Where did this poem come from? What is it called? Is there an appreciation?

This near-style poem written by modern people is half-literate and half-white, and it is really not difficult to understand.

Yesterday's skirt became a story, and tonight I am worried about the mirror.

Even if you can interpret dreams and cherish famous grass, you hate amorous and less medicine the most.

In terms of format, it is a song that does not rhyme, and rhymes with the seven uniques of the "four branches" of the water rhyme. Although it is a modern work, it is obviously written according to the ancient rhyme, because in today's new rhyme, the word "eyebrow" and the word "medicine" do not rhyme so much. So why is it said to be the work of today?

It's easy to see from the poetry and the way you write.

This kind of work is actually problematic, put it in the works of the ancients, there are ancient words, such as "湔", in fact, it means "wash", but the front and back are too modern, just like a bowl of soup, a fish bone is stuffed in, telling others that this is a bowl of fish soup - in fact, it is quite redundant, this is to create dyslexia.

Yesterday I washed my skirt and there were some stories, but today I was worried about myself in front of the mirror. Even if you can dream of forgetting worries, it's a pity that amorous lovesickness has never been cured by medicine.

The meaning of this song is as simple as that. The whole poem is rigorous, but it is defeated in the absence of literature and pretending to be obscure. <>

From the literal meaning, the general meaning may be that when people meet someone they like, they must boldly pursue it, and don't wait for the empty sigh to be missed.

This poem was written by the author himself in "Erha and His White Cat Master". It is more elegant and disciplined than the poems written by ordinary authors themselves, so you will wonder if there is a source.

As far as I can see, this poem is a classic use of some classic phrases.

For example, "I worship the old and half as a ghost", which should come from the sentence "Visiting the old and half a ghost" in Du Fu's "Gift to the Eight Guards".

Another example is "only now drunk can be happy", which reminds people of Bai Juyi's "Pipa Xing" in "Drunk and miserable".

Another example is "the lights and flowers reflect the red" is the use of "last year, today, in this door, the peach blossoms on the human face reflect red".

At my level, that's all I can see.

In general, it is precisely because of the author's use of these words and phrases that readers will have some impression of them under the nine years of compulsory language education, although the level of ancient poetry is uneven, so this poem does not feel frivolous, because it has the space to imagine and connect with the rich imagery in traditional ancient poetry. In addition, even if there is no association, the poem itself is very complete, and the conveyance is very successful, coupled with the atmosphere and intricate plot created by the author in the text, it can be said to be the finishing touch, making a simple reborn dog blood master and apprentice fairy tale story a lot thicker, with more universal meaning beyond the setting.

The author of this poem is the Tang Dynasty poet Wang Zhilian, and the theme of this poem is love. Here's a breakdown of the poem:

The first sentence "under the cherry tree says lovesickness" expresses the lovesickness between lovers, and the "under the cherry tree" here is the artistic conception in the poem, symbolizing spring and love.

The second sentence "full of sweet and sour water, not enough to change the strange" means: I feel the taste of love, both sweet and painful, even if this taste is very ordinary.

The third sentence "if the spring breeze is still good" expresses the hope that love can last for a long time, even if it has passed the test of time, it can still continue to blow like the spring wind.

The last sentence "the branches and leaves are known to each other" refers to the fact that when the spring breeze blows on the cherry tree, the branches and leaves on the tree will become more and more lush, and this luxuriance can be perceived and shared by the lovers of the Absolute Tomb.

The whole poem expresses the unsteadiness of the lovers and the desire for this love to last forever.

The meaning of the poem is: two people who love each other express their lovesickness under a cherry tree, and they have feelings of sweetness and sourness mixed with each other. If the spring breeze continues to blow and the cherry blossom trees still flourish, then the two will know that their relationship is as beautiful and lasting as the cherry blossoms.

The whole poem shows the sincerity and beauty of love by describing the feelings between the cherry tree and the two people. In the poem, "full of sweetness and sourness" is used to describe the relationship between the two, suggesting that there are both joy and beauty in love, as well as pain and difficulty. The last two sentences, "If the spring breeze is still good, the branches and leaves are luxuriant, the two know each other", expressing the hope that the love between lovers can last as long as cherry blossoms, even if time passes, they can still be together for a long time.

The whole poem is concise and clear, the hall is beautiful, and through the description of natural scenery to express the emotions between people, the poet entrusts the poet with the beautiful yearning and expectation of love.

This poem was written by Wang Anshi, a poet of the Tang Dynasty. It expresses the bitterness of lovesickness and depicts lovesickness against the backdrop of cherry trees. The intention is to call the first thought, talking about the bitterness of lovesickness under the cherry tree, the mouth is full of sweet and sour taste, both bitter and sweet, very uncomfortable.

If the spring breeze is still good and the cherry trees are flourishing, the two lovesick people will also know each other's lovesickness.

Kiss! The poem expresses a kind of lovesickness. The poem describes two people meeting under a cherry tree and expressing their longing for each other.

The author depicts this feeling by describing the sweetness and sourness in his mouth, expressing his ambivalence about love. The poem "If the spring breeze is still good, the branches and pants are luxuriant, and the two know each other." It implies that the author hopes that the relationship between the two can thrive like the cherry trees around them, that their relationship can last even in the passage of time, and that they know each other's lack of affection.

The whole poem expresses the author's desire to get a response and response from the other person, and hopes to spend a good time with his beloved.

The poem describes a lover who speaks of lovesickness under a cherry tree. The first sentence expresses the feelings of longing between lovers, and the second sentence uses "full of sweet and sour" to describe this feeling of filial piety. The third sentence uses the spring breeze as a metaphor for the passage of time, expressing the lover's wish that the relationship will last for a long time.

The last sentence expresses the tacit understanding and understanding between the lovers, even if time passes, they can still understand and care for each other.

The whole poem depicts the scene under the cherry tree, showing the deep affection and tacit understanding between lovers, and also conveying the author's yearning and pursuit of beautiful love.

This poem expresses the author's expectations and beautiful vision of love by depicting the lovesickness under the cherry tree.

The first sentence "Say lovesickness under the cherry tree" means that under the cherry tree, a pair of lovers are pouring out their feelings of missing each other. The cherry tree symbolizes a beautiful atmosphere of love.

The second sentence, "full of sweet and sour, is not surprising", describes that there are both sweet moments and some sourness in love. It's no surprise that this mixed experience is a common phenomenon of stupidity in love.

The third sentence "If the spring breeze is still good" means that if love is still like the warm and soft wind in spring, then the relationship will continue to be beautiful.

The last sentence "The two of them know this matching chain" implies that in this beautiful love, the lovers experience and grow together, and finally flourish like a cherry tree, and this happy situation can only be truly understood by the two of them.

Overall, the poem paints a beautiful picture of love, expressing the author's cherishing and expectation of love, as well as his yearning for a better life in the future.

The poem describes a man who misses his distant lover under a cherry tree, while Chihail Cave feels the taste of sweetness and sourness. If the spring breeze continues to blow and the cherry trees flourish, the two people will know each other's hearts. It conveys an emotional meaning of romance, dryness, and affection.

The cherry is also regarded as a symbol of love, representing the love that has just begun to wither, cherishing love, and sweet love. This poem, using cherries as a metaphor, expresses the positive desire for a beautiful love.

Xijiang month. Night hunger Hengxing Huangsha Road.

Xin Qiji. The bright moon is not frightening, and the breeze chirps cicadas in the middle of the night. The fragrance of rice flowers knows that the royal party says that it is a good year, and listens to the sound of frogs.

Seven or eight stars outside the sky, two or three o'clock rain in front of the mountain, the old Maodian community forest, the road to the creek bridge suddenly seen.

The bright moonlight startled the perched birds, and they flew away from the branches. In the middle of the night when the breeze blows, the cicadas chirp non-stop. In the fragrance of rice flowers, there is a frog sound, as if it is telling about a good year. After a while, the clouds covered it.

The moon. Only in the distance there are still seven or eight stars twinkling in the sky, mountains.

There was a little rain in front of it. The pedestrians panicked: there used to be a thatched shop next to the trees of the land temple to shelter from the rain, but now why is it gone? He hurriedly crossed the stream from the small bridge, turned a corner, and the thatched shop appeared in front of him.