Do the vocal cavity and singing cavity mentioned in Peking Opera mean the same thing? Thank you

Not a meaning.

Vocal cavity: Vocal cavity is a term that distinguishes different varieties of Chinese opera art. Vocal cavity is a special noun in opera.

Generally, some tones similar to singing in opera are called a vocal cavity, or classified as a vocal cavity system. The vocal cavity of Peking Opera belongs to the Pihuang cavity system in the four major vocal cavities of Kun cavity, Gao cavity, Bangzi cavity and Pihuang cavity that have evolved in modern times. In addition to Peking Opera, the system includes Hui Opera, Han Opera, Cantonese Opera, Hunan Opera, Sichuan Opera, Dian Opera and other operas.

Singing refers to the general term for singing methods that require interspersed tunes (such as ballads and songs) in Chinese opera. Peking Opera is dominated by the Pi Huang sound cavity, which is a plate cavity structure, characterized by plate combination and changing forms.

The singing part of the Peking Opera vocal cavity is called the Peking Opera singing cavity.

As far as I personally understand, Peking Opera belongs to the "plate cavity", which is worthy of the vocal cavity; Basically, there are two kinds of "Erhuang" and "Xipi", and there are also four flat tones, Gaobazi, Nanbangzi and so on. These belong to the singing voice.

The two most basic vocal chambers of Peking Opera are:Sippyand Erhuang.

1.Sippi is characterized by brightness and liveliness, and is often used for lyricism, reasoning, and narrator doing serious things.

2.Erhuang is more soothing and deep, and is suitable for singing passages that express sadness and grief.

3.Peking Opera is the most influential genre of opera in China.

It is also the Chinese nation.

An important expression of traditional culture. The two most basic vocal chambers of Peking Opera are Xipi and Erhuang, of which Xipi is characterized by brightness and liveliness, and is often used for lyrical, reasoning, narrative and other singing sections, while Erhuang is more soothing and deep, suitable for expressing sad and sad emotions.

4.Peking Opera is the most influential opera genre in China, and it is also an important form of expression of the traditional culture of the Chinese nation.

The Peking Opera performance system represented by the Peking Opera is regarded as a representative of Oriental drama. Peking Opera has "National Opera."

It is known as the world's three major performance systems.

One. 5.The two most basic vocal chambers of Peking Opera are Xipi and Erhuang.

The most significant difference between Xipi and Erhuang is the rhythm. Xipi's main performance is bright and bright, and Erhuang's main base performance is low and sad. Xipi is the eye up and down, that is, beating the drum to start singing, playing the board and broadcasting, and Erhuang is the board up and down.

1. Xipi and Erhuang.

2. Since the 55th year of Qianlong in the Qing Dynasty (1790), the four major Hui troupes of Sanqing, Sixi, Chuntai and Hechun, which were originally performed in the south, entered Beijing one after another, cooperated with Han tune artists from Hubei, and at the same time accepted some repertoire, tunes and performance methods of Kunqu Opera and Qin dialect, and absorbed some local folk tunes, and finally formed Peking Opera through continuous exchanges and integration.

3. Peking Opera has a set of standardized artistic expression procedures in literature, table performances, stage art and other aspects. The singing cavity of Peking Opera belongs to the plate variant, with two reeds and Xipi as the main vocal cavities. The accompaniment of Peking Opera is divided into two categories: the Wenchang and the Wuchang, with the Huqin as the main instrument and the Wuchang as the main instrument.

The roles of Peking Opera are divided into life, dan, purity, ugliness, miscellaneous, martial arts, flow and other professions, and the last three lines have not been cultivated before and then established a special line. Each profession has a set of performance procedures, and the skills of singing, chanting, doing and playing have their own characteristics. Peking Opera mainly focuses on historical stories, with more than 1,300 traditional repertoire, and more than 3,400 are often performed.

The two most basic vocal chambers of Peking Opera are Xipi and Erhuang.

Peking Opera, also known as Ping Opera and Peking Opera, is the most influential type of opera in China. In addition, Peking Opera has spread throughout the country and has a wide influence, and is known as "National Opera". The Peking Opera performance system named after Mei Lanfang is regarded as a quiet representative of the Oriental drama performance system and is one of the three major performance systems in the world.

Peking Opera is an important form of expression of the traditional Chinese culture, and a variety of artistic elements in it are used as symbols of traditional Chinese culture.

Summary. Hello, the two most basic vocal chambers of Peking Opera are "Nanyin" and "Beiyin". Nanyin refers to the southern vocal cavity, which is mainly popular in Jiangsu, Zhejiang, Anhui and other places, represented by Suzhou Pingdan.

The tone of Nanyin is soft and melodious, the timbre is mellow and sweet, and the characteristics of clear, shallow, soft and fine are mainly sung. Beiyin refers to the Beijing vocal cavity, which is mainly popular in Beijing, Tianjin and other places, and is accompanied by musical instruments such as erhu and pipa. The tone of the northern tone is strong and powerful, the timbre is crisp and strong, and the characteristics of thickness, depth, sound and fierceness are mainly used when singing.

Hello, the two most basic vocal chambers of Peking Opera are "Nanyin" and "Beiyin". Nanyin refers to the southern vocal cavity, which is mainly popular in Jiangsu, Zhejiang, Anhui and other places, and is represented by Suzhou Pingdan. The coarse voice of the Nanyin is soft and melodious, the timbre is mellow and sweet, and the characteristics of clear, shallow, soft and fine are mainly sung.

Beiyin refers to the Beijing vocal cavity, which is mainly popular in Beijing, Tianjin and other places, and is accompanied by musical instruments such as erhu and pipa. The tone of the northern tone is strong and powerful, the timbre is crisp and strong, and the characteristics of thickness, depth, sound and fierceness are mainly used when singing.

These two vocal chambers are very important foundations in Peking Opera performances, and they are also the essence of Peking Opera performing arts.