tree shines on the water skin, and the chain loves the sunshine.

The little lotus showed its sharp corners, and a dragonfly had already stood on its head.

Exegesis. Spring: The outlet of the spring's water.

Cherish: cherish. Sunny and soft: Soft scenery on a sunny day.

Small lotus: refers to the young lotus leaves that have just grown out of the water.

Sharp Horn Mountain Attack: There is no tip of the tender lotus leaf yet.

Translation. The spring is very fond of letting the water flow quietly, and the shade of the trees reflected in the water likes the softness of the scenery on this sunny day.

As soon as the sharp horns of the tender lotus leaf emerged from the water, dragonflies had already landed on it.