Appreciation of Ancient Poetry Inscription Li Tang .

Picture: Clouds and smoke of villages and rain-soaked river beaches, mountain villages disappear from time to time, and the beach water is turbulent.

Technique: Rhetoric.

The verse translation of the inscription is:

The original inscription: Yunli Yan Village Yuli Beach, easy to see but difficult to do.

I knew that I didn't know that it was in the human eye, so I bought more swallow fat to paint peonies.

Translation: Clouds and smoke in the village and the rain-soaked river beach, the mountain village is hidden from time to time, and the beach water is turbulent. It's easy to enjoy the beauty in the painting, and who knows how difficult it is to paint it well. I knew that people didn't like such a beautiful scenery at the time, so I should buy more rouge to paint gorgeous peonies.

Looking at the beautiful scenery of the village in the clouds and rain, it is difficult to draw it (this sentence is intertextual in the clouds and rain).

I knew that I couldn't meet the aesthetic standards of the time, so I should buy more rouge to decorate (this peony refers to dressing).

I think that's roughly what it means, I hope it helps you.

1.Easier said than done.

2.People have different levels of appreciation, and they don't have the same perception of the same thing.

3.It is difficult for ordinary people to understand and accept elegant things.

Yunli Yan Village Yuli Beach, easy to see but difficult to do.

I knew that I didn't know that it was in the human eye, so I bought more swallow fat to paint peonies.

Li Tang. Painting with inscription poems is a major feature of China's painting art. Most of the early inscription poems were inscribed by poets for painters or Tibetan painters, such as Li Bai's "Landscape Song of Zhao Yan Shaofu's Powder Painting", Du Fu's "Drama Theme Wang Zai's Painting of Landscape Pictures" and "Painting Eagles". It was not until the Song Dynasty that the painter wrote poems on his own paintings, thus gradually forming an artistic tradition that integrates poetry, calligraphy and painting.

Li Tang's poem "Inscription" is one of the earlier famous works.

The poem is titled "The Inscription", but in fact only the first sentence deals with the painting itself; The remaining three sentences are just borrowed from the topic to express personal feelings and grievances. Its off-string sound is intriguing.

Yu Fengqing of the Ming Dynasty "Calligraphy and Painting Inscriptions" contains, Song Qiyun, a Qian Tang man: When Li Tang first arrived in Hangzhou, no one appreciated it, and he made a living by selling paper and paintings, and his life was very difficult. He wrote this poem to satirize the culture of the society at that time that admired the painting of flowers and birds.

Yunliyan Village Yulitan" is only seven words, and a vivid picture is vividly highlighted. The picture is layered and three-dimensional: the top is a mountain village shrouded in clouds and smoke, and the bottom is a rain-soaked river beach, which is still and moving, and sets off each other.

The scenery in the painting is hazy, but the picture is clear and cherry blossom-resistant, the mountain village is faintly discerning, and the sound of the beach seems to be audible, without giving people any obscure feeling. The painting was created through arduous mental labor. Hence the next sentence says:

It's easier said than done. As the saying goes: "It is not difficult to see people carrying burdens, and things are not difficult to pass."

This is a philosophy of life that everyone understands. However, ordinary people are often obsessed with lust, greedy for wealth and glory, lack real aesthetic ability, and look down on this kind of exquisite painting. The poet writes:

I knew that I didn't know that it was in the eyes of the people, so I bought more swallow fat to paint peonies" (peony, a rich flower). It means that if you paint peony flowers and apply strong colors, it will be very popular with the people of the time. This is, of course, the opposite.

This kind of rhetoric is full of tearful humor and spews out the anger of the world. Yizhuang, also harmonious, happy, dripping. This style was imitated by many inscription poems in later generations.

For example, Xu Wei in the Ming Dynasty "Ink Peony" cloud: "Fifty-eight years of poverty, how can you ever miss Luoyang Spring?" Otherwise, there will be less rouge, and the rich flower will write God in ink!

It can be clearly seen that Li Tang's poem inspired him.

Li Tang was very accomplished in landscape painting and figure painting. In particular, his landscape paintings are concise in composition, powerful in brushwork, and focus on creating artistic conceptions. In the technique of painting water, he switched to a dynamic trend of vortex, which made "the viewer dizzy".

In this way, the first sentence of the poem, "Yunli Yancun Yulitan", shows that Li Tang has a high degree of talent in creating artistic conception and composition. As for the love of discussion, that is the habit of the poets of the Song Dynasty, and the discussion of Li Tang's poem is more rational and interesting after all, but it makes people feel profound and interesting.

Title. Draw.

Li Tang. Baili Yan Village Yuli Beach, easy to see but difficult to do.

I knew that I didn't know that it was in the human eye, so I bought more swallow fat to paint peonies.

The first line of the poem depicts the landscape: cloud-shrouded villages and rain-drenched river beaches, mountain villages that disappear from time to time, and the beach is turbulent.

The last two sentences express the emotion that his Weiyan artwork and personal talent are not appreciated, and they also satirize the secular atmosphere of He Yi at that time.

You can't search for it, and the Internet can still be used for Zen Mountain Stove.