12 cm high gilded Buddha statue of what dynasty please ask the price

A new Buddha statue imitated in the form of an old Buddha statue!! Open face modern, no antiquity! The casters are also rough!

There are many flaws! If the landlord likes ancient statues, he can give lectures and information on Chinese statues of Mr. Jin Shen, and you can visit the gold and bronze statue section of the Shengshi Collection Forum! At present, the statue section of the domestic collection industry has done the best!

Not one of them! If you like ancient Buddhist statues, you must go down to see more professional information, as mentioned earlier, at present, Professor Jin Shen of the Institute of Fine Arts of the Chinese Academy of Arts in China has specially compiled relevant works, he studied the history of Chinese art in his early years, and then turned to the study of Buddhist statues, which is very professional and academic! The study of Buddhist statues is inseparable from the historical era of the statue, and each era has its own aesthetic standards and technological means!

Just like the beauties of the Tang Dynasty were fat and beautiful, but in modern times, they are weak and slender for beauty! Let's talk about this statue of yours, the shape is a bit large of the Tibetan statue of the Ming Dynasty at first glance, but the face is very modern when you look closely, and the workmanship is not the wax casting method used by the ancient bronze Buddha, resulting in blurred details! You can take a good look at the information in your spare time, visit the statue exhibition areas of major museums, and gradually establish a system of recognition of the style of statues of the past dynasties in your heart over time, and you can easily identify this kind of imitation!

How much is the gilt of a two-meter-five-high bronze Buddha statue???

Pro, gilded, there are many factors that need to be considered. First of all, the materials and processes for the production of bronze Buddha statues, the influence of different materials and processes on the first is obvious. The second is the gilding process of the bronze Buddha statue, and the way and material of gilding are also important factors affecting the first grade.

In addition, it is also necessary to consider external factors such as market demand and supply. Generally speaking, the gilded bronze Buddha statue of two meters and five meters will be much more expensive than the ordinary Buddha statue, because of its large volume, high difficulty in production, and higher level of craftsmanship and material cost. If the bronze Buddha statue adopts a high-grade gilding process, such as 24K pure gold gilding, ** will also be improved accordingly.

In general, the gilded bronze Buddha statue of two meters and five meters may be between hundreds of thousands and millions, and the specific needs to be determined according to different circumstances. If you want to buy, it is recommended to find a regular Buddha statue maker or art dealer for consultation and purchase.

Ming Xuande pure gold Guanyin statue Ming Dynasty golden Buddha statue beautiful demeanor, excellent materials, especially Ming Xuande (reigned 1426-1435) Guanyin gold statue, its aesthetic awareness and production technology reached a very high level. The standard shape of the Han Guanyin statue was established and has been passed down to this day. Xuande Guanyin is made of pure gold.

Small and exquisite, vivid and peaceful, beautiful and dignified in form. Xuande Emperor Zhu Zhanji gave Guanyin eternal kindness and eternal smile. than the Italian painters of the same era.

Finci's "Mona Lisa" has a more vivid and charming smile. And the process is many times more difficult than the Mona Lisa. In 1452, the great master reached.

Vinci was born in Italy, at a time when Emperor Xuande Zhu Zhanji had been dead for seventeen years.

It is a bronze statue of Sakyamuni, with a bun of hair and a blue Buddha's head. The whole body is gilded, the eyes are slightly closed, the ears are hanging down the shoulders, the knots are sitting, the magic seal is cast, and the light and close-fitting robe is exposed, and the right shoulder is exposed. The body is well-proportioned and beautifully shaped.

Nowadays, it is common to see works from the Ming and Qing dynasties on the market, with Tibetan Buddha statues being the majority. The Han tradition mainly accepted several statue styles and techniques such as Gandhara and Matura during the popular period of Indian manifestation, with relatively simple shapes, generous and gentle images, most of them with one head and two arms, and most of them were silent statues; Tibetan Buddhism is mainly influenced by several art schools such as East India, Nepal, Swat, and Kashmir during the Esoteric period of India. 1) Houses where metal is stored must be kept dry and free of dust and air pollutants.

The temperature is 18 to 24 and the relative humidity is 40% to 50%.

2) It is necessary to prevent contact with substances that can produce harmful chemical effects on metals, such as acids, greases, chlorides, etc. When handling metal antiques, you must wear cotton gloves, and do not directly touch the metal with your hands to avoid the sweat on your hands corroding metal cultural relics and antiques.

3) In order to prevent dust, metal utensils should be placed in sealed cabinets or glass cabinets, and small and medium-sized utensils should be made into a brocade box for each piece, and then the box should be placed in the cabinet; If it is placed on an open shelf or on an indoor floor, special attention should be paid to keeping the house clean.

4) Dust on metal utensils should be wiped off with a clean and soft cloth, and those items that require special care (such as soft metal, fine workmanship, fragile parts, etc.) should be brushed off with a soft squirrel brush or vacuumed or blown away.

5) It is necessary to prevent mechanical damage to metalware, do not stack and stack, and be especially careful with finely crafted and easily damaged metal items.

6) If the metalware is inlaid with other materials (gemstones. pearls, bones, tortoise shells, enamels, etc.), attention should be paid to the way in which these materials are stored (see the relevant sections).

7) For the unearthed metal relics, under normal circumstances, it is necessary to remove the harmful rust and unsightly thick rust and corrosion traces on it, and these works are carried out by relevant professionals, and the custodians try not to do it themselves.

8) If air pollution in the city and chlorine in coastal areas cannot be avoided, in order to prevent corrosion of metal cultural relics, it is necessary to apply a protective film, which can play a role in protecting cultural relics, and the appearance has not changed.