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Forgive me for being ignorant, is there a "art of emotion"?
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Summary. Kissing artistic emotion refers to the attitude and experience generated by a writer in the process of artistic creation, which is the driving force and object of artistic creation. This artistic sensibility is regarded by many writers as the soul of literary creation and literary works.
Artistic emotion plays a coordinating role in the process of literary creation, which is mainly manifested in the following aspects: first, the demand for artistic emotional expression constitutes the driving force of literary creation; Second, the re-experience of emotions constitutes the core of literary creation; Third, artistic emotion is an important component of the artistic image.
Kissing artistic emotion refers to the attitude and experience generated by a writer in the process of artistic creation, which is the driving force and object of artistic creation. This artistic sensibility is regarded by many writers as the soul of literary creation and literary works. Artistic emotion plays a coordinating role in the process of literary creation, which is mainly manifested in the following aspects:
First, the need for artistic emotional expression constitutes the driving force for literary creation. second, the re-experience of emotions constitutes the core of literary creation Qingchong; Third, artistic emotion is an important component of the artistic image.
First of all, Rufeng's artistic emotion is the pursuit of freedom. Human emotions are socially divided into two categories: those that pursue freedom and those that stifle it.
The pursuit of freedom is the fundamental nature of artistic sensibilities. Second, artistic emotion is a personal emotion that contains socio-historical content. Artistic emotions contain not only the emotions of profound social and historical content, but also the unique emotions of individuals.
Thirdly, the emotional sleepiness of art is an emotion that people experience again. Because understanding emotions is a process, people use calm intellect to understand emotions. Fourth, artistic emotion is an emotion that merges with thought.
In art, thought and emotion are fused into one, because cognition and emotion are inseparable, and at the same time, thought dominates and restricts emotion. Therefore, emotions and thoughts are always integrated into one and inseparable in art. Fifth, artistic emotion is a super-utilitarian aesthetic emotion.
The emotion that does not meet the actual needs of eating, drinking, sheltering and clothing is called ultra-utilitarian aesthetic emotion, which is the emotion of artistic expression.
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Emotions are the most active and active factors in literary and artistic activities. Emotions have a stimulating effect and are the initial source of power for literary and artistic creation; Emotions have a selective effect, and what kind of imagery a writer uses in his creation to compose a work is conditioned by emotion; Emotions have a deformation effect, and the images in the works are objects that have been distorted by the writer's emotions; Emotions have a coding effect, and the creator arranges and combines various images according to the trajectory of his own emotional flow to achieve the purpose of conveying feelings; Emotions are contagious, and the emotions of the creator act on the inner world of the appreciator through the artistic image, causing similar emotional experiences and emotional resonance of the appreciator. In the process of artistic creation, emotion is an important driving force for the shaping of artistic image, emotion runs through the whole process of artistic creation, and sincere emotion is the life of art.
Without emotion, there is no imagination, and there is no artistic creation. Emotion is essentially the emotion of activity, and the movement structure formed by combining with people's rich imagination makes the expression of art more colorful under the cross-action of social factors and psychological factors.
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Meaning of "emotional":
"Emotion" refers to people's psychological forms such as joy, anger, sorrow, and happiness, and is a subjective form of reflection on whether objective things meet their own needs and purposes. Human needs and purposes have different levels, and emotions are also divided into high and low levels.
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Art is mostly spiritual, and art can make people happy and relaxed. The relaxation of the moment of exhaustion, the pure land of the heart. Art enriches life.
Art is a wide range of human activities (or products thereof) that involve a creative imagination and is intended to express technical proficiency, beauty, emotional power, or concepts, ideas.
The emotion in art is the aesthetic emotion, which is a non-utilitarian emotion with universal human nature. Emotions are one of the important factors in the generation, creation and reception of artistic motivation. At the same time, emotion is one of the basic elements of artistic creation.
A person who is empty in mind and lacks a deep understanding of society and life will find it difficult to produce rich and strong aesthetic feelings, and thus will not become an excellent artist and an excellent appreciator. In artistic activities, emotions and ideological cognition are blended together. Preaching without emotion is not art, and emotion without thought cannot produce art.
True artistic activity is the unity of emotional experience and logical cognition.
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Art is the objectified form of emotion, and this form is produced because of the need to objectify emotion. Because emotion is "emotion with an object", this is an important difference between emotion and emotion. Emotions have only a cause, not an object.
Emotions are always directed at an object, and must be directed at an object.
The so-called "empathy", the so-called "moving one's own emotions into the object", is actually the objectification of emotions. If we say that aesthetics is empathy, we can also say that aesthetics is the objectification of emotions, and if we say that art is expression, we can also say that art is the objectification of emotions. Table, that is, to turn the inner into the external; Now, it is to turn the invisible into something visible or perceptible.
The artist expresses his emotions as works of art, in fact, he turns himself into an object.
Emotions have three characteristics, subjectivity, objectivity, and communication.
The subjectivity of emotions is manifested in his unreasonableness, and if he is reasonable, or can be reasonable, the authenticity of emotions is in question. Emotions cannot be forced, and there is no substitute. Experiencing emotions can only be everyone's own business, and emotions are everyone's own inner experience, which cannot be forgotten.
Emotions are subjective, and if subjective emotions want to be sympathized and resonated with others, and let others feel the same way, they must be objectified and turned into something that others can perceive and accept. Emotions must be objectified because they are subjective, and because they have objects, they can be objectified.
If your emotions are meant to empathize with other people, all people, all of humanity, then this objectification is very important. It must be able to achieve the best possible universal communication of emotions between people. There are two requirements here, one is universal and the other is communication.
Communication is to let different people experience the same emotion, that is, sympathy and resonance, communication and performance are different, performance only turns the internal into external, the imperceptible into perceptible, communication not only requires that it can be perceived, but also requires that the "feeling" is the same.
The third characteristic of emotion is communicability. Emotions can be conveyed and must be communicated. It is only in telling that the joy of the person can be strengthened and the pain relieved.
A person who weeps in the corner is unfortunate, and a person who must hide joy in his heart is also painful. Art is the best way to convey emotions, and singing love songs is a better way to convey emotions than writing a diary, because everyone's emotions are emotional, concrete, and abstract conceptual language is not enough to convey. Words are insufficient, so long words, long words are insufficient, sighs, sighs, sighs, songs
Art is born out of the need to convey emotions. Any work of art and art form is emotional, vivid, concrete, figurative, and has its own unique mood, that is, a sense of form.
Art is the objectified form of emotion, which is the characteristic of art, and art is the transmission of emotion, which is the function of art. The reason why emotions should be objectified in the form of art is, in the final analysis, because emotions must be conveyed, so that different people can experience the same emotions, art is not the catharsis of emotions, nor is it simply the expression of emotions, to be precise, it is conveyed.
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The artist goes through a similar process – first realizing that an emotion is affecting him, and then expressing that emotion through the form of artistic creation. The difference between me (scolding) and the artist (painting) is that the artist pays attention to the uniqueness of his emotions and works tirelessly to carry out individual cases, such as what makes this anger his anger in this state. Artists are just people who are more interested in interpreting their own emotions.
In light of this, Collingwood argues that a tangible presence or event that is often considered a work of art in real life is not necessarily a work of art or (in his own words) art itself. Of course, these are tangible.
Forms of expression are essential for people to experience art. But the purpose of art is not to communicate. On the contrary, Collingwood argues that artistic creation is the process by which the artist expresses his or her emotions, and whether or not he can communicate these emotions is secondary.
Collingwood is equally concerned about distinguishing between the creation of art itself and the art of making things. Again, the focus on individuality is the key to differentiation. Whereas the art aims to produce a product that meets the general standard, a bed or a piece of clothing, the artist aims to create a unique piece of work – nothing but a box of poems.
Throughout, Collingwood insisted on the uniqueness of the artwork, and accordingly criticized other theorists who failed to recognize the uniqueness of the artwork.
Collingwood, Principles of Art
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We look for the characteristics and bottom line of art, first, to subtract, second, to find commonalities, and third, to start with the most inauthentic and non-standard examples, so that we can find out what characteristics are the most indispensable in art.
Form is the lifeblood of art. Art has its own unique form, which means that it has its own unique inner high Zen appearance, not just Tongyu can become artistic content, nor is it just anything, changing the form can become art. In addition to form, there is another element, which is experience, and whether there is experience or not is the watershed between art and non-art.
In other words, any art is a form, and this form is for emotional experience. Art is the objectified form of emotion, the first art is the form, the second art form is not empty, but has content, it is a "form with meaning", and third, the "meaning" of the art form is not thinking and will, but emotion. Art is not the form of thinking, the form of the will, or the form of the object painting of the mind, the objectified form of the will, but the objectified form of emotion.
Why don't we say that "art is a formal emotion"? Because for art, form is more important than emotion, and this is the important point that distinguishes art from science, morality, and religion.
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