The Nikon D90 comes with a wide angle and a telephoto, which head is better.

Updated on number 2024-02-29
9 answers
  1. Anonymous users2024-02-06

    Don't say anything else, just say that your stupid move--- sell it with a constant Tukina 80-200 for a 70-300VR, it's really faint. Unless the Tokina is currently heavily out of focus on your D90. And you're quite unhappy with this Tokina.

    If this Tuli is decent, then you will feel even more dissatisfied if you change to a small donkey cannon.

    Tuli 80-200 We all took it out and compared it with Nikon old man 70-210 f4, and agreed that it was not worse than 721, and the level of 721 f4 was definitely higher than that of the little donkey cannon, the little donkey cannon 70-300, not to mention that there is not much difference between 200 and 300 for the time being, let's just say that the little donkey cannon is at the end of the 200 end, do you think you can see it? 70-300VR, 70-300 without VR, generally we think that after 200, the extra 100 are sent by Nikon, and they are not considered to be able to produce films at all.

    I support the wide angle, and I think it's a bit ridiculous to exchange the 80-200 Tuli for the little donkey cannon. Or the landlord can go to the market to try the little donkey cannon, small paper cannon, and use it to experience it best. Really like the telephoto, the Tokina 80-200 should be raised directly to the small steel cannon, at least.

    Changing the donkey cannon is a downgrade, not an upgrade.

  2. Anonymous users2024-02-05

    Isn't there a Tamron 17-50 when you sell Tuli, which is also a wide angle, and it's very convenient to sweep the streets.

    Do you mean that this Tamron is also going to be sold and then re-bought a wide angle? Are you not satisfied with the current lens?

    Wouldn't it be a repetition if we didn't sell it?

  3. Anonymous users2024-02-04

    If you want to use street sweeping and travel photography, a wide angle is essential. Travel photography should have a large aperture, and a constant aperture is the best.

  4. Anonymous users2024-02-03

    17-50 is not wide enough, so you have to 10-20dx, or 11-16 in Tokina

  5. Anonymous users2024-02-02

    Nikon 70-300's, partial meat, personally feel not as good as your current Toklela. If you have the opportunity, you have to take a real shot and experience it yourself. Sweep the street on 35mm, fixed focus, I don't think it's practical.

  6. Anonymous users2024-02-01

    You don't need to change anything, these two heads are still fine.

  7. Anonymous users2024-01-31

    If you sweep the street, the wide angle is not used a lot, the key is tourism, the charm of the scenery wide angle is incomparable, this depends on how many meters you have!

  8. Anonymous users2024-01-30

    It's good to use Tenron, and that's what I use.

  9. Anonymous users2024-01-29

    Introduction: Many users don't know what lens to equip the SLR camera with in order to shoot the kind of aesthetic ** they want, which requires us to know more about this knowledge. Everyone knows that shooting different scenes requires the use of corresponding lenses to shoot beautiful**.

    Nikon AF 80-200mm F ED

    From the earliest push-pull structure to the present, this lens has undergone three generations of improvements, and can be called a classic among Nikon zoom heads. However, these three generations of lenses are the same in terms of optical structure. This is also a testament to Nikon's deep expertise in optical design.

    Its high resolution, good bokeh effect, sharpness of urban and rural areas in focus, and accurate and full colors have been praised by many photography enthusiasts. There was even a stage that was touted as Nikon's most worthwhile zoom lens.

    The Nikon AF Zoom 80-200mm F Ed Lens uses three ED lenses to shoot with high resolution and sharp** even when the aperture is wide open. Multi-layer coating technology suppresses vignetting, etc., to ensure color balance. It is equipped with a rotary zoom and an MA automatic switching device and a tripod mount.

    Because the tip of the lens barrel does not rotate when focusing, it is very convenient when using polarizers.

    Nikon AF-S VR 70-300mm IF-ED

    The Nikon 70-300mm is a cost-effective telephoto lens. The focusing system uses Nikon's own ultrasonic motor, which keeps the focus at high speed and quiet at all times. At the same time, the lens has a VR stabilization mechanism, which can provide about four levels of shake compensation.

    In terms of optical design, this lens uses the ED lens, which Nikon is proud of, and the image quality is very good, with excellent resolution and color.

    The Nikon AF-S VR 70-300mm IF-ED is mounted on an APS-C format SLR, with a focal length equivalent to 105mm-450mm, with a magnification and a minimum focal length, which is more prominent in telephoto zoom lenses. The 9 rounded blades on the aperture make the bokeh effect even more attractive. The total length of this lens is approximately 745g.

    Nikon AF-S Micro 105mm F IF-ED VR

    The Nikon AF-S Micro 105mm F IF-ED VR is Nikon's high-spec macro lens that supports VR optical image stabilization, also applies an advanced nano coating, and uses an ultra-low dispersion lens and internal focus design. This lens uses the SWM ultrasonic focusing system, built-in IF focus design, ED (ultra-low dispersion) lens, and G-type apertureless ring design, making it a high-quality gold-ring lens.

    Due to the application of an optical shock absorption system and an ultrasonic motor, the lens appears very stout and weighs 790 grams, making it more stable to operate. The Modified VR System (VRII) allows the photographer to shoot sharp and sharp images at a shutter speed that is about 4 stops slower than usual.

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