What is the difference between Wusheng and Wudan in Peking Opera in terms of costumes?

Peking Opera, also known as Ping Opera.

Also known as national drama. It is one of the five major Chinese operas and is considered the quintessence of Chinese culture. Ranked "No. 1" in the Chinese drama "Sanding Jia", it is an intangible cultural heritage of China and the world.

In the Qing Dynasty, the four major Anhui troupes entered Beijing one after another to cooperate with Hubei Han artists. At the same time, they also embraced Kunqu Opera.

Some of the dramas, tunes and performance methods of the Qin dialect, through continuous communication and integration, absorbed the local folk tunes and formed a unique opera.

To inherit and develop traditional opera, "breaking the circle" is the only way. Post-80s.

and the post-90s generation has become a new force in Shanghai Peking Opera. Young blood will definitely bring young culture, integrate young trends, and let traditional Peking Opera sing the new voice of the times and gain new vitality. Difference Between Wusheng and Wudan:

Wusheng is a character in the play who is good at martial arts, playing a young man, which is divided into long-term martial arts and short-term martial arts, while Wudan is mostly played by women, mostly playing some brave women, such as military commanders and various disasters, so in the rivers and lakes, we should pay more attention to the performance of martial arts and techniques.

Long rely on martial arts, wear helmets, wear thick-soled shoes and boots, when playing generally use long handles, at the same time in performance should also focus on beauty, stability, is a kind of long rely on martial arts, only good kung fu, but also show the demeanor of the general. Short-fighting martial artists often use **, their performances are based on agility and dexterity, and they excel at somersaults and percussions. Their dancing image should be neat and handsome.

Wudan can also be divided into two categories, namely the short fight Wudan and the long Wudan, the short fight Wudan mostly wears short skirts, generally does not ride horses, pays attention to martial arts, and the Wudan wears a long Wudan, generally does not ride a horse, and there is also a knife of a smaller size, so it is also called a knife Madan.

But there are certain differences. The female character in the play is called Wu Dan, which is a kind of danxing. Most of them are women who play martial arts roles, such as Jianghu generals and various women, performing heavy fist martial arts and using unique techniques.

The shape is different, there are different artistic characteristics, Wusheng's martial arts are better, so he will wear armor, or wear thick boots, and will also use a long-handled **, but Wudan is a Danxing, and it is more delicate in terms of appearance, and there will be no image of wearing armor, but facial makeup.

Generally, Wudan wears short clothes, does not ride horses, but martial arts are very powerful, and then the martial arts are very sensitive, the clothes he wears are short robes, the sleeves are not particularly long, and then he often uses weapons, which is very suitable for flipping or falling dance moves, clean and neat, and looks very handsome, such as Bai Yutang in "The Great Breaking Copper Net Array".

There is a difference, Wusheng generally wears a helmet, contains thick-soled boots, and performs very flexibly, while Wudan will mostly wear swords and will wear floral shirts.

Peking Opera and Martial Arts are two important forms of traditional Chinese opera art, each with its own characteristics and emphasis. Peking Opera focuses on performance skills and singing, and actors need to express the character's personality characteristics, mood changes and emotional expression through superb skills and voices. The Peking Opera is very rigorous, and each action has fixed requirements and standards, and the actors need to go through strict training and repeated drills in order to achieve the level of superb performance of the table penance.

The focus of martial arts is on martial arts movements and performance skills, and actors need to show the character's skills and combat effectiveness through difficult martial arts movements. The performance form of martial arts focuses on speed and strength, and actors need to have a strong physique and quick reflexes to complete difficult movements. In general, both Peking Opera and Martial Arts require actors to have superb skills and good physical fitness in order to achieve an excellent performance level.

In addition, they also need to pay attention to the portrayal of the character image and emotional expression in order to attract the audience's attention.

Wudan Wudan actor is in"Wandan"Among them, although the proportion is very small, but there are many talents. As far as the capital is concerned, the early famous Wudan actor Zhu Xiaoxi, his son Zhu Wenying (that is, Zhu Shishi, born in 1986, elected to the Kaiping Department in 1900), his grandson Zhu Guifang (1891 1944), and great-grandson Zhu Shengfu, are the fourth generation of Wudan family; Sun Yulan (born in 1835) and Sun Fuyun (born in 1859) are two generations of Wudan actors; Yan Lanqiu (1882-1939) and Yan Shishan (1919-2007) were two generations of Wudan actors; another example is Zhu Xiaoyuan (Zhu Suyun's father) for the four happiness class Wudan; Zhang Zhifang (born in 1851) is also a four-happiness class Wudan; Chen Wu'er (named Lianzhen, born in 1855) is the Wudan of the Chuntai class; Ma Liuer (named Guilian, born in 1856) is Sanqing Ban Wudan and so on. There are also Cai Fulu (elected to the Shengping Department in 1883), Xu Fuying (i.e., Xu Moer, elected to the Life Department in 1883), Yang Yongyuan (elected to the Life Department in 1886), Yu Yuqin (i.e., Yu Zhuanger, born in 1866).

In 1891, he was elected to the Shengping Administration), Guan Zilin (the father of Guan Dayuan), Zhao Xizhen (Zeng stage name"Phoenix in the clouds"), Fang Lianyuan (son of Fang Chunxian), Fan Fuxi, Ban Shichao, Song Dezhu, Li Jinhong, Chen Jinbiao, Ji Yunlan, etc., all of them have made great contributions to the art of Peking Opera Wudan.

After the liberation of New China, there are many Wudan actors and talents, including Wang Yuzhen, Liu Xiurong, Fang Xiaoya, Sun Mingzhu, etc., among the young Wudan actors, Yan Wei, Huang Hua, Pan Yuejiao, Li Hongyan, Yan Hongyu, Li Jingwen, Zhang Shujing, Yang Yanan, Lu Lin, Yang Yan, Shi Yihong, etc. are all outstanding.