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The translation is as follows:
I was in the Jianzhong (Song Huizong year) Xin Si year (the ancients used the year of the heavenly stem branch, this year is the year of the Central Plains, 1101 AD), married to the Zhao family (Zhao Mingcheng).
At that time, my father was a member of the Ministry of Rites, and the (now) prime minister was a servant of the Ministry of Rites, and my husband was twenty-one years old and a student in Taixue (the highest university).
The Zhao and Li families are poor and have always lived frugally, every time.
On the first and fifteenth faces, I saw that Mr. Yuantong asked for leave and came out, pawned clothes and got 500 yuan, walked into Xiangguo Temple, bought the inscription and fruit that was extended, and the two played with the calligraphy and ate the fruit, claiming to be the people of Ge Tianshi (an ancient sage).
Two years later, when he took up an official position, he had rice, vegetables, clothes, cloth, etc., and tried his best to pursue remote and remote places (antiques), and searched all kinds of documents recorded in ancient Chinese and strange characters in the world. Over time, I gradually accumulated a lot.
When the prime minister was in power, some of his relatives and ancients worked in the palace library, and there were many lost poems and historical events, and books that could not be seen in Lubi and Jizun (two major book collection locations, Lubi in Confucius Mansion and Jizun in Jijun), so they tried their best to borrow and copy it, and it felt very interesting, and they couldn't control it (stop).
Later, I sometimes found calligraphy and paintings of ancient and modern celebrities, and strange antiques from a pure cracking era, even if I took off my clothes and sold them, I had to buy them.
I once remembered that during the Chongning (Song Huizong year), a person took Xu Xi's "Peony Picture" and offered 200,000 yuan. At that time, even if he was a rich and noble child, was it easy to take out 200,000 yuan? We kept him for the night, but we couldn't figure out a way so we had to send him away.
The couple was relatively sorry for several days.
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The Northern Song Dynasty had just been destroyed, the Southern Song Dynasty had just begun, and the cultural relics collected by Zhao Mingcheng and Li Qingzhao continued to be lost, which may have something to do with the fact that the society was in a period of great change at that time, and the surrounding people were fleeing. Scattered means that an item is lost.
Extended information: Li Qingzhao's essay "The Preface to the Golden Stone Record" introduces the process of the couple's collection and sorting of the gold and stone cultural relics, the content and the process of writing the "Golden Stone Record", and recalls the sorrows and losses in the 34 years after marriage, tactful and tortuous, detailed and detailed, and the language is concise and fluent. This is a masterpiece with a fresh style and handsome words, and its characteristics are mainly in a "true" word, Li Qingzhao poured her sincere and deep feelings for her husband Zhao Mingcheng into the flowing writing, and narrated her own experience and heartfelt songs movingly, so that the reader rejoiced with her joy, with her sadness and sadness, fascinated, and covered up the volume.
Jin Shi Lu", this file is a huge work that Li Qingzhao and his wife have devoted their lives to, and records their collection of 2,000 kinds of gold and stone rubbings from the Xia, Shang, and Third dynasties to the Sui, Tang, and Five Dynasties, with 10 volumes of catalogs, 20 volumes of dialectic, and 102 articles. Because Zhao Mingcheng himself had written the preface to the book before his death, which was listed at the beginning of the book, Li Qingzhao made this "preface" and attached it to the back of the book, so it was called the "postscript". "Jinshi Lu" is an academic work on the collection and arrangement of gold and stone by Zhao Mingcheng, the deceased husband of the foolish god Li Qingzhao.
Li Qingzhao made it for it"Postscript"At that time, it had been six years since her husband's death, and her personal life had gone through several twists and turns, so she had mixed feelings and couldn't help it, and wrote this famous "postscript".
At the heart of the Confessions is the idea of good and evil.
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