Architectural history How to reflect the traditional ritual culture in architecture 200 points high

Heaven and man are one, and the Temple of Heaven and the Temple of Earth are used to communicate with heaven and earth.

I can't say it all, but I know how much to contribute.

1. The gift of the Son of Heaven. The monarch proclaims himself the son of heaven, so there will be buildings that worship the heavens, such as the Temple of Heaven 2, and the emperor is not broken out of the cracks in the stone, but has biological parents. So there was the Sheji Temple.

3. Confucianism is the theoretical support of the ritual system, as Confucius enjoyed the sacrifice of the world's scholars, so the construction of Confucius Temple is very popular.

From the dynastic aspect:

1. The architectural etiquette system of the Warring States period inherited the system of Zhou.

The Warring States period was an era of "etiquette and law" and "no way in the world", but it did not abandon the architectural hierarchy of Zhou. From the literature, it can be known that at this time, the architectural hierarchy changed from the form of ritual to the form of ritual and law, and was implemented accordingly. However, its content has undergone certain changes, mainly in two aspects.

First, the terms of the regulations have not changed, but the specific buildings have changed. For example, the Jongmyo needed to be composed of multiple independent buildings in the Zhou period, and only one main building was needed in the Warring States period. Second, new regulations have been made due to the emergence of new circumstances.

For example, in the Zhou Dynasty, "Que" was only used for the Son of Heaven and princes, and it could also be used in the Han Dynasty, but the form was different.

2. The ceremonial architecture of the Tang Dynasty tended to be complete.

The documents and regulations of the architectural hierarchy of the Tang Dynasty are relatively well preserved, which also reflects the importance of the ruling class at that time. Different from the Zhou Dynasty, the Tang Dynasty required that the system of the palace room was equal from the Son of Heaven to the Shuren, which was very different from the Zhou's "courtesy is not inferior to the Shuren".

3. The Song and Yuan ceremonial architecture followed the Tang Dynasty and developed.

The Song and Yuan dynasties basically followed the Tang system, while the Ming Dynasty emperor surnamed Zhu regarded himself as Han orthodox and emphasized the Confucian etiquette system. The architectural hierarchy of the Ming Dynasty deliberately increased the distinction between the royal family and the common people, and the architecture of the Ming Dynasty tended to be more secular, although in the early Ming Dynasty it was also stipulated that the use of dragons and phoenixes, sun and moon motifs on ordinary buildings was also prohibited.

4. The ceremonial architectural hierarchy of the Qing Dynasty can be regarded as a supplement to the Ming Dynasty system.

It is more concerned about and determined the proportional relationship between the various parts of the building group, and the image of the building group is more stereotyped. The Forbidden City in Beijing has reached the pinnacle of art in this regard, and the relationship between volume and space has been deeply scrutinized.

Generally speaking, the development of the ancient Chinese architectural hierarchy has undergone many changes from coarse to meticulous, from religious to secular, from more symbolic to more artistic, which has greatly affected the development and change of the form and space of ancient buildings.

On the other hand, this strict regulation restricts the creativity of craftsmen to a certain extent, stifles their enthusiasm for flexible creation, and thus stagnates the overall development of architecture and goes into the old way. This is also one of the reasons why classical Chinese architecture is rigid and lacks innovation.

5. The idea of etiquette in modern times has weakened in architecture.

Today, the feudal hierarchies that once dominated all aspects of people's lives have disappeared, and architecture has begun to focus more on human needs than with prescribing them with unprecedented enthusiasm. In order to develop and progress, Chinese architecture cannot be separated from the interaction with Chinese cultural thought. We believe that as we deepen our understanding, the traditional understanding of architecture will increasingly show its importance to real life.

If I divide the argument from five aspects, it is still very easy, because there are many of this sub-arguments in China, so we all attach importance to this Mid-Autumn Festival in this theory of ancient architecture, if in the case of the Mid-Autumn Festival, everyone has no opinion on it, then at least the arguments on the architectural aspects of Chinese architecture, of course, there are a lot, if we.

Little Pig has at least five five aspects of people to say that the output of the ancient Chinese Fujian characters cooperates, embodies the idea of a kind of thought of this herd reason and this comprehensive.

For example, in the ancient imperial examinations, there were courtesies in the Four Books and Five Classics.

Ancient Chinese architecture has its own characteristics and laws.

It has been heavily influenced by traditional Chinese culture.

Please discuss the idea of attaching importance to etiquette embodied in ancient Chinese architecture from five aspects, and the spear falcon structure was invented from this aspect.

The so-called ceremonial architecture generally refers to the buildings or architectural settings required for the "ceremonies", or the buildings to which the "ceremonial department" itself belongs. For example, the suburban hills, temples, and shrines set up for "sacrifices", and the Mingtang, Biyong, and schools set up for propaganda and education (education) are all among the "ritual buildings".

Ceremonial architecture is different from religious architecture, but it is closely related to religious architecture. "Li" is one of the "six arts" in ancient China, and reflects the relationship between heaven and man, class and hierarchy, human relations, code of conduct, etc. in feudal society, and is an important part of the superstructure, which plays a great role in maintaining feudal rule. Buildings that embody this patriarchal ritual system are called ceremonial buildings.

The shrine altar is a building that worships the five grains of the land. "Filial piety" cloud: "Society, the lord of the land, the land is not full of respect, so the land is sealed for the society, in order to repay the merit." Millet, the length of the five grains, the grains should not be sacrificed, so the god of grass was set up to sacrifice it. ”