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Xiang Zhixuanzhi annotated as follows:
1 gen: A small room.
2 Old: old, original.
3 abbot: one abbot to see the square.
4. Percolation: Permeable.
5. Wet: Leaked.
6 Yuzawa: Rain.
7 down: down.
8 cases: several cases, tables.
9 Look around: Look around. Gu, look around.
10 Sun: Shine into the sun.
11 Dusk: Unknown light.
12 葺: 葺 (qì), repair, repair, repair.
13 Pi: Open.
14 垣: (yuán), noun as a verb, refers to building a low wall. Build a fence. Around the court.
15 When: Block.
16 Cave: Bright appearance.
17 Columns: 楯 (shǔn), railing. The vertical one is called the bar, and the horizontal one is called the bar.
18 Victory: Adds brilliance. Victory, great views.
19 Yanyang: Settle down. 偃 (yǎn), to lie down. Up, up.
21 Sitting upright: sitting upright.
22 Lai: The sound made in the hole, also refers to the sound in general.
23 Shan: Through "Shan", it is extended to a beautiful appearance.
24: And, wait.
25 Fathers: Uncles and uncles.
26 different plan: 爨 (cuàn), cooking on a separate stove, which means dividing the family.
27 often: refers to everywhere, everywhere.
28庖: (páo), kitchen.
29 Already: Already, shortly thereafter.
30 Van : Total.
31 Again: twice.
32 phases: partial compound words, referring to her (first mother).
33 Hair Bundles: In ancient times, boys wore their hair in a bun when they were adults, and before the age of 15, it refers to childhood.
34 Day: All day to night. Actually, from beginning to end.
35 阖: (hé), through "合", to close.
36 Zhan: Look forward.
37 Gu: Look backwards.
38 Shut the window. 扃 (jiōng), (from within) closed. 牖 (yǒu), window.
39: I'm afraid.
40 Xiang Zhisheng said Bi Chi: "Shu Qing guards the Dan Cave, Lijia the world, and then the Qin Emperor builds a woman to Huaiqing Tai; Liu Xuande scattered and Cao Cao fought for the world, and Zhuge Kongming rose from Longzhong. The ambiguity of the two people is also in a corner, how can the world be enough to know, the rest of the district is in the defeated house, Fang raised his eyebrows, flashed his eyes, and said that there was a strange scene.
Marry into my family. Return, ancient women married.
41 few: small or short table punch number of peers.
42 Books: Writing.
43 Guining: The married daughter returns to her parents' home to save her relatives.
44 system: refers to the format and appearance of construction.
45 Hand Planting: Grow by hand. Hands, hands.
46 Pavilion: Upright.
47 cover: the ancient name of the umbrella.
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The author of Xiang Zhixuan Zhi is Gui Youguang. Gui Youguang is a literary scholar of the Ming Dynasty, the word Xifu, alias Zhenchuan, also known as Xiang Zhisheng, known as "Mr. Zhenchuan", and his main work is "Zhenchuan Collection".
Sanwu Water Conservancy Record" and so on.
Author of Xiang Zhixuanzhi.
The author of Xiang Zhixuan Zhi is the Ming Dynasty writer Gui Youguang. Gui Youguang is regarded as the "Tang and Song faction", which is the bridge between the "Eight Masters of the Tang and Song Dynasties" and the "Tongcheng faction" of the Qing Dynasty. Gui Youguang wrote many works in his life, which will be passed down to future generations.
His main achievement is in prose writing, Xiang Zhixuanzhi is a reminiscence narrative prose written by Gui Youguang. Gui Youguang is the author of "Zhenchuan Collection", "Sakurachen Sanwu Water Conservancy Record", "I Ching Yuanzhi", "Zhuzi Huihan", and "Article Guide".
and other works. The provenance of Xiang Zhi Xuanzhi.
Xiang Zhixuan Zhi" is from Gui Youguang's "Mr. Zhenchuan Collection".
The collection of Mr. Hashikawa has a total of 40 volumes. Gui Youguang expressed the author's nostalgia for his deceased relatives in "Xiang Zhi Xuan Zhi", and his words are simple and charming, light and flavorful.
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Appreciation: Xiang Zhixuan Zhi is a reminiscence essay written by the Ming Dynasty writer Gui Youguang. The full text is based on the study Xiang Zhixuan, where the author lived day and night in his youth, and the personnel changes of several generations who have returned home as the weft, which truly reproduces the voices and smiles of his grandmother, mother, and wife, and also expresses the author's deep nostalgia for the three deceased relatives.
The author borrowed a Xuan to remember the relics of three generations, saw things and cherished people, mourned the death, and talked about the narrative, using a light and concise pen to express deep feelings. The language of the whole text is natural, not carved, no strange words and dangerous sentences, and strives to be simple and sophisticated, light and flavorful, creating a feeling of sparseness and elegance.
The author is good at selecting the deepest details and scenes from daily life, showing the style of the characters, and expressing the inner feelings. For example, the south pavilion after the repair, the shelves are full of books, the birds come from time to time, the bright moon is half on the wall, and the laurel shadow is mottled, which fully expresses the author's singing and complacent emotions. Although the environment is quiet, quiet and full of poetry, the author misses his relatives more.
The author writes about grandmothers, mothers, and wives, but only through one or two things that are related to them. There is not much pen and ink, and the matter is not big, only some figures of the characters are left, but the voices and smiles of the characters are on the page. For example, when the mother heard the eldest sister "croak and cry", she gently knocked on the door of the south pavilion with her fingers and said:
Cold? Hungry? ”
The description of very ordinary actions, the words of ordinary life, vividly describe the mother's love for her child, reading it is like seeing her person, such as hearing her voice, and it feels very real. "Before the words are finished, the aftermath is crying, and the concubine is also crying", the feelings of grief are very natural. Another example is to write a passage about the grandmother, which is concise and delicate, and the painting is expressive, "a big class girl", "the success of a child, you can wait" one or two sentences;
Compare going, close the door with your hands", "Suddenly, hold a wat to" one or two actions, the complex feelings of the elderly for their grandson, praise, and encouragement are vividly depicted. wrote about his deceased wife, and only said: "When the time comes, I ask about ancient things from Yu, or learn from a few books."
With a few brushstrokes, he painted a deep affection between husband and wife. At the end, the author places his deep grief on a loquat tree.
There is a loquat tree in the garden, which was planted by my wife in the year of her death, and now it has been covered like a pavilion. "The loquat tree was originally a still life without thoughts and feelings, but the time of its planting is linked to the year of his wife's death, and he empathizes with things; The addition of the time word "now" in front of the words "pavilion like a cover" indicates that time is passing and still life also shows dynamics.
Trees grow and people die, things are people, time is fleeting, and affection is unforgettable. Touching things that have a certain relationship with people because of missing people adds to the longing for people; And then from the association of things, it leads to the sadness of the past.
So the affection of the object, the integration of the object and the self, further deepened the feelings of longing. It is only said that the tree is growing, not that people are missing, and the artistic effect it produces is: infinite love without words, endless words and infinite meanings.