Thousands of years of pipa as nonsense, clear resentment in the song whose verse?

This is a poem by Du Fu in the Tang Dynasty, from "Five Songs of Yonghuai Monuments, Part III", Du Fu wrote all the resentment of Zhaojun through such verses.

The author of this poem is Du Fu, and then the name of this poem is "Five Songs of Yonghuai Monuments", and he wants to remember Wang Zhaojun in this way.

It is Du Fu's poem, this poem is also to miss Wang Zhaojun, and it also expresses his own talent, which is very painful.

This is a poem by Du Fu, who was known as a poet saint in ancient China, and there are many famous poems in his pen.

"Thousands of years of pipa as nonsense, clear resentment in the song" means "thousands of years of pipa sound echoed in the air, that is Zhaojun's infinite resentment and telling", this poem from "Yonghuai Monuments Five Songs", is a group of poems written by the great poet Du Fu in the Tang Dynasty.

Five poems of Yonghuai Monuments "Five poems respectively chant the historical sites left by Yu Xin, Song Yu, Wang Zhaojun, Liu Bei, Zhuge Liang and others in the Three Gorges of the Yangtze River, praising the five historical figures' articles and learning, character and morality, great achievements and meritorious deeds, and expressing deep sympathy for the bleak life experience and unpaid life of these historical figures, and conveying their feelings of frustration and displacement, expressing their own ideals, feelings and sorrows.

The Han Dynasty was the first unified dynasty in Chinese history to reign for a long time. During this period, the exchange and integration of various ethnic groups have made great progress, and the cultural integration and dissemination between ethnic groups have also been relatively open.

Although Confucianism became the dominant ideology after Emperor Wu of the Han Dynasty, the Han Dynasty was indeed more enlightened in its absorption of foreign cultures. **The creation of various new sounds produced by the fusion of Hu music is one of the manifestations of this enlightened cultural spirit.

Hu Le is the general name of the ancient northern peoples and the Western Regions. In fact, as early as the pre-Qin period, the ** of ethnic minorities had entered the Central Plains, and gradually realized the integration of the Central Plains ** and the ** ethnic minorities.

At the beginning of the Han Dynasty, the southwest, northwest and northern ethnic minorities entered the Central Plains, and ethnic minorities and dances began to frequently enter the court and gradually became active in the court, which was part of the cultural exchanges and integration of ethnic groups after the unification of the Han Dynasty.

For example, Jia Yi in the early Han Dynasty once suggested that Emperor Wen of the Han Dynasty give preferential treatment to the Huns who returned to the Han Dynasty and perform the singing and dancing acrobatics of the Hu people for them, so there were already many musicians in the court of Emperor Wen of the Han Dynasty who could perform Hu music.

Another example is the rise of "preaching" and "horizontal blowing", "preaching" refers to the first form of percussion and wind music played togetherIt is said that it was introduced to the Central Plains by Ban Yi in the early Han Dynasty after contact with the ethnic minorities in the northwest; "Horizontal blowing" is a new sound created by the famous ** artist Li Yannian during the time of Emperor Wu of the Han Dynasty according to the ** brought back by Zhang Qian from the Western Regions.

For thousands of years, the pipa has been used as a nonsense language, and the "pipa" in the "clear resentment song" is also a musical instrument introduced to the Central Plains from Hudi. In Hudi, the pipa is mostly used for playing on horses; After it was transmitted to the Central Plains, the music often played by the pipa was still Hu Yin and Hu Tune. Of course, when Wang Zhaojun went to the Xiongnu, I am afraid that he may not really have a pipa in his arms, and even if he did, the pipa at that time was not the common song pipa we have today, but a musical instrument close to Ruan.

Summary:The picture of the whirling dance of Shimen Hu is now in the Ningxia Yanchi Museum.

Personally, I feel that because these Hu Le Hu songs are generally representative, and people who look at the court also like to listen to such songs very much.

Because Hu music and Hu opera were more popular before the Han Dynasty, and there was no music of its own in the Han Dynasty, most of the music played by the court of the Han Dynasty was Hu music and Hu music.

Thousands of years of pipa as Hu language, the Hu character in this sentence has not lost its rhyme, this is just a declension in a rhyme, and it is a common declension method. This poem is a thousand-year-old pipa as nonsense, and it is clear that the resentment is in the song, which is a unique creative rule. In the development process of poetry, the law of near-style poetry is a fixed format, but poetry must have a breakthrough in order to develop, and the application of Hu character is a manifestation of breakthrough.

If you like a format, then write according to it, and if you don't like it, you can create a new format at the same time, as long as it conforms to the rules of poetry and can be accepted by most people, so what is not to do if the format is a little strange? In the analysis of the metric, we know that the thousand-year-old pipa is a kind of metric.

Originally, the format of the metrical rhythm was Pingping, but here the second and fourth positions are used Pingsheng, so it is indeed different from the original format. However, because of the change, the original sentence has become more vivid and clear. All this is in accordance with the pronunciation rules based on recitation.

Because the sentence itself reads smoothly, and this format is slowly accepted by later people. Although the old format range is the norm for creation, it is relatively rigid at the same time, and the creation needs to be free while following the rules.

Ambiguous sentences in declension are allowed in the metric, and it is not a way of going out of place. It can be used flexibly in the creative process. One more line of thought means one more idea, and one more idea will make our poetry lively.

It is necessary for Chi Naolu to master basic common sense in the process of learning poetry, but in the process of basic common sense, it cannot be hastily determined that poetry does not conform to the laws of rhythm. We also need to learn to innovate, which is an integral part of the poetry of bent stockings. And the Hu characters in the Hu language are the result of innovation.

Thousands of years of pipa as Hu language, "Jin Pei infiltration Hu" word Ping Qian is not out of rhythm, this form is called "auspicious ridge special difficulty", belongs to a variant of the middle split in the law sentence, that is, the "Ping Ping" in the five-word law is changed to "Ping Ping", which is characterized by the interchange of the two words of the abdominal joint.

No. Tan Buxian because of "thousands of years of pipa nonsense, clear resentment in the song to let the beat." The corresponding is "Ping Ping, Ping, Ping Ping,

There is no example sentence of this poem that is declension, and it is very common. There are many such poems in Tang poetry.

In Hudi, he used the pipa to spread the word and made a tune that has been passed down for thousands of years.