What is the new book style created by Yan Zhenqing called?

1. The calligraphy style created by Yan Zhenqing is called "Yan Ti".

2. The characteristics of Yanti calligraphy are that the knot is square and dense, the strokes are horizontal and vertical, the pen is strong and round, and the momentum is solemn and majestic. Yan Zhenqing founded the "Yan Ti" regular script, and Zhao Mengfu, Liu Gongquan, and Ouyang Xun were called the "Four Masters of Regular Script". It is also called "Yan Liu" and Liu Gongquan, and is called "Yan Muscle Willow Bone".

3. Examples of Yan calligraphy:

Four regular scripts: Ouyang Xun (European Body) in the Tang Dynasty, Yan Zhenqing (Yan Body) in the Tang Dynasty, Liu Gongquan (Liu Body) in the Tang Dynasty, and Zhao Mengfu (Zhao Body) in the Yuan Dynasty.

Representative works: 1. Ouyang Xun of the Tang Dynasty: his regular calligraphy degree is rigorous, the pen power is steep, and it is known as "the first regular script of the Tang Dynasty", and the representative work is "Jiucheng Palace Liquan Ming".

2, Tang Dynasty Yan Zhenqing (Yan Ti): its regular script is dignified and majestic, the momentum is open, known as "Yan Ti", the representative works "Yan Qinli Tablet", "Yan's Family Temple Tablet", "Duobao Pagoda Tablet", "Magu Xiantan Record".

3. Tang Dynasty Liu Gongquan (Liu Ti): Its regular script is clear and vigorous, the knot is rigorous, the penmanship is exquisite, the pen is upright, the world is known as "Liu Ti", and the representative works are "Mysterious Tower Tablet" and "Shence Army Tablet".

4. Zhao Mengfu of the Yuan Dynasty: his regular script is round and delicate, upright and rigorous, and does not lose the elegance and elegance of the book, known as "Zhao Ti", and his representative work is "Xuanmiaoguan Rebuilding the Three Gates".

Yan Zhenqing was a famous calligrapher in the Tang Dynasty and one of the four masters of regular script.

Yan Zhenqing's calligraphy is exquisite, good at line, Kai, creating "Yan Ti" regular script, and Zhao Mengfu, Liu Gongquan, Ouyang Xun and called "regular script four masters".

Yan Zhenqing was born in Jingzhao Wannian (now Xi'an, Shaanxi), and his ancestral home is Linyi, Langyu.

Yan Zhenqing is good at poetry and writing, including "Yunhai Mirror Source", "Rite and Music Collection", "Wu Xing Collection", "Luling Collection", "Linchuan Collection", all of which are unknown.

The Song people have "Yan Lu Gongji".

For most calligraphy learners, no matter what kind of calligraphy you start learning, regular script is a calligraphy that you can never bypass, and the techniques in regular script are also the most abundant of all calligraphy, or when you really master the ancient method of writing regular script, when you go to copy and learn other calligraphy, you will be able to be at ease.

Learn calligraphy to know how to "take the law on the top", the same is true for learning regular script, do not learn the contemporaries, calligraphy to the patriarchal Jin and Tang dynasties, and the Jin people have no big characters, but mainly small Kaishu, and this regular script still retains the interest of this official book, and Tang Kaiye stool Feng Kaishu has gradually developed completely, is one of the most mature regular script, the calligraphy realm of the famous regular script of this era, is also beyond the reach of later generations of calligraphers.

Chinese calligraphy developed to the Tang Dynasty, the body has been complete, regular script has developed mature in this era, in terms of penmanship and knots, has been written to the extreme, in the Tang Dynasty, the highest strength of regular script is Yan Zhenqing. Yan Zhenqing has a great influence on later generations in both regular script and cursive script, and he is a person whose status in the history of calligraphy is second only to Wang Xizhi, and is known as the "sub-sage" of the calligraphy world. Yan Zhenqing has a lot of hand-me-down scripts, such as "Yulin Epitaph", such as "Duobao Pagoda Tablet", such as "Dongfang Shuo Rough Forest Painting Praise Tablet", such as "Guojiamiao Tablet", such as "Tang Zhongxing Song", "Magu Xiantan Ji", "Qinli Tablet", "Li Xuanjing Tablet" and so ......on

Yan Zhenqing's "Liu Taichong Xu" in the Song, Yuan, Ming, Qing Dynasty has a great influence, Mi Fu, Dong Qichang, Wang Duo and even the Qing Dynasty's Kang Youwei, Yi Bingshou and others are from this post, get a lot of lessons, contemporary calligraphers to participate in the national exhibition, many in the technique also participate in this post. In the Dharma Texts handed down from Yan Zhenqing's life, when it comes to the application of the "Seal Qi" ode to the sun, it is not "Fighting for the Seat", nor is it "Sacrificial Nephew Manuscript", but "Sending Liu Taichong to Narrate".

Of course, it has a huge impact on the calligraphy world, because Yan Zhenqing's calligraphy has undoubtedly laid the foundation for the calligraphy world.

This provides scholars who study Yan Zhenqing's calligraphy with more authentic, effective and reliable academic materials, and can see the evolution of Yan Zhenqing's calligraphy more clearly, which can make the development process of Chinese calligraphy more complete, and also help the innovation of Chinese calligraphy.

It is a very good work for me in the field of calligraphy, which has a very good significance, providing them with a more dusty research direction, allowing them to better study calligraphy, providing more theories, and enriching their cognition.

may shake the calligraphy world, because Yan Zhenqing is a relatively famous calligrapher, and his genuine handwriting should be priceless and will be imitated by many people.

Yan ZhenqingThe characteristics of calligraphy works are: the combination of hiding and dewZangMainly; Square and circle are used together, mainly square; Lift up and down, and the frustration is powerful. In Yan Zhenqing's later years, the pen in the regular script line was more reversed, in other words, there were many hidden front pens, and the back front closed the pen, and the strokes were subtle, heavy, and full of muscles.

His calligraphy not only has the charm and law of the previous style of calligraphy, but is not bound by the ancient method, breaking through the early Tang Dynasty.

The conformism and self-contained style are called "face body". Song Ouyang Xiu.

Precautions for copying Yan Ti regular scriptYan font. Horizontal and vertical, square, dense between the word spacing and line spacing, full of clumsy taste, giving people a positive image, but this does not mean that there is no posture and no vivid side of the face. When we reveal the square and serious experience of the face, we can see its beautiful side.

Therefore, while learning Yanti characters, we should pay attention to the posture of each character while paying attention to the squareness, and we must experience the coherent and flying side of Yanti characters.

The characters are tight on the outside and loose on the inside, the knots are sparse, and some radicals are independent.

It is upright and gives people a sense of grandeur. However, "broad" does not mean "loose", and "independent" does not mean that they do not take care of each other. Beginners tend to emphasize broadness, and when writing, they deliberately pull too far apart from each part and make the knots loose, which is a problem that we should pay special attention to.