Who has a new message from the singer Daolang

Daolang's personality is particularly low-key, people rarely see him in the coal body, after 2004, he seems to have evaporated from the world, until March last year, he released a series of "Red Classics", but it is full of some covers of revolutionary songs. People have not seen Daolang's originality.

There are two versions of Daolang's "disappearance". One is that Daolang was not popular with people in the industry from the beginning (some so-called artists seem to make a living by suppressing others) and were excluded. Although the song is popular, people can't become popular.

The second is that Daolang loves his singing career too much, and bought a villa somewhere in Xinjiang to compose songs there.

But in any case, Daolang's "first snow" came later than others, but it melted too early, if it is really like the second statement, we look forward to him creating more beautiful works to dedicate to everyone, and then let the "knife wind" blow more violently.

Daolang's new song is "Rakshasa Sea City". Rakshasa Sea City" is a song written and composed by Daolang and sung by Daolang, released on July 19, 2023, and included in ** "Mountain Songs".

Based on the short story of "Strange Tales from Liaozhai", "Rakshasa Sea City" has sparked heated discussions in an obscure style. Netizens are not only busy with covers, but also have rich interpretations and second creations around the lyrics.

It is widely said that the lyrics of "Rakshasa Sea City" satirized the singers who criticized Daolang ** in the early years, which is a "precise revenge". The comment area of Na Ying, Wang Feng, Yang Kun and other singers has also poured into a large number of netizens who are "uneven", and more netizens think that such a view is inevitably "right-seated", and it can even be said to be far-fetched. The lyrics of "Rakshasa Haishi" are complex and difficult, which is in line with Pu Songling's original satirical view of "ugliness is beauty", and it is more appropriate to interpret it as a satire of social weirdness.

Song lyricsThe Rakshasa Kingdom is 26,000 miles to the east.

After seven rushes, it crosses the yellow mud of three inches of the scorched sea.

Just for there is a hill river.

The river flows through Gou Gou's camp.

The fork pole of the head of the Gou Gou camp is called a horse household.

The ten-mile flower field has a name.

She has two ears and three noses on her shoulders.

Before he spoke, he turned his head.

Squatting in the nest every day to lay eggs.

Most of the old fans think they are chickens.

The horse did not know that he was a donkey.

The bird didn't know he was a chicken.

The hook bar has always been elegant.

Since ancient times, my father-in-law has a good reputation.

A young man came to the west, his name was Ma Ji.

Mei Fengzi is a child of Huaxia.

Only for others to sail the sea and fight the wind and waves.

The dragon swims in the dangerous shoal and wanders in the badland.

He saw that the kingdom of Rakshasa was always upside down.

Ma Hu loved to listen to the song of the bird.

The grass rooster of the third watch crows when the code is accompanied by Si Chen.

Half of the lintel is framed with true feelings.

It draws its wings in red, and the black painted skin is green, embroidered with cockscomb, and gold inlaid with hooves.

But the coal eggs were born black.

No matter how you wash it, it's dirty.

The horse did not know that he was a donkey.

The bird didn't know he was a chicken.

How can there be a painting hall and a pig and a dog?

Where do you get a shoehorn to do your luck?

It draws its wings in red, and the black painted skin is green, embroidered with cockscomb, and gold inlaid with hooves.

But the coal eggs were born black.

No matter how you wash it, it's dirty.

Love words have a heart, and there is a good heart.

There are a thousand kinds of love and a thousand kinds of badness.

Women are good, not all are good.

There is also a wasp tail counting pins.

Ougang in the west has bosses.

Father Wittgenstein.

He speaks of horses, donkeys, and birds and chickens.

In the end, whether the horse is a donkey or a donkey is a bird and a chicken.

The donkey is a chicken, that chicken is a donkey, that chicken is a donkey, and that donkey is a chicken.

The horse is a bird.

It is the fundamental problem of our human race.

Daolang has a new song.

Daolang's new song is called "Rakshasa Haishi", and the song roughly means that there is a country where people look very strange, they don't look like humans, they can reach a high position, and if they look like people, they will live at the bottom of society. Just looking at this song, I can't tell if Daolang is satirizing Na Ying and other people who have hurt him. Actually, the song has a strong irony in it.

Daolang, whose real name is Luo Lin, was born on June 22, 1971 in Chonglong Town, Zizhong County, Neijiang City, Sichuan Province, China. In 1991, when Daolang was singing in Hainan, he and several musicians formed the Children of the Earth Band as a keyboardist, and the keyboard was well-known in Hainan at that time, and was later forced to disband by the Life Band.

Daolang character evaluation

As we all know, Daolang's voice is hoarse and vicissitudes, and it sounds like a feeling of being filial piety in the desert wind and sand. is different from the style of everyone in the pop ** circle, listening to Daolang's voice is like the wind and sand blowing from the desert of the Western Regions, so it is also known as the style of the Western Regions, the prodigal son of the Western Regions, and the voice of the Western Regions. Daolang is indeed a singer who can move people just by singing, and his ** is too seductive.

The melody is simple, smooth, and durable; The lyrics have a strong sense of narrative and picture, straightforward and uncomplicated; The voice is unpolished, textured, and tense. The vicissitudes of Daolang's song are the voices from the folk, with the most simple emotions. Daolang has his own thoughts, and Daolang's voice is basically very calm, very careful, and very cautious, because he is very sensitive to the perception of **.