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It may be that I thought that the anti-listening on the stage was not turned on, or the anti-listening was very poor, which was the reason. Speak directly to the tuner.
Give it back! Or give ear feedback.
When singing, the singer should be as close as possible to the return speaker! When singing, the singer should be as close as possible to the return speaker! When singing, the singer should be as close as possible to the return speaker!
The important words are said three times, and so are the musicians. There is no return to singing, and no matter how awesome the singer is, he has to be out of tune and slow down! Ranking Explanation:
Return speakers. That is, speakers and tuners for stage actors' monitoring.
According to the needs of the actor and singer, the **person signal will be mixed and sent to the return speaker. It allows the performers on stage to hear their own voices in the sound system and the accompaniment of the band. Or, as in some modern performances, the performer wears a headset, but this requires the performer to have experience with the headset.
Some large festivals will have a separate return system and a dedicated band tuner, as well as a master PA engineer.
The difference is that they are only responsible for the return of the band! If you are luxurious, basically every musician has their own return! Make sure every band member can hear what they're playing! It's a performance of responsibility for the show. The most common is now the strawberry ** festival of the modern sky.
That's it (good voice.
concerts of all kinds). If you can't keep up with the rhythm when singing, on the one hand, it may be because the song is more difficult, the pitch is higher, it is not easy to grasp, and you need to use a larger airflow, so it will prolong the time value of a single note, so it will lead to the problem of not keeping up with the beat, and the second may be the problem of singing skills, if you practice the vocal foundation repeatedly, it should be solved.
The ultimate solution: no matter what gig you're in! You're a performer and you ran away probably because you couldn't hear the return, but the audience will just think you're bad....The director will think so too....So don't put up with it during rehearsals!
Say to the tuner: sound teacher...I can't hear the return! Thanks a lot.
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It can only show that the strength is not enough!! Hahaha, just kidding! However, as long as the singing is good, there is no problem, and I believe the audience will tolerate it!
Like those pop singers Faye Wong, they often encounter this kind of problem. The stage production of the concert site is too luxurious, and the LED effect and the lifting stage are very good-looking, but such a stage also has defects, that is, the monitor cannot be placed on the stage, and the actors can only rely on the "ear monitoring" in their ears to listen to the sound. The singer can hardly hear the voice on stage, and he sings completely with his own experience and strength, so I think it's good to have such an effect, and I hope the audience can understand the hard work of the singer and the actors.
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I have the same problem as you, I'm preparing for the New Year's Day party these days, but when I rehearse and sing on stage, I can't hear my voice or my voice is very small, and I feel very depressed. I sang it yesterday, it's not that simple, but I didn't keep up with the rhythm on stage, and then I forgot the lyrics, and I was annoyed when I thought about it, and I could sing it with obvious drum beats. Because there is no monitoring, but the audience can hear it, so it feels bad?
I don't know if I sing well or not, but I feel like I'm still practicing more, I'm used to practicing, I know where to deal with it, and I'm used to not being able to hear my own voice when the time comes. As for being nervous on stage, I am not qualified to tell you what to do, because I have been on stage countless times and I have changed to a new venue, and I will still be nervous, and I will have a problem with my psychological quality. <>
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If you can't hear the accompaniment when singing on stage, there are several solutions:
1.Adjust the position of the sound equipment to ensure that the sound is evenly distributed to all corners of the stage.
2.With the backflow system, the accompaniment** is sent through the mixer to the monitors on stage, allowing the singer to hear the accompaniment more clearly.
3.Adjust the singer's monitoring to make sure the singer can hear clearly.
4.Use wireless in-ear monitoring to allow singers to hear the accompaniment and their own voice more clearly.
5.Adjust the singer's stance so that the singer can better receive the accompaniment**.
6.Use a live audio mixer to adjust the sound to ensure everyone on stage can hear clearly.
7.Practice singing skills to improve control over the voice, allowing the singer to better master rhythm and pitch.
The above are some common solutions, and if none of the above methods can solve the problem, you may need to seek more professional help.
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Singing can't keep up with the accompaniment workaround:
1. First of all, be familiar with the rhythm pattern, clarify the concept, such as simple four or two beats, four or three beats, four or four beats, and use these rhythm patterns in the song.
2. Songs generally have drum beats and accents, and you can listen clearly, you can sing with the beat along with the original song and accompaniment, beat the beat with your hands, and insist on long-term practice.
3. Usually listen to more accompaniment and fill the ears more.
Ways to practice singing.
1. Memorize lyrics.
2. Open your mouth wide.
No matter what your timbre is, you must be relaxed and not nervous when singing. The articulation should be clear, and special attention should be paid to the mouth as wide as possible, which will help to bite the words and pronounce the words clearly, which is very effective.
3. Sing relaxed.
Choose a sofa with a 90-degree corner, you must find a comfortable position, be confident, bite the words clearly, and sing well.
Fourth, posture. The correct singing posture is not only the performance of the singer's good attitude, but also related to the use of breath, the adjustment of resonance and the effect of singing.
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First of all, it is you who develop the habit of reading or listening to the lyrics, but you should develop the habit of listening to the melody.
If you want to sing well, first of all, you must be familiar with the melody and rhythm of the song, and the syllables that should be sung should be sung in full, which is to follow **, not to follow the feeling.
Secondly, you have to listen more and practice more.
Listen a lot, listen to the accompaniment of the song, you mentally follow it, pay attention to what you are prone to make mistakes, and then correct it.
Practice more, there are no natural singers, only trained entertainers.
Furthermore, it is necessary to have self-confidence, not to be afraid of making mistakes, and knowing that mistakes can improve a lot.
Only by finding the root cause of the mistake can we truly avoid the recurrence of the error.
Furthermore, you have to be improvised, and even if you find that the rhythm is not right, even if you adjust it, you must not stop and dare not sing.
Believe in yourself.
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Sing along to the rhythm, at least with a sense of rhythm.
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Whatever he sings, he sings.
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