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Last year, we published Fan Yusu's article "Big Brother Farmer". Fan Yusu is a native of Hubei, from Dafu Village, Xiangzhou District, Xiangyang City, 44 years old, graduated from junior high school, and works as a child-rearing sister-in-law in Beijing. In her free time, she wrote 100,000 words with pen and paper, a true story of two families.
She said that when the sister-in-law is very busy, if she sorts out the 100,000-word manuscript and types it into the computer, "I will be very busy in the year of the monkey and I will not have time." But she thinks, "To live is to do something that has nothing to do with eating." Satisfy your spiritual desires. ”
She writes lightly, has a unique sense of humor that is difficult to imitate, and sometimes a strong burst of power. Like an anthropologist, she writes stories of life in villages, families, and upscale communities on the outskirts of Beijing, and writes about her thoughts on destiny and dignity. Today's article is her own story.
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In Shen Congwen's hometown, deep in the mountains of Xiangxi, Hunan, China, there is a boy named Lin Sheng. When Lin Sheng was seven years old, his mother went out to work for the first time and brought him a bicycle. Early one morning when he was eleven years old, Lin Sheng met his mother at the entrance of the village, and his mother stuffed ten yuan into his hand and did not come back.
Dad forced himself to do farm work, but he couldn't help but ask everyone about his lover's whereabouts. Dad, Lin Sheng and two younger brothers, these four men, the life and emotional changes they experienced in the next three years, are the main content of this movie. What the hell did life give to this boy, to make him his future him, ** when this movie I just let you live with him in that time like I do.
In a private boarding school in the capital, Beijing, there is a girl named Xin Yuan. Xinyuan's mother grew up in rural Zhejiang, China, and after giving birth to Xinyuan when she was one year old, relying on Xinyuan's father's overseas connections, the couple went to Spain to make a living, and they did not return to China for six years due to economic reasons. Xinyuan was raised by her grandparents, and it wasn't until she was seven years old that she really saw her mother for the first time.
In order to give her children a better education, her mother brought Xinyuan and her younger brother from the countryside of Zhejiang to her aunt's house in Beijing, where they studied at an expensive private boarding school. From the fourth to the sixth grade, the girl's life and emotions are another clue in the film. The above is an excerpt from the official introduction, in 2009, when the director went to Xiangxi for the first time to shoot, the Lin Sen family lived in a simple wooden house, a father with three sons who were about ten years old, six years old, and four years old.
That family seems to be living in the last century, there is no electricity, electrical appliances and other things only see a flashlight, the child has a bicycle, the first shot is the father and son go to the market to buy a pump, and then after returning home, Lin Sen himself changed the tires and repaired them, and circled in a small yard. The father asked his son if he wanted to leave him to learn to repair a car or to work, because he couldn't let his son do what he liked, and he had no money.
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The son said, "Let me follow you." Probably the director asked about the child's mother, and then the father said something, which means that the family doesn't like you (wife, the same below) to go out, and the child doesn't like you to go out, and you have to go out, that is, money is very important, love is not important, you abandon my love, and force me to abandon your love. The father was short, soft-spoken, and his eyes were a little melancholy.
There are two pigs in the house, two cows, one large and one small, and a herd of chickens. Just like when we were children, we can live in a closed farming life, in fact, we can be self-sufficient, we can eat chicken and meat during the New Year and festivals, and the children will also have new clothes. It's just that I didn't expect that nearly 30 years have passed since we were children, and now our hometown and countryside are full of household appliances, new small buildings and kitchens and bathrooms, and their world is still there.
Later, the camera filmed Lin Sen's father plowing the land, Lin Sen can also plow, the father said that his son has not learned enough, and he doesn't want his son to do these things, as long as he can, he doesn't like his son to do this. My father harvested rice alone. The children herd the cows, the fathers do farm work, the older children cut peppers and fried tomatoes at home, and the younger ones feed the pigs and chickens.
And running in the fields. Lin Sen's bicycle carries his younger brother, and the youngest child picks wildflowers. Life is still going on naturally.
A large pile of corn harvested at home. Then with the help of the filming crew, Lin Sen returned to school, but things were not as everyone imagined, entering the school, angry at the routine of reading, in the first few shots, Lin Sen sat in the last row and was also trying to follow the teacher to read, the next meal in the school cafeteria was a big spoonful of chopped chili, just this spoonful of no other dishes. Lin Sen was alone in the cafeteria, without companions.
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What has been done now? Most of them are not words that directly hit life and soul, but articles written to cater to the taste of readers, and they may also come from the author's life, but how much of the truth is told, and there is a lot of chicken soup now. Whether an article is good or not, I think it is not whether the words and sentences are subtle, but whether there is flesh and blood.
In addition, most of the articles produced by the current self-production are fast-moving consumer goods, they may just be new thinking, ideas or dry goods, but they rarely really record something, these things will be gradually submerged in the rapid content consumption, and what is really left is to record the things of this era.
This is why some ** works can become classics, while others can only become a book and a story for all living beings. It's not that Fan Yusu's ** is well written here, according to the current point of view, she can't become a classic, maybe her ** will be forgotten after this hot time, but through this character, we see a simple and vivid image, maybe their behavior is the state we should return to after the hard pursuit. Because there are too many people who say big things, but they don't even have the time to take action.
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It is said that there are many people who are popular, and the ancients did not deceive me. During this period of time, the article "I Am Fan Yusu" has become popular on the Internet, and the number of articles read has quickly exceeded 100,000+, which has also made the author of the article, Fan Yusu, an Internet celebrity for a while. However, doubts followed.
These voices of skepticism come mainly from a group of people, a group of writers, or rather orthodox writers. In their opinion, Fan Yusu's article is simply useless, and even said that "Fan Yusu's writing is very ordinary, but there is too little farmhouse in the city", and they are disdainful of being compared with Fan Yusu, extremely arrogant.
If you talk about the beauty of the text and the wording of the sentences, then the previous "I am Fan Yusu" is definitely a failure, in fact, if you talk about this, maybe the articles written by Mo Yan and Zhao Shuli are not enough to pass. But words are only in the service of telling a story, what really matters is the content of the story, and the most attractive thing about this article is precisely its content.
From the title of the article "I am Fan Yusu", you can know that this is an autobiography of Fan Yusu himself. tells the personal experience of Fan Yusu and his family for more than ten years. What Fan Yusu did was to sort out what he saw and heard, and tell it to others.
When it comes to telling stories, anyone can tell stories, but there are really few people who can tell stories to Fan Yusu's level. It is precisely because of this that Fan Yusu has become an Internet celebrity. This is completely sideways in the eyes of the orthodox writers of those sons.
But they forget that the reason why they did not achieve the same success as Fan Yusu is that their works are completely detached from life, and they cannot attract and move people at all.
And this is precisely what they themselves will not discover, because their arrogance and arrogance have long blinded them. They say that Fan Yusu will only be short-lived. Maybe, but what about themselves, if it weren't for Fan Yusu's popularity this time, who would know who they were?
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