Ethics The influence of religion on the development of art

This varies from person to person, and even if there is a uniform standard, it is too far-fetched.

The relationship between religion and art is an important part of art theory. However, for a long time, people have held a negative attitude towards the relationship between art and religion, and even regarded religion and art as two unrelated thingsIdeology, denying that there is any connection between them.

Actually, it's a bias. If we look at religion and art in a fair and generous view of the entire history of human development, it is not difficult to find that there are many inherent similarities between religion and art.

Religious art, a unique art variety, is the product of their marriage.

The relationship between religion and art can not only correctly understand the heritage of religious art and today's religious art, but also have certain theoretical significance for the particularity of the two ideologies of religion and art. This paper argues that the intrinsic relationship between religion and art is mainly manifested in the following aspects: Its.

1. From the Perspective of Origin, Primitive Religion Is the Cradle of the Origin of Art Art and religion are closely linked in the origin.

Many of the things that today seem to be artistic activities, such as singing and dancing, painting, sculpture, architecture, etc., were at the time mainly a witchcraft or religious activity, rather than a purely aesthetic activity. Primitive people's belief and worship of witchcraft and religion were the direct motivation for the emergence and development of primitive art. Cave paintings are the earliest primitive art ever discovered, and most of them are animal figures.

These frescoes are either painted in the recesses of the cliffs or in the crevices of the rocks. Painting in places that are difficult for human footprints to reach is obviously not for aesthetic purposes, but the result of primitive people's concept of witchcraft. The psychological motivation of his creation, as Mr. Lu Xun said:

Primitive man "painted a vertical teasing cow for a reason, in order to be about the bison."

or hunt bison, and forbid the practice of cursing bison" ("Essays on Pavilions, Essays on Outside the Door").

That is to say, primitive people painted with a certain practical or utilitarian purpose, and they depicted animals as a practice of using some kind of witchcraft to "forbid" wild beasts in order to hunt successfully.

The influence of religion on art is reflected in its role in promoting (or hindering) the development of art. On the one hand, religion often uses art to preach and preach doctrines in a figurative way, and the huge investment in human, material and financial resources has promoted the development of art, provided a stage for many artists to practice art, and objectively promoted the development of art. On the other hand, while religion uses art to serve itself, its teachings inevitably restrain art, restricting its freedom and independence in development, and making it an effective means of touting and consolidating itself.

Dear: Hello, I'm glad to answer for you. The Influence of Morality on Art:

This kind of influence is first manifested in the fact that the ethical and moral ideas of a certain era and a certain society are always reflected through the theme, theme, plot, characters, ideology, tendency, and inner meaning of the work of art. Secondly, the influence of morality on art, especially in the worldview and moral outlook of writers and artists, has a significant impact on artistic creation.

Answer]: aa, religion plays an influencing role in the development of art, but not a decisive role. However, it is not easy to see whether it is a facilitating or hindering effect.

In fact, these two contradictory functions go hand in hand. b, religion promotes the development of art, which is manifested in: Religion promotes art to break through the limitations of doctrine and develop.

For the sake of its own existence and development, religion must use art to create an atmosphere of worship; To emotionally infect believers, it is inevitable that art will express worldly emotions. Religion provides the subject matter for art. In the Middle Ages in Europe, religion was the dominant social ideology, the most important phenomenon in social life.

Religion is often the organizer of artistic production. In a given historical period, religion organized large-scale art production activities with its powerful political and economic power. c, fundamentally, religion is the negation of art.

Religion denies art because religion and art do have fundamentally opposing aspects: religion is a distorted reflection of social life; And art is a true reflection of social life. Religion requires a spiritual understanding of the world beyond; Art, on the other hand, requires a visual representation of the real world and mundane feelings.

The object of religion is God, the alienation of man's essential power, and people feel their own insignificance before God; The object of art is the comprehensive social life, the objectification of the essential power of human beings, and people feel their own strength, wisdom and beauty in front of art. Religion is the opium that anesthetizes the people, persuades people to seek spiritual solace in the other world, and it anesthetizes the human soul; Art is a textbook of life, inspiring people to realize the essence of their own free creation in real life, or it is a purification of the human soul. Religion believes in the real existence of its object, the supernatural entity, the deity; Art, on the other hand, does not believe in the reality of the objects it creates.

d, religion also influences another aspect of art, because religion and art do have much in common: both religion and art are figurative reflections of social life. Both art and religion contain elements of emotion and fantasy.

Both art and religion are comprehensive reflections of social life. Art is a comprehensive reflection of social life. Religion, like art, is also a comprehensive reflection of social life.

Both art and religion can soothe the human spirit, generate joy and hope. Religion is the opium of the people, and for the people in suffering, it is a cheap ticket to the kingdom of heaven.