What calligraphy is the most influential calligraphy in the history of Chinese calligraphy

Popular science: Wang Ti, Yan Ti, Liu Ti, European Ti. It is the style of the master of calligraphy, not the style of calligraphy.

The calligraphy style of Chinese calligraphy is seal, li, grass, Kai, and line (occasionally people include oracle bone inscriptions), and the most influential is the line style, that is, the line calligraphy.

According to legend, it was created by Liu Desheng of Yingchuan in the Later Han Dynasty. ("Book Break" "The person who walks the book is made by Liu Desheng of Yingchuan in the Later Han Dynasty, that is, the small falsification of the main book, and it is simple, so it is called the book of travel.) ") is a font between regular script and cursive script.

"line" means "walking", which is neither scribbled like cursive or upright like regular script, but can be interpreted as regular script cursive or cursive script. The one with more regular law than the grass method is called "line Kai", and the one with more grass method than the regular method is called "line grass".

On the status and influence of Xingshu:

1. It has promoted the reform of Chinese writing methods.

2. Make Chinese hieroglyphs a way of inheritance that can be written quickly and easily recognizable, which is incomparable to any other calligraphy. The identification of the line is better than that of seal script and cursive script, the latter two can only be used in very limited occasions, although the official script and regular script also have the recognizable and easy to read of the line, but the writing is too exquisite, can not express freely, and the efficiency is low.

3. Participate in the strengths of each body, inclusive of all things.

The body of the book is larger, the knot can be neat and regular, can be loose and wandering, the pen is flexible, italics, grass, seals, and various penmanship can be plug and play.

4. From ancient times to the present, the most excellent works of calligraphy, the most calligraphy: Wang Xizhi, Wang Xianzhi, Ouyang Xun, Yan Zhenqing, Liu Gongquan, Chu Suiliang, Xu Hao, Li Beihai, Yang Ningshi, Zhao Mengfu, Yu Shinan, Huang Tingjian, Li Beihai, Su Dongpo, Dong Qichang, Zhang Xu (his book is also very good), Zhao Ji (Song Huizong's thin gold body is also a must), Wang Xun, Mi Fu, Wu Changshuo, Sha Menghai, Qi Gong.

5. It has been circulated for the longest time and is the most popular.

Since its inception, Xingshu has been passed down from generation to generation. Seal script prevailed in the former Qin, Lishu was developed in the Han and Qing dynasties, and the rest of the period was relatively deserted, and the italics have been circulated so far, but it is only used on ceremonial occasions, and the popularity and popularity of each body are far inferior to the Xingshu. In modern times, people's hard pen writing is still the mainstream of line style.

I started learning calligraphy in willow style, but I couldn't improve it. But a few of my classmates are learning to look at the body, and after a while, the words are absolutely beautiful; So if I have another chance, I will definitely choose Yanti, because only all other fonts can be derived from Yanti, but other fonts can't go back to Yanti.

Seal script, there is no current Chinese character without the oldest big seal, and there is no writing since the seal script

The often said book style usually talks about Yan Liu, Ou Zhao, Yan Zhenqing, Liu Gongquan, Ouyang Xun and Zhao Menghuang; Generally speaking, calligraphy gradually became a mature art from the Wei, Jin, Southern and Northern Dynasties (think Wang Xizhi), and the Tang Dynasty began to become an officially recognized examination subject, so it is not surprising that the first three were all from the Tang Dynasty. They all have their own merits.

As for the most impactful, this is something completely subjective, depending on the opinion. But generally speaking, it is recognized that the face body belongs to the most influential posterity.

Calligraphy has seal script, official script, regular script, line script, and cursive script.

1. Seal script: representative works include "Huiji Inscription", "Yishan Carved Stone", "Taishan Stone Carving", "Jinyun County Chenghuang Temple Monument", "Xianqian Record", "Prajna Inscription".

2. Lishu: Representative works include "Cao Quan Tablet", "Shi Chen Tablet", "Ritual Tablet", "Yiying Tablet", "Huashan Temple" and so on.

3. Regular script: representative works include "Le Yi Theory", "Yan Qinli Tablet", "Duobao Pagoda Tablet", "Mysterious Tower Tablet", "Shence Army Tablet" and so on.

4. Xingshu: Representative works include "Orchid Pavilion Preface", "Boyuan Post", "Huangzhou Cold Food Post", "Manuscript of Sacrifice Nephew", etc.

5. Cursive: Representative works include "Seventeen Posts", "Early Moon Posts", "Far Eunuch Posts", "Cursive Thousand Character Texts", "Dayjin Tang Ji" and so on.

The morphological beauty of calligraphy:

The basic form of Chinese characters is square, but through the expansion and contraction of dot painting and the twisting of the axis, a variety of different moving forms can be formed, so as to combine them into beautiful calligraphy works. The form of the knot is mainly affected by two factors: one is the need for the expression of calligraphy interest; The second is the formal factor of calligraphy.

As far as the latter is concerned, it is mainly reflected in three aspects: one is the influence of the book style, such as the vertical rectangle of the seal; The second is the influence of glyphs, some characters are flat squares, and some characters are rectangular; The third is the influence of the law. Therefore, it is only under the control of the above two types of factors that the creation of a beautiful knot can be created by actively creating a form.

Summary. 1. The four famous calligraphy fonts in ancient China generally include Yan Ti, Liu Ti, Zhao Ti, and European Ti.

These four fonts generally refer to Ouyang Xun, Yan Zhenqing, Liu Gongquan, and Zhao Mengfu in the Yuan Dynasty in the Tang Dynasty. The commonly said Yan Ti, Liu Ti, Zhao Ti, and Ou Ti are named after the surnames of Ouyang Xun, Yan Zhenqing, Liu Gongquan, and Zhao Mengfu.

See the picture below (top left: Zhao Ti; Top right: European body; Bottom left: willow body; Lower right: Yan Ti).

2. Introduction to the fonts of the four ancient calligraphers.

1) Ouyang Xun: European Body.

Good at calligraphy: regular script. Calligraphy characteristics: the pen is dangerous, thin and hard, and the attitude is precise and handsome. Representative works: "Jiucheng Palace Liquan Ming", "Huangfu's Birthday Monument", "Huadu Temple Monument".

2) Yan Zhenqing: Yan Ti.

Good at calligraphy: regular script, line grass. Calligraphy features: regular script rules and regulations, the air is lofty, the grass is dissolved in the art, and the art is the soul. Representative works: regular script - "Yan Qinli Tablet", "Duobao Pagoda Tablet"; Xingshu - "Manuscript of the Sacrifice of Nephews".

3) Liu Gongquan: Liu Ti.

Good at font: regular script. Calligraphy characteristics: the characters are thin, especially the dot painting is crisp and beautiful, the bones are strong, and the knots are tight. Representative works: "Mysterious Tower Tablet", "Shence Army Tablet".

4) Zhao Mengfu: Zhao Ti.

Good at calligraphy: regular script, line calligraphy. Calligraphy characteristics: whether it is regular script or line calligraphy, it is very neat, flat and stable, gentle and elegant. Representative works: regular script - "Bil Tablet", "Miaoyan Temple Record"; Xingshu - "Red Cliff Fu".

Do you know any famous calligraphers in ancient China? Try to name a few calligraphy fonts.

1. The four famous calligraphy fonts in ancient China generally include Yan Ti, Liu Ti, Zhao Ti, and European Ti. These four fonts generally refer to Ouyang Xun, Yan Zhenqing, Liu Gongquan, and Zhao Mengfu in the Yuan Dynasty in the Tang Dynasty. The commonly said Yan Ti, Liu Ti, Zhao Ti, and Ou Ti are named after the surnames of Ouyang Xun, Yan Zhenqing, Liu Gongquan, and Zhao Mengfu.

See the picture below (top left: Zhao Ti; Top right: European body; Bottom left:

willow body; Lower right: Yan Ti) Second, the font introduction of the four ancient calligraphers (1) Ouyang Xun: European style.

Good at calligraphy: regular script. Calligraphy features:

The pen is dangerous, thin and hard, and the attitude is precise and handsome. Representative works: "Jiucheng Palace Liquan Ming", "Huangfu's Birthday Monument", "Huadu Temple Monument".

2) Yan Zhenqing: Yan Ti. Good at book style:

Regular script, line grass. Calligraphy features: regular script rules and regulations, the air is lofty, the grass is dissolved in the art, and the art is born and the pure soul is buried.

Representative works: regular script - "Yan Qinli Tablet", "Duobao Pagoda Tablet"; Xingshu - "Manuscript of the Sacrifice of Nephews". (3) Liu Gongquan:

willow body; Good at font: regular script.

Calligraphy characteristics: the characters are thin and thin, especially the dot painting is crisp and beautiful, the bone strength is strong, and the knot is tight. Representative works:

Mysterious Tower Tablet", "Shence Army Tablet". 4) Zhao Mengfu: Zhao Ti.

Good at calligraphy: regular script, line calligraphy. Calligraphy features:

Whether it is regular script or line script, it is very neat, flat and stable, gentle and elegant. Representative works: regular script - "The Journey of the Bile Tablet", "The Story of Miaoyan Temple"; Xingshu - "Red Cliff Fu".

Hope mine is helpful to you.

There are six types of calligraphy, line script, cursive script, official script, seal script, regular script, and swallow script.

Regular script, official script, seal script, cursive script, line script.

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The earliest Chinese calligraphy is not in the Zhou Dynasty, but can be traced back to the Shang and Yin periods. The oracle bone inscriptions excavated in Yinxu, Henan Province in 1899 and 1933 provide valuable materials for the study of the development of Chinese writing and the art of calligraphy. The oracle bone inscription is a relatively mature script that has been formed in philology"Six Books"; It laid the foundation for square Chinese characters and provided for the development of Jinwen, Shigu, and Seal characters.

Therefore, strictly speaking, only when it comes to oracle bone inscriptions, can it be called calligraphy. From the large number of characters on the unearthed oracle bone inscriptions, it can be seen that the oracle bone inscriptions already have the three basic elements of Chinese calligraphy: the use of the pen, the knot, and the chapter method.

Dong Zuobin believes in the article "The Oracle Bone Script Unearthed in Houjiazhuang, Anyang" that the oracle bone inscription is first written with a pen and then engraved, and then carefully decorated with Zhu ink. The structure of the oracle bone inscription is intricate, and the size and length of the inscription vary, which is why calligraphers must take into account the layout of the chapter when writing, and strive to embody the unified beauty of balance and symmetry.

On the whole, oracle bone calligraphy can be divided into five periods: the first period, from Pangeng to Wuding, the calligraphy is majestic; In the second period, from Zu Geng to Zu Jia, calligraphy is cautious; The third phase of wild sales, from Kangxin to Kangding, calligraphy is decadent; In the fourth period, from Wu Yi to Wending, the calligraphy is strong; In the fifth period, from Di Yi to Di Xin, the calligraphy was strictly ordered. Its portrayal is first straight and then horizontal, the turning point is mostly with high straight to go straight, the strokes are not light and heavy, although there is a round pen, but not very round, thin and bold like a steel wire, rigid and powerful, with a kind of clumsy, beautiful, thin, clear and beautiful style; The unpretentious natural beauty of its chapters and knots has had a great influence on modern calligraphy.

The most representative of ancient Chinese calligraphy are the five types of calligraphy: Liyu Disguise Script, Regular Script, Cursive Script, Xingshu and Seal Script.

Lishu is an elegant style of calligraphy in ancient China, which originated from the Qin Law of the Qin Dynasty. Lishu is a kind of font with a solemn and rigorous form and fine strokes, which is characterized by precise strokes for each character, and the ink is full and the ink color is thick. Lishu is an important stage in the evolution of calligraphy, and it has a certain influence on the later regular script, line script, cursive script, etc.

Regular script is one of the most common scripts in Chinese calligraphy, which gradually evolved on the basis of official script. Adhering to the principle of "the instrument is the word of the word", the regular script emphasizes the smooth and neat strokes, and its glyphs are standardized and neatly arranged, with the characteristics of neatness, clarity and elegance. Regular script has an important position in Chinese calligraphy and is the most widely used of all kinds of calligraphy.

Cursive script is a very open font in Chinese calligraphy, which evolved from the vertical ruler stove of Xingshu in the Han Dynasty. Cursive fonts are changeable and flexible, depicting free and rich emotions, and uniquely expressing a free and easy artistic style. Cursive writing can be divided into various forms such as grass li, grass letter, and grass line.

Xingshu is also an important part of Chinese calligraphy, and it is a style of writing that is formed on the basis of official script and cursive script. The glyphs of Xingshu are rigid and soft, perfectly balancing the thickness and weight of the strokes, with special attention paid to the abrupt changes and graceful contours of the strokes. The font of Xingshu is written smoothly and naturally, so it is called Xingcao.

Seal script is one of the oldest scripts in Chinese calligraphy, and its origins can be traced back to the Shang Dynasty. The glyphs of the seal script are just and upright, and its strokes are deep and heavy, revealing a solemn atmosphere. Seal scripts are often used to engrave seals, and it is an important part of ancient Chinese traditional culture.

In general, these five different fonts, with different forms and characteristics, reflect the colorful charm of the art of calligraphy. They correspond to five different periods, reflecting the evolution and development of ancient Chinese culture. In traditional Chinese culture, calligraphy has always been regarded as one of the most respected art forms with its exquisite brushwork, beautiful composition, and mellow cultural atmosphere.

Small Kai. This calligraphy font is very neat and round, and it is the most commonly used font. It can reflect a person's knowledge.

The font that best reflects the utilitarian power of the calligrapher is cursive, which is more chic and has no rules.

Calligraphy is a unique form of artistic expression of the beauty of words in China and its neighboring countries and regions that have been deeply influenced by Chinese culture. Including Chinese calligraphy, Mongolian calligraphy, Arabic calligraphy and English calligraphy. Its "Chinese calligraphy" is a traditional art unique to Chinese characters.

Broadly speaking, calligraphy refers to the rules of writing text symbols. In other words, calligraphy refers to the writing of words in accordance with their characteristics and meanings, in their style, structure and chapters, so as to make them aesthetically pleasing works of art. Chinese calligraphy is an original expressive art of the Han nationality and is known as:

Poetry without words, dance without lines; Painting without pictures, music without sound, etc.

There are five types of calligraphy, namely: seal script, official script, regular script, line script, and cursive script.

Now, there are six main fonts in Chinese calligraphy: Xingshu, Cursive, Lishu, Seal, Kaishu, and Yanshu.