Who can tell the difference between Southern and Northern Kunqu Opera?

Nankun and Beikun are just branches of Kunqu opera in different places, and there is not much difference in singing Kunqu opera.

Kun opera, also known as Kun opera, Kun opera, Kunshan dialect.

It is the oldest opera in China and is also a traditional Chinese culture.

Treasures in the arts. Guan Yunshi has been a bachelor of Hanlin, deeply influenced by the thought and literature of the Han nationality, admires the scenery of the south of the Yangtze River, longs for a quiet and leisurely life, and then resigned from the official position, lived in seclusion in the south of the Yangtze River, changed his name to "Yifu", in Qiantang.

Selling medicine for a living, he calls himself "Luhua Daoren". He is good at composing loose songs. The tune he created was passed on to the Yang family of Luopu, Zhejiang, and was later called the "Haiyan Cavity", which was passed down to the Ming Dynasty and was the pioneer of the "Kun Cavity".

Since the middle of the Ming Dynasty, he has dominated the Chinese theater scene for nearly 300 years. Kunqu opera combines singing, chanting, fighting, dancing and martial arts, etc., and is known for its elegant lyrics, tactful manners and delicate performances, and is known as the "ancestor of a hundred operas". Kunqu opera uses drums and boards to control the rhythm of singing, and uses qu flute and sanxian as the main accompaniment instruments, and its singing and pronunciation is "Zhongzhou rhyme".

Kunqu Opera was inscribed by UNESCO in 2001.

Listed as a "Masterpiece of the Oral and Intangible Heritage of Humanity".

There is a difference in the pronunciation of the words, and there is a difference in the repertoire.

Kunqu opera is divided into Nankun and Beikun, in terms of singing, Beikun is very rough and exaggerated, full of breath and loud, and the rhythm is distinct. Nankun is known as Nan Opera, which sounds a little infiltrating, and the singing is more euphemistic. Beikun is more popular in Beijing, while Nankun is more popular in Jiangsu, Zhejiang and Shanghai.

Introduction to Beikun.

In terms of singing, Beikun is also known as Beijing Gaocao, which sounds more regional. Beikun's percussion music is characterized by lobby drums, which are very heavy and majestic. Influenced by this, Beikun's flower face and martial arts dramas will also be accompanied by gongs and drums, such as "Out of Tongguan" or "Tongtian Rhino".

In the eyes of ordinary people, Kunqu opera is relatively similar, but there is a distinction between euphemism and roughness, and Beikun is relatively rough. Beikun is also more inclined to Peking Opera, after all, it is very popular in Beijing. Therefore, some northerners like to listen to this opera very much, after all, it is more consistent with their own temper.

If you let northerners listen to those Jiangnan tunes, they may like it for a while, and it feels very fresh, but after listening to it for a long time, it will feel very charming, and it is better to listen to some Beikun opera. Therefore, Beikun is still very promising and is relatively famous in many places.

An introduction to Nankun.

Nankun is more popular in Zhejiang and other places, in order to take care of the aesthetic needs of the audience, so it mainly focuses on big dramas. At the time of the performance, the opera was also artistically processed, which seemed to be very regulated. There are many pieces of music cards preserved in this category, which are liked by many people.

No matter which opera it is, in fact, as long as it is loved by the audience, it is very good. After all, people have a lot of entertainment life now, and their love for opera is far less than before. Kunqu opera is closely related to people's lives, and the development of the plot is also quite tortuous.

Summary.

Kunqu opera was developed from the Kun dialect, and during the Jiajing period of the Ming Dynasty, because the Kun dialect "stopped in Wuzhong", Wei Liangfu, a native of Jiangxi, defected to Kunshan to improve the Kun dialect. His main contribution is to integrate the essence of the northern and southern songs into the Kun dialect of "Bu Zi has no interest", and carefully design the movement, pronunciation, and accompaniment, which finally ushered in a new life of the Kun dialect that was on the verge of decline. The Kun dialect at this time is called Kunqu Opera.

Subsequently, Liang Chenyu, a native of Bacheng, Kunshan, who was basically the same era as Wei Liangfu, developed the relatively monotonous singing form into a lively and lively drama form. He took the lead in compiling the legendary "Huanxi Sha", applied Kunqu Opera to the interpretation of the dramatic plot, created various roles, and endowed Kunqu Opera singing with greater charm. At this time, the singing of Kunqu Opera has entered the stage of Kunqu Opera.

The two belong to different branches and are not much different.

In detail, the difference between the two singing tones: 1. The southern opera in Kunqu opera is soft and tactful, with a feeling of echo around the beam. 2. Beiqu is relatively high and sonorous, which is used to express agitated emotions with a sense of vicissitudes.

The difference between Nankun and Beikun is that there is language rhyme, Nanqu and Beiqu are in Kunqu, the scales are different, the pronunciation of the sharp group is different, the words of the Beiqu are more and less Nanqu is the opposite, and the Beiqu is high-pitched and the Nanqu is gentle.

There are differences in the level of singing, the loudness of the breath, the speed of the rhythm, the degree of richness of the voice, and the change of tune, and these differences lead to a large difference between the two.

Probably in the Yuan Dynasty, there was a phenomenon of "north-south combination", because the Yuan Dynasty was an era of great unification, which was conducive to the "north-south combination" of Kunqu Opera.

This phenomenon occurred during the Yuan Dynasty, when the unification of the Yuan Dynasty promoted the development of the Northern and Southern Sets, allowing the two types of Kunqu opera to merge.

After the Yuan Dynasty unified China, the isolation between the north and the south was broken, and then the phenomenon of "north and south combined" appeared.

I don't know much about it, it's very lyrical, and at the same time it combines dance, and it inherits a lot of folk characteristics, with a monologue, and a special timbre.

Kunqu opera is characterized by strong lyricism, delicate movements, and inherits the tradition of ancient folk dances and court dances.

Kunqu opera is characterized by strong lyricism and delicate movements, which can combine singing and body posture well, so that people can better integrate into Kunqu opera and have strong empathy.

Kunqu opera is characterized by delicate movements, which require the voices of the theater actors to have a strong lyricism.

Kunqu Opera and Kunqu Opera both refer to operas that originated in Kunshan, Jiangsu, and there is no difference between people's verbal expressions, both refer to Kunshan opera. However, there is an essential difference between them. The specific analysis is as follows:

Kunqu opera is an ancient Chinese opera vocal tone and opera. In the course of historical evolution, Kunqu opera used to have various names such as "Kunshan Dialect" (referred to as "Kunshan Dialect"), "Kun Tune", "Kunqu Opera", "Nanqu", "Nanyin", "Yabe" and so on. Generally speaking, Kunshan dialect is used to express the vocal cavity of opera, Kunqu opera is used to express music, especially cappella singing that is not off the stage, and the type of opera that refers to the performing arts is called Kunqu opera.

At the beginning, it was "Kunshan cavity", which was born in Kunshan at the end of the Yuan Dynasty and early Ming Dynasty, called Kunshan cavity, and later called Kunshan cavity. The name "Kun Dialect" mainly highlights the word "Cavity", that is to say, the Kun Dialect at that time only had an extremely beautiful **, and it did not form a stage play with narrative function.

After continuous transformation and improvement, by the middle of the Ming Dynasty, Kun dialect and playwrights married, opening a new era of Kun dialect. The appearance of stage plays with actors, bands, and plot performances marked the birth of "Kunqu Opera".

Both originated in Kunshan, Jiangsu, there is still a difference, the tune represented by the song, the singing song, and the drama represents the drama, in addition to singing, the performers also have to show their faces, posture, and movements, compared to Kunqu Opera, Kunqu Opera is more colorful.

In fact, Kunqu Opera is Kunqu Opera. Kunqu Opera, formerly known as "Kunshan Dialect" or simply "Kun Dialect", is an ancient Chinese opera vocal cavity and opera, and is now also known as "Kunqu Opera". Kunqu opera is one of the oldest types of traditional Chinese opera, and it is also a treasure in the traditional culture and art of the Han nationality in China, especially in the art of opera, known as an "orchid" in the hundred gardens.

Kunqu opera refers to a piece of repertoire, while Kunqu opera is a repertoire made from the singing segments of Kunqu opera, and Kunqu opera is a combination of Kunqu opera.

To contain and to be included, in a broad sense, is one thing. In a narrow sense, one is a song, which can be expressed in the form of a piece of music or a clean sound. One is a drama, which needs to be sung and played and has a relatively complete plot.

There is no separation between operas, and operas are different.

Kunqu opera is an art form, and Kunqu opera is a drama, and the difference between the two is obvious!

Kunqu opera is an art form, Kunqu opera is a drama, the difference is here!

One is a melody and the other is a storybook.

It doesn't seem to me that there is much difference either.

How to explain it?

Anyone who has visited the Qinglou should know it.

If you're lucky enough to know an Oiran, it's the top card.

You'll find out.