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Camel Xiangzi is a tragedy depicted by the great people's artist Lao She with sympathetic brushstrokes: in Beijing in the late twenties, a hard-working and strong little person from the bottom society had a beautiful dream of making a fortune and struggle, but was finally swallowed up by a dark storm, which revealed the slave psychology of the "little people" at that time and the final disillusionment of unrealized hopes. With the suicide of Shoko's beloved woman, Xiaofuzi, Shoko extinguishes the last spark of personal struggle.
This is the typical fate of the poor citizens of old Beijing in old China. The book "Camel Xiangzi" uses a large number of Beijing colloquial language, dialects, and some descriptions of the customs and customs of old Beijing, which is friendly and natural to read, catchy, and is a classic work of modern vernacular literature.
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Xiangzi's character image is Xiangzi, born in a poor family, from the countryside to the city to make a living, trustworthy, righteous, with the unique kindness, loyalty and simplicity of the working people, and the pursuit of persistent ideals for the future life. However, his ideals were beautiful.
The reality is cruel, when he experienced a series of blows such as being robbed of a new car, marrying a tiger girl he didn't like, selling a car to bury a tiger girl who died in childbirth, and his beloved Xiaofuzi committing suicide after being sold to a white house, Xiangzi lost his confidence in life.
Transformed into a depressed, scoundrel-like lumpenproletarian. Shoko's personal experience and life fate are not only his personal tragedy, but also the tragedy of that era and society.
Camel Shoko character analysis
Hu Niu was originally the daughter of Liu Siye, the owner of Renhe and the car factory. He is scheming, cheerful and cheerful, tiger-like, like a man. For her love life, Hu Niu dared to pursue personal free love, did not hesitate to use all kinds of scheming, and even turned her face with her father at the birthday party, and finally successfully married Xiangzi.
On the other hand, the tiger girl has a strong philistine atmosphere, she is lazy, lazy, lazy, and unwilling to be the wife of a coachman for a lifetime, but she eventually died of dystocia.
Liu Siye is Hu Niu's father, Xiangzi's employer, and the owner of the car factory. He was originally born as a gangster and worked as a robe brother in the old society. Later, he started a business, had a good face, and had an upright and strong temperament.
However, Liu Siye in his bones is very selfish, with a treacherous smile on his face, and even for the sake of his own business, he does not hesitate to delay his daughter's marriage.
He ostensibly cares about Shoko, but in fact he is afraid that Shoko will work too hard and damage his car, so that he will make less money. He opposed Xiangzi marrying a tiger girl, worried that after Xiangzi married his daughter, he would beat him for money. In the end, he fell out with Tiger Girl.
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Camel Xiangzi is based on the whereabouts of a rickshaw driver Xiangzi in Beiping (now Beijing) as a clue, with the life of Beijing citizens in the late twenties as the background, and the bumpy and tragic life of rickshaw driver Xiangzi as the main plot, profoundly exposing the darkness of old China, accusing the ruling class of exploitation and oppression of laborers, expressing the author's deep sympathy for the working people, and showing people the picture of the poor citizens of Beijing living in the abyss of pain under the chaos of warlords and the rule of darkness. From the story of Xiangzi's struggle to get rid of the miserable fate of life through personal struggle, and finally failed to the point of degeneration, it warns people that the poor peasants in the city want to turn over and become masters, and it is not enough to rely on personal struggle alone. "Camel Xiangzi" came out and was translated into more than a dozen languages, which had a great impact.
Coming from the countryside, where the decaying countryside made it impossible for him to survive, Shoko came to the city eager to create a new life with his honest labor. He tried all kinds of jobs and finally chose to pull a foreign car. This career choice shows that Shoko, despite leaving the land, still has a peasant way of thinking.
He was accustomed to individual labor, and at the same time longed for a car that was as reliable as the land. Buying a car, being an independent worker," this is his wish, his hope, and even his religion. The city seems to have given Xiangzi the opportunity to realize his wishes, and after three years of struggle, he bought a car, but after half a year, he was robbed; But Shoko still refuses to give up his dream of owning his own car, and although he is not without doubts about his pursuit and shakes up several times, the side game still keeps picking himself up and fighting again.
It should be said that Xiangzi struggles with life with a tenacious character and stubborn attitude, which constitutes the main plot content of **. And the end of the fight ended with Shoko's defeat, and he finally failed to achieve his dream of owning a car of his own. The profundity of the realism of this ** lies in the fact that it not only depicts the material deprivation of Xiangzi by the harsh living environment, but also depicts the spiritual degradation of Xiangzi after the destruction of his life ideals.
He had no heart, and his heart was taken away. "A hard-working and kind-hearted rural brother let the youth be ruined and become a jobless vagrant like the walking dead.
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The author of Camel Xiangzi is Lao She (Shu Qingchang). He was a famous Chinese writer and playwright of the 20th century.
Lao She (1899, 1966), formerly known as Shu Qingchang, the word Sheyu. Born in Beijing, he is one of the most important figures in the history of modern Chinese literature.
Lao She's works cover many fields such as **, drama, prose, etc., and he is famous for his works that go deep into life and have a unique comic style. One of his masterpieces is "Camel Xiangzi", which describes the life and characters of the bottom of Beijing society in the 20s of the 20th century, revealing the inequality and helplessness of individual fate in the social promotion pretense. The work profoundly shows the living conditions and psychological states of the people at the bottom of society.
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