The conditions for the formation of world literature include, what is the world of literature?

As an important part of philosophy and social science with Chinese characteristics, Chinese style and Chinese style, ancient Chinese literature is indispensable in constructing the Chinese discourse system, strengthening cultural self-confidence, and explaining, responding to and criticizing many theoretical and practical issues in the field of contemporary literary and artistic theory. Clarifying the profound connotation of the national character of ancient Chinese literary theory plays an extremely important role in understanding the survival law of ancient Chinese literary theory, the way of speaking, the humanistic care and the integration of horizons, the discourse reconstruction of ancient Chinese literary theory, and the comparison, reference, mutual absorption and influence of ancient Chinese literary theory and Western literary theory. The national character of ancient Chinese literature in many aspects such as material form, survival law, mode of expression, means of integration, aesthetic sentiment, etc., not only highlights local characteristics, but also highlights the world vision, and has the strong vitality and wisdom of integrating ancient and modern China and foreign countries.

As the first collection of imitation limb poetry in China, the Book of Poetry has a lofty historical status, and its influence on the poetry creation and influence of later generations in China is huge and far-reaching, mainly in the following three aspects: The Book of Poetry has established the national cultural tradition of Chinese poetry and artistic creation. The Book of Songs established the artistic principles of Chinese poetry creation and criticism.

The Book of Songs laid the foundation for the language form of Chinese poetry. There are many literary works like the Book of Songs, and their status in the history of literature is also different.

The four elements of literature are the work, the world, the writer, and the reader. In his book "The Mirror and the Lamp: Romantic Literary Theory and Critical Tradition", the American scholar Abrams proposed that literature is an activity, which is composed of four related elements, namely, the work, the world, the writer, and the reader, and the four together constitute a literary activity.

These four elements form an overall relationship of interpenetration, interdependence and interaction in literary activities.

The author has created literary works, and the author's thoughts and feelings flow in the literary works, reflecting the author's experience and world view. Therefore, to understand a literary work, it is necessary to understand the creator.

A literary work becomes an independent entity after the author has finished writing. He independently narrates the subject content he reflects, the thoughts and feelings he expresses. It is the carrier of the author's thoughts, and it is also the window for readers to understand the author and the world, and plays the role of dust preparation for links.

Readers are the main force that promotes the prosperity of literary works. It has been argued that "the moment the author writes the work, the work no longer belongs to the author, but to the reader." "The reader's interpretation of the work is tantamount to a re-creation of a literary work!

Different readers, through different perspectives of the old interpretation, enrich the level of literary works. Readers of different eras sublimate the connotation of literary works by interpreting the works and connecting them with the backgrounds of different eras.

The world refers to the background of the era and interpretation of the creation of literary works. Through literary works, we can see the world at that time, and then understand the world at that time.

The author expresses his emotions through the work, the world is recorded through the work, and the reader knows the author and the world through the work. In turn, readers can promote the prosperity of the work through reading and thinking, and understand the author and the world to further understand the work. Fengsheng authors, readers, and the world are interconnected and mutually reinforcing, and works are the bridge and link between the three.