About Wang Wei s paintings and the evaluation of him by modern people

Wang Wei's "Yuan An Lying in the Snow".

Among them, the metaphor of the plantain in the snow has been respected by later generations, and this kind of artistic treatment beyond the common sense of life has established the means of expression of "the expression of the expression is placed in the object", and also further deepened the way of thinking of "the intention is the pen first".

Wang Wei's most important achievement is to create a realm of poetry and painting, the integration of poetry and painting in the artistic conception, giving a real sense of charm and vivid beauty, since then the feelings of poetry have entered the painting, and gradually become one of the important aesthetic standards.

Wang Wei is most famous for painting landscapes, and his painting "Rim River Picture", the valley is gloomy and panning, the clouds and water are flying, the meaning is out of the dust, and the pen is strange. In addition, he is also good at drawing figures and arhats. He also made murals.

There is also the "Fusheng Sutra Teaching Diagram".

Yangtze River Snow Map", "Plantains in the Snow", etc.

The poet Su Shi commented on Wang Wei's poems as paintings in the poems. Su Shi of the Song Dynasty commented on Wang Wei's works in the Tang Dynasty in the second volume of the "Dongpo Inscription", "Shu Ma Jie Lantian Smoke and Rain Map", and pointed out: "The poems of the taste of Maha, there are paintings in the poems; Looking at the painting, there is poetry in the painting. ”

Wang Wei's poems often use the form of five rules and five uniques, the length is short, the language is exquisite, the syllables are relatively soothing, and the landscape idylls have the beauty of the rhythm. The rhythm of Wang Wei's poetry changes with the change of inner attitude, that is, it constantly shifts from the vigor of Biansai's poetry to the natural tranquility of landscape idyll. Wang Wei's landscape idyllic poems introduce a series of artistic elements such as poetry, painting, and music, and the poet has appropriately grasped the unique natural and flexible realm of landscape and pastoral scenery by virtue of his ingenious treatment of layers, colors, and rhythms.

Wang Wei not only has excellent literary talent, but also is an excellent painter, and he is also good at **. His profound artistic accomplishment, love for nature and long-term experience of mountain and forest life have made him have a keen, unique and nuanced feeling of natural beauty, so his landscapes are particularly full of charm, often rendered slightly, showing a profound and far-reaching artistic conception, which is intriguing. His poems are very picturesque, the color is late burning, the color is bright and beautiful, the scene is combined with the movement and the static, and he is especially good at meticulously expressing the changes of light, color and sound in the natural world.

He is also the author of the theoretical works of painting "Landscape Theory" and "Landscape Formula".

Comment: Wang Weishi enjoyed a good reputation during his lifetime and in later generations. History said that it was "famous in Kaiyuan, Tianbao, heroic and noble people to welcome the left, Ning, Xue Zhuwang treat like a teacher and friend". The people of the past were.

Su Shi commented that Wang Wei's poems have paintings and poems in his paintings. There are paintings in poems, and there are poems in paintings is an aesthetic evaluation of the style of poetry and painting by Su Shi of the Northern Song Dynasty. The inscription after Su Shiguan Wang Wei's painting "Lantian Smoke and Rain":

Taste the poems of the Maha Jie, there are paintings in the poems, observe the paintings of the Confessions, and there are poems in the paintings" "Dongpo Inscription".

In the history of Chinese landscape painting, Wang Wei can be called the ancestor of the "Southern Sect". Wang Wei's painting techniques and style were mainly influenced by Wu Daozi and Li Sixun, two painting masters, coupled with his indifferent and quiet personality, which made him soon find a unique interest in landscape painting, thus forming a unique painting style. He painted ink and green landscape paintings, especially ink landscape paintings, which had the greatest influence on later generations.

Su Shi was a great writer in the Northern Song Dynasty, and he had great achievements in poetry, books and orange paintings, among which the achievements of poetry were extremely prominent. Su Shi has been up and down in the sea all his life, running in all directions, and has extremely rich life experience. He is good at summing up experience from life encounters, and he is also good at seeing laws from objective things.

He likes to visit and write about the natural scenery.

Su Shi commented on Wang Wei's poems as poems with paintings.

Su Shi of the Song Dynasty commented on Wang Wei's works in the Tang Dynasty in the second volume of the "Dongpo Inscription", "Shu Ma Jie Lantian Smoke and Rain Map", and pointed out: "The poems of the taste of Maha, there are paintings in the poems; Looking at the painting, there is poetry in the painting. (Taste Wang Wei's poems, the imagery in the poems constitutes a beautiful picture, and look at Wang Wei's paintings, the picture is full of rich poetry.)

High rock demolition. Wang Wei's literary achievements are mainly reflected in the creation of poetry. Wang Wei's poems depicting natural landscapes such as landscapes and pastoral fields and singing about secluded life are painted with shadows and shapes, and have the wonder of freehand and expressive, form and spirit. Wang Wei has created a kind of artistic conception of Qi Yu's "painting in poetry, poetry in painting" ("Dongpo Inscription and Book Maha Lantian Smoke and Rain") and "Zen in poetry" in the poetry world.

Wang Wei is said to be "a painting in a poem, and a poem in a painting", of course, many of his poems embody this characteristic.

Autumn twilight in the mountain dwelling. After the new rain in the empty mountains, the weather is late in autumn.

The bright moon shines among the pines, and the clear spring stone is upstream. *

The bamboo noise returns to the Huannu, and the lotus moves the fishing boat.

Feel free to rest in spring, and the kings and grandchildren can stay.

"Lu Chai" "I don't see people in the empty mountain, but I hear people's voices, return to the deep forest, and re-shine on the moss." ”

Birdsong Stream" people are idle osmanthus flowers falling, and the night is quiet and the spring mountain is empty. The moonrise frightens the mountain birds, and the spring stream sings.

Make it to the plug "* The desert is lonely, and the sun sets on the long river. *Bamboo Pavilion Sits alone in the secluded fence, playing the piano and howling. People in the deep forest don't know, and the bright moon comes to take pictures.

Flying egrets in desert paddy fields, yellow orioles in the yin and yin summer woods" ("Cumulus Rim Sichuan Zhuang") "The grass is green in the rain, and the peach blossoms on the water are red and burning. "(Rim Sichuan Farewell) "Outside the White Water Ming Field, after the Bifeng comes out of the mountain" ("New Qing Ye Wang") "In the sound of the pine wind, the flowers are shadowed in the pool" ("Lin Yuan is the Brother") "Ten thousand trees are towering to the sky, and thousands of mountains are ringing rhododendrons. It rained overnight in the mountains, and the trees were full of springs.

Send Zizhou Li Zhijun".

The county is floating in front of the pool, and the waves are moving far into the sky. (View of the Han River).

The sound of the grass is in the autumn, and the cicadas in the mountains are sad. ("Early Autumn in the Mountains").

"Painting in poems" is the artistic characteristic of Wang Wei's poetry works, which is mainly reflected in the following three aspects: 1. Structure. Wang Wei's poems are often written in the form of a group of poems, each of which can form a picture, which together can be assembled into a harmonious panoramic picture.

2. Refining materials. Wang Wei's poems are good at capturing images and creating images, and reflect the characteristics of painting in his poems. 3. Language.

Wang Wei's poems are good at using words and sentences to depict the sound, color, light, and state of the image.