To the Oak Tree What kind of emotions the author contains

To the oak tree, is my favorite, the landlord is very good, said very comprehensively, if you want to deeply understand what kind of emotion, it is recommended to write an essay to the oak tree, according to each word between the lines of the poem, figure out the kapok, you can deeply experience, that kind of sincere emotion is how to make people look forward to, and envy, beautiful and intoxicating. Give it a try, huh.

The pursuit of equal feelings, to obtain the love of the lover, and the love of one's lover are treated equally.

It expresses the warm, loyal thoughts and feelings of love.

The poem is artistically symbolic through the whole.

Using the inner monologue of "Kapok" to "Oak Tree", he sings passionately and honestly about his personality ideals and requirements to stand side by side and be independent.

and deeply amuses the relative view of love.

It can be seen that the poet has carefully designed the materials for his poetry: the oak tree is so suitable for representing the masculine mountain of Nasimei, and the kapok is so apt for the self-reliance of women and the demand for equality with men. As soon as this poem was born, the oak tree and kapok became a new set of images in our country's love poems.

Main introduction

To the Oak Tree is by the Chinese poet Shu Ting.

A contemporary poem written in 1977. The poem has 36 lines, and the first 13 lines of the poet use climbing flowers.

The six images of infatuated birds, springs, dangerous peaks, sunlight, and spring rain negate the traditional concept of love; 14 Lines 36 positively express his ideal view of love.

Through the artistic technique of overall symbolism, the poem uses the inner monologue of "kapok" to "oak tree" to sing passionately and honestly about his own personality ideals and the concept of love that requires standing side by side, independent and affectionate. The chapters and syntax of the poems are carefully arranged, so that the lyricism and argumentation are naturally integrated, and the rich and delicate feelings have a rational brilliance.

The author rejects three traditional views of love: clinging, unilateral infatuation, and blind dedication.

Because the author yearns for a love that is independent, equal, and respectful.

First of all, the climbing flowers. What kind of love is it to satisfy one's vanity (to show off), to climb up in desperation for the sake of pursuing a noble status, and to completely disregard one's own human dignity? This is a kind of love that is "clinging to it with all its might".

Secondly, the infatuated bird, the bird that repeats the monotonous song for the green yin. Because this kind of bird is unilaterally obsessed, it only knows how to sing for each other, but forgets to sing for itself with its own voice.

She doesn't realize the value of her own existence, she doesn't know that "I am my own" while loving each other, she only knows that she is attached to the shadows, but she is unwilling to fly out of the shelter, and she does not want to fly to her own free sky. Therefore, this is a kind of love that "only knows how to attach".

However, springs, dangerous peaks, sunlight and spring rains. Most of these things are the objects of praise in other literary works, and the poet here expresses his disapproval, although he does not deny them altogether like the first two.

Because they are in order to grow vigorously, they dedicate and give without regrets, but they forget to give themselves an independent world and the opportunity to create their own value, this self-sacrificing spirit is commendable, but it is inevitably regrettable. Therefore, this is a kind of "blind dedication" love.

Background of creation. Shu Ting once talked about the background of the poem "To the Oak Tree": "In fact, the production of this poem is both simple and ordinary.

Shu Ting recalled. In 1975, Cai Qijiao, an old returned overseas Chinese poet who had given her great help in writing, came to Gulangyu as a guest, and one night, when Shu Ting accompanied him for a walk, Cai Qijiao told her about the girl she had met in her life.

In the 70s of the 20th century, it was bold to talk openly about the girl you liked. Cai Qijiao said that there are beautiful girls, but there is no talent; Talented girls are not beautiful; A beautiful and talented girl, and very fierce, he finds it difficult to find a perfect girl.

Shu Ting said that she was very angry after listening to it at that time, and felt that it was a macho idea, and that men and women should be equal, so that night, she wrote a poem "Oak Tree" and handed it to Cai Qijiao, and when it was later published, it was changed to "To the Oak Tree". In fact, the oak tree could never have grown with the kapok tree in the south, and in this poem they are used as a reference for the male and the female. She added.

To the Oak TreeIt expresses the poet's personality ideals, expresses the self-reliance and self-improvement of women, and the demand for independence and equality between heaven and earth with Nathan and men. The poet uses symbolism in "To the Oak Tree".KapokSymbolizing women, using oak trees to symbolize men's laughter, vividly singing the praises of their own ideals of human spring, and emphasizing the importance of individual spiritual independence in the love world.

Shu Ting's "To the Oak Tree" is a masterpiece of the Hazy Poetry School and the Cultural Revolution.

The earliest love poems that appeared after that. The poet takes the oak tree as the object, expresses the enthusiasm and loyalty to love, and is willing to become a kapok near the oak tree, and share the wind and rain, thunder and lightning with the oak tree.

The author of To the Oak Tree is a famous contemporary Chinese female poet and one of the representatives of the Hazy Poetry School, and her poetry is romantic.

and ideal temperament.

Shu Ting's main works include "Brig" and "Singing Iris".

Archaeopteryx", "Shu Ting's Poems".

In addition, Shu Ting is also the author of essay collections "Heart Smoke", "Autumn Mood", "Hard Bones", "Real Water Without Fragrance", "Poetry in the Dewdrops" and so on.

The poet uses the oak tree as the object to express the passion, sincerity and fidelity of love. The oak tree in the poem is not a concrete object, but a symbol of the poet's ideal lover. To a certain extent, this poem is not simply pouring out his passionate love, but to express a kind of love ideals and beliefs, through a kind and specific image to play, quite the ancients to support things and aspirations.

To the Oak Tree.

1. It is a hypothetical sentence with "if" at the beginning, introducing six kinds of negation, and writing several different kinds of love, the common point of such love is the lack of personality independence, and they cannot become real love. Expressive poet's contempt for all kinds of vulgar love.

2. "No, that's not enough!" After the negation, the rhythm of the rapid turn, connecting the previous and the next, sonorous and powerful, the state of the state is empty and blind and leads to the true concept of love.

3. "I must be a kapok near you, standing with you as the image of a tree." In the poem, the two core images of "oak tree" and "kapok" symbolizing men and women respectively are used to write the concept of love standing side by side and being in the same boat through thick and thin, which is exactly the love that the poet wants.

To the Oak Tree expresses the author's passionate, sincere, and steadfast thoughts and feelings about love.

The oak tree in the poem is not a specific object, but a symbol of the poet's ideal lover. Therefore, to a certain extent, this poem is not simply pouring out his passionate love, but to express a kind of ideal and belief in love, which is played through a kind and specific image, which is quite like the meaning of the ancients.

The metaphors and peculiar combinations of imagery in the poem both represent a new form of poetry at the time and are of seminal significance. In addition, although the poems adopt the imagery of Brother Lu's novelty, the language of the poems is not difficult to understand and obscure, but has the characteristics of colloquialism, with a fresh aura and subtle hints in the novelty, giving people infinite space for reverie.