From which angle do you appreciate landscape paintings?

In order to appreciate the connotation of these landscape paintings, we must first understand the author and evaluate them from the author's point of view.

My personal taste is to prefer the simple style, for example, the works of the Bada Shanren, generally a little bit of a painting appears a feeling of unfinished feelings.

Coloring and layering, I have less research on lines, and I prefer landscape paintings with clear colors and no turbidity, especially splashed ink, which has the most feeling.

I like to look at it from a personal point of view, if the painter is emotionally depressed, he will paint more interesting landscape paintings, such as black ink.

I will compare these paintings with the actual landscape, personally, I prefer realistic landscapes, if his degree of restoration is relatively high, I think this is OK.

The beauty of landscape paintings will be judged according to the era The evaluation criteria vary from era to era, and most of them are based on the comfort of being able to see.

Go to the poor place of the water, and sit and watch the clouds rise. The benevolent see the benevolent, and the wise see the wise. There should be a traditional foundation for Shanshui. A love of nature, a perception of things. Confucianism, Buddhism, and Taoism. Expression of the nature of the mind.

I appreciate Su Shi's painting style, Su Shi's painting is also more realistic and very down-to-earth, and the places that should be left blank are also left blank.

I'm not an expert, I can only appreciate it at the level of an amateur, and it's a bit difficult to distinguish the real from the fake, but I can't do it now, a little bit of effort.

Look at the artistic conception, technique, and overall effect of the style.

I appreciate that kind of landscape painting, which is natural, elegant, and flexible, and has a profound artistic conception that is fascinating.

Traditional Chinese medicine calligraphy and painting are all mysterious things, and it is difficult to have a unified standard of judgment.

Horizontally, it becomes a peak on the side of the ridge, and the height of the distance is different.

I don't know the true face of Lushan, only because I am in this mountain.

The first two are **, and the last one is Zeng Gang's work.

The overall effect of a painting should be far and near, find the bright spots in the painting, and then enjoy it slowly.

I usually watch some of the experts' statements on TV, and the experts say that the painting is real, and I think it's real. Didn't research it yourself.

First of all, let's take a look at this work, the current value is still the place where he collects, if the collection place and value are considerable, the value of the work should be better.

The artistic conception of appreciating landscape painting can be considered from several aspects:

1. Grasp the main idea: When appreciating landscape paintings, we must first clarify the theme of the picture, as well as the emotions and atmosphere expressed. By looking for the prominent points and prominent parts of the main body in the picture, it can help to understand the central idea of the picture.

2. Pay attention to vividness: Vividness is one of the key factors in landscape painting. Each landscape painting has a certain charm, and different painting styles and techniques show different charms.

Therefore, when appreciating landscape paintings, we should pay attention to the flow of breath in the picture and feel their vitality and dynamics.

3. Pay attention to the humanistic connotation: the connotation of landscape painting is rich and diverse. The artist's life experience, worldview, and values are often integrated into the work.

Therefore, if you can have a thorough understanding of the artist's background, mood and social environment when viewing a painting, you will be able to better understand the artistic conception of the painting.

4. Perception with heart: Appreciating landscape painting requires an open mind and a heartfelt feeling. The painter's tone, color, and composition can all be felt, and some landscape paintings can add meaning to the picture with poems or story backgrounds.

Only by integrating yourself with the painting will you make the best appreciation.

Common expressions in landscape painting:

1. Dotted dyeing: Dotted dyeing is a technique that uses dot painting and interlaced lines to shape the picture. There are a lot of dots and dyes in landscape paintings, commonly known as "turning stones into gold", which not only depicts the form, but also expresses the delicate emotions such as light and shadow, breath, etc., forming a unique visual effect.

2. Freehand: Freehand is a kind of expression that attaches importance to the spirit, breath and taste of the object of the appearance, usually using large pieces of random brushstrokes to express the form and emotional connotation of the landscape, and as much as possible to depict the changes and charm of nature with a free and flexible brushwork.

3. Composition: Composition refers to the composition method used to lay out the picture in landscape painting. Common composition methods include single-scene composition, gathering sedan car dismantling composition, flying composition, and fusion scene composition.

Through the layout of the composition, the chain increases the layering and three-dimensional sense of the picture, so that the viewer's visual experience is richer.

4. Use of color: The use of color in landscape painting is usually simple and natural colors, and the staggered use of cold and warm colors to express natural changes and inner emotional changes. At the same time, the colors in landscape painting can also make the picture fuller and more vivid through contrast.

The appreciation of landscape painting mainly starts from the aspects of artistic conception, brush and ink, color, composition, and charm.

There are three themes in Chinese painting, namely landscape painting, flower and bird painting and figure painting, among which the proportion of landscape painting is the highest, and the technique and achievement of landscape painting are also the highest category in Chinese painting, so it is very popular with collectors. The mountains and rivers in the painting seem familiar, but it is not easy to truly grasp the meaning. If you want to appreciate an excellent landscape painting, you still need to know the knowledge of landscape painting appreciation.

Landscape painting appreciation.

Clause. 1. Look at the artist's own art, character, style, personality, and characteristics. Painting is an affirmation of the society for painters, painters have their own unique artistic language, style is a national painter is different from another national painter's characteristics, landscape painting is higher than nature.

It is the product of the painter's unique interaction with the spirit of heaven and earth, and it has a personality, which is a kind of personality that has been formed over the years, rather than a superficial tension and sense of form.

Clause. 2. Composition, brushwork, and coloring.

Business location: refers to the composition, reflecting the overall effect of the work. Chinese painting has always attached great importance to composition, and it should pay attention to the relationship between the guest and the host, echoing, virtual and real, complex and simple, dense, hidden, uneven, and so on.

Pen and ink, bone method with a pen. The brushwork, ink, chapter and color of the work, etc. The law of "writing God in form" advocated by Gu Kaizhi of the Eastern Jin Dynasty is consistent.

The momentum and spirit of landscape painting are expressed through pen and ink, and a good painting must have pen and ink. If there is a penmanship, it is also necessary to use ink, and it is not good for the lines to have flesh and bones, and it is not good to have ink without a pen. Any good pen and ink technique is in the service of expressing artistic conception or interest.

Coloring: Painting is good, if the artistic conception is not enough, it needs to be remedied by coloring, and the quality of landscape painting is quite related to the application of color. The use of color in Chinese painting is different from that of Western painting, and Chinese painting likes to use inherent colors, that is, the original color of objects, although it also pays attention to certain changes, but the changes are small.

Clause. 3. Mounting.

Three-point painting is framed in seven. A well-framed landscape painting can make the painting more meaningful and perfect. Framed is available in both hand-mounted and machine-mounted.

The framing of landscape paintings needs to be ingenious, reasonable and decent with mounting, and the common ones are paper and silk. The mounting work is very particular. Modern Japanese mounting has a different flavor and has had an influence on modern mounting methods.

A good framing can set off a painting more exquisitely and pleasing to the eye, and it is precious and generous.

Why is it called "landscape painting" in the West but "landscape painting" in China? Westerners regard man and nature as antagonistic, and man's task is to understand and transform nature.

The Chinese, on the other hand, regard man and nature as a highly integrated unity, you have me, I have you.

When such a concept is applied to literary and artistic creation, the purpose and method of creation are naturally different.

Western painting requires an objective depiction of things, recording the true form of the object, that is, what the natural scenery is like, and what the content of the picture should be.

When Chinese painting depicts natural scenes,Due to the integration of the painter and the landscape and trees, the work expresses the unity of the landscape and the painter's emotions towards the landscape, and expresses the inner emotions through the depiction of the landscape. As for whether it is a true portrayal of the landscape, it is not the main issue.

In China, it is called "landscape painting" because China has a unique landscape culture. Historically, there has been a special relationship between literati and doctors and landscapes. Many literati were keen on Lao Zhuang's thoughts, hidden in the mountains and forests, and formed an indissoluble bond with the mountains and rivers.

In their contact with the landscape, they found that the landscape best reflects their own realm, and the landscape can best reflect the Chinese understanding of the relationship between man and nature.

Even if they do not retire to the mountains and forests, literati doctors also like to travel in the mountains and rivers. Such a high and wide realm is indeed the best place for a getaway. Being in the company of nature for a long time has closely linked man and nature, and the depiction of natural scenery has become "landscape painting".

The same depicted objects and different naming methods essentially reflect the embodiment of different Chinese and Western cultures in painting. Due to the differences in creative concepts, creative purposes, and creative methods, as well as the special "landscape" complex of Chinese literati, it is most appropriate to call the depiction of natural scenery in Chinese painting "landscape painting".

Summary: From the perspective of the characteristics of art and art theory in the Western art system, the order of the emergence of painting and painting theory is that there is painting first, and then painting theory. The origin of landscape painting is that "theory comes first, practice comes last".

Mountains, water, flowers, and birds are all specific scenes in the natural scenery to accompany the return, and the Chinese distinguish them independently according to their own preferences, calling them "landscape paintings" and "Youfan flower and bird paintings" to show their special love and preference for mountains and water, flowers and birds. This is a people's living habit and a national cultural tradition.

There are many types of landscape paintings, and urban landscapes are also called landscape paintings, so landscape paintings cannot be called landscape paintings.

Landscape painting generally refers to the respectful painting between the landscape and the repentance, the color is mainly blue, green and blue, and the landscape painting includes many colorful items such as flowers, maple leaves, birds and other colorful items in addition to the mountain round sedan water.

Because landscape painting contains different scenes and highlights different characteristics, it needs to be distinguished from landscape painting.

Landscape painting is more elegant, and this kind of painting has both mountains and water, and there are many scenes, and it gives people the feeling of being particularly good, and it is also very elegant and relaxed.

There should be in the encyclopedia, honestly I copied it, and I just need to change the statement a little when I do my homework. I don't know if the character doesn't meet the requirements.

The author writes the scenery according to the mountain, and draws the beauty of the mountain by writing about the snowlight, snow color, and snow state of each detail of the beautiful mountain. The artistic structure is arranged on two floors. First of all, the sub-pen depiction of the fine brush, from the mountain, the tip of the mountain, the slope to the mountainside, step by step, the stroke of the stroke

It is white, "with a bunch of white flowers on the tip of the tree", and the green of the pine contrasts with the white of the snow; It is silver, "inlaid with a silver edge on the blue sky", like a washed blue sky and a silver snow; It is colorful, "put on a flower dress with water patterns for the mountains" is its color, "this flower dress seems to be blown by the wind, so that you want to see a little more beautiful mountain skin" is its state, in the depiction of color and state is written in the movement in stillness; It has the most touching color in the world, under the oblique light of the bright sunset, it is like a girl, "suddenly shy, slightly revealing a little pink", in the evening snow rendering in the form of love. It's really a scene, a scene. This paragraph is depicted in a divided pen, from the point of view of the method, it is a fine brush, and from the perspective of artistic conception, it still focuses on freehand.

Chinese painting pays attention to "vividness", and the snow scenes depicted in different strokes are not dull, but vivid. A series of verbs bring the reader into the artistic conception of association and imagination, and what the reader feels is not only the external beauty of the light, color and state of the snow, but also the charm of the snow and the inner beauty of the snow. What the author has created is the highest state of painting art, "vividness".