Which is harder, Chopin s Black Key Etude or Winter Wind?

...I saw the explanation upstairs first, I don't know what to say...

The black keys are simpler than the winter wind.

First of all, the black key etude, as the name suggests, is that the whole piece is basically completed on the black keys, it feels very difficult, they are all black keys, but for the scale is better, this is very easy, and the black key right hand is easy to find, there is no great difficulty in reading music, and the chords of the left hand are not more difficult to play.

Winter Wind, not to mention that it is much longer than the black keys, is very strict on the endurance of the player, and then, the Winter Wind is extremely demanding on the right hand to touch the keys, first the tone must be clear, and then the speed must arrive, but also to maintain granularity, and the main theme of the left hand can not be covered. This is very difficult, for the left hand, there are a lot of big chords, and it is also very troublesome, and the whole piece is very long and difficult, and it is really difficult to compare with the black keys.

Advice to you, hope.

In general, Chopin's Black Key Etude and Winter Wind Etude have their own characteristics, and the difficulty is not low, and the specific difficulty may vary from person to person.

Some people believe that the Winter Wind Etude is extremely demanding on the right hand to touch the keys, requiring a clear tone, a good tempo, and a granularity, while the main theme of the left hand cannot be covered. This shows that the Winter Wind Etude requires a high level of endurance and skill from the performer.

As for Chopin's black key etudes, some people think that it mainly examines the technique and running ability of the left hand, and requires a clear and granular performance.

To sum up, Chopin's Black Key Etude and Winter Wind Etude are both difficult piano pieces, and the specific difficulty needs to be judged according to personal circumstances.

The black key etude is relatively difficult, and it is difficult to play it on the black keys.

I think it's all pretty much the same.

However, the difficulty is more difficult in the overall Winter Wind, which is no less demanding on the left hand than the revolutionary etude, and the music for both hands is faster and emotional. The Revolution exercises the scales for the left hand, the chords for the right hand, and the Winter Wind for the two hands for the broken arpeggios, which is a difficult technique, and this piece requires a lot of accumulated practice before it is enough to go out for the performance competition.

The revolution is mainly the running of the left hand, the black key is three degrees The east wind is mainly the right hand, I have played these songs (no, it should be touched), but the revolution is not ashamed to be admitted Look at your own basic skills, generally the right hand is better than the left hand, I am because I am a left-hander, the teacher chose a revolution for me The following is my own opinion: the black key is not very popular, it belongs to the "thankless"; Revolutionary, if you are a boy, it is more recommended to play this, so as to "bluff", but it is still based on your diligent and diligent practice, because the movement of the left hand must be clear and granular; Three degrees, in fact, it is very difficult to play well, and the basic skills are relatively high; Dongfeng, I personally feel that it is good to play, it sounds good, it is very atmospheric, if it is not played well, it will become The sentence is relatively long

None of ...... is easy to playIt mainly depends on which one you are suitable for. Do you need it for the exam?

In fact, each of Chopin's etudes has its own difficulty, and the most difficult personal opinion is, as for the first song and the black key, it must be the first and most difficult, and the black key is relatively simple in Chopin's etudes.

Black keys, of course.

The hardest, it's hard to say which one is the hardest. Because the focus of each article is different. It is recognized that it is more difficult to have"Semitones"

Revolution"But this one has been played by too many people, so I don't think it's too difficult)"Three degrees"

Six degrees"Winter winds"

The purpose of each piece is different, so it is best not to evaluate Chopin's etudes by their level of performance, each of Chopin's etudes is very simple and difficult, if you participate in a competition or exam to find the easiest one, if you want to show your level among your classmates, you can choose whichever one you find difficult.

It depends on your level. When I practiced, the revolutionary black key was quite simple, the winter wind was a little troublesome, and the third degree was considered a high-level tune, and it was no problem to play the ghost fire after playing it.

That's right! It's really hard! I don't lie to you. The black keys are difficult to press, the old press is not accurate, and the span of the hand needs to reach more than 9 degrees. And speed it up. I want to play this song in its entirety! Hard!

I've been practicing for a long time, but I'm still a little lacking.

In situations where the tempo is not fast, it is relatively easy to play.

But it takes hard work to achieve the required speed.

The middle part of the finger span is large.

It is a good choice for practicing finger dexterity.

Suitable for playing levels 9-10 and above.

Dizziness: No. To be honest, it's pretty simple

Finger dexterity and finger opening are required to be able to reach the ninth degree

For the nth time, I've seen a speech on the first floor

I always feel a little fake.

It's certainly hard to play it very well.

If you want to practice, be sure to start with a slow practice and add a metronome! ：）

Actually, it's okay, I was playing at a speed of 11o, six shots.

It's not difficult, it's not difficult for me, I don't know what your level is.

There's nothing like it, it depends on your own strengths and weaknesses.

"Sigh" mainly examines the extremely cohesive arpeggios of the hands, the delicate treatment of the cadenza phrases, the ease of alternating the hands, and the mixed arpeggios of the single and double notes of the right hand, and some of the arpeggios in this piece have a large span. "Winter Wind" mainly examines the rapid movement of the fingers, and the running is mostly composed of fourth and sixth scales, and some of the running in this piece is very difficult and very difficult.

For example, if you're particularly good at arpeggios and two-handed articulation, but you're not very accurate at more complex rapid movements, Winter Wind may be more difficult. If you don't have a good connection between your hands, but you do a good job of running quickly with one hand and are good at extremely complex and difficult runs, Sigh may be a little harder.

The above is just from the finger technique, if in terms of performance, both pieces are difficult, "Winter Wind" requires you to run with one hand at the same time, the melody of the other hand is presented with a very transparent sound, many people often have the problem of patronizing the fast running hand, the melody of the other hand just plays the notes without exquisite **performance. "Sigh" is relatively richer in melody, stronger in singing, and more frequent changes in form, so it is naturally extremely necessary for a good performance, so I won't say much.

When I actually played these two pieces, I felt that it was not easy to play them well, because there were some extremely difficult aspects of both songs, which was a challenge to accuracy. However, people with a relatively high level are both side dishes, and it's not a problem, I don't know if the landlord is such a person.

If you feel that both of these songs have their own strengths but also have their own weaknesses, then don't choose these two songs, look for other songs, in short, don't care which one is difficult, but should play to your strengths and avoid weaknesses. Difficult and easy for different people, the situation will change.

Of course, the above is based on the premise that you choose a piece for an exam or recital, and if you don't choose a piece for an exam or recital, you don't necessarily have to play to your strengths and avoid your weaknesses.