How to develop the ability to improvise dance?

Basic skills are always the most important, and start to make some changes on the basis of solid basic skills. You can find a dancer that you like very much, and start by imitating, but remember that imitation alone is not enough. You have to change their movements into your movements, the hardest thing to do is to listen, you have to show that you want to make the observation feel like ** because you dance like this.

This requires a very high level of understanding, all of which can be achieved by quantitative change in order to achieve qualitative change, and cannot be in a hurry. Only by being diligent in giving and accumulating for a long time can you do what you want to do.

Once you've laid the groundwork, try to incorporate the movements into your favorite songs, enjoy the feeling, and slowly you'll be able to dance to the rhythm.

If you want to get a high score in improvisational dance, you not only need to have solid basic skills, but also emphasize the expression of your emotions.

When we encounter a rhythm that is difficult to beat, we need to practice it repeatedly. And we should classify the types of ** and correspond to our same type of dance form, which is very helpful for our improvisation ability.

We can train separately first, on any occasion and at any time when you hear a **, you can habitually imagine the story he tells, and over time our reflex arc will be shortened and the reaction will become faster.

I feel that improvisational dance is quite high compared to strain, and the requirements for reaction ability are quite high, so to improve the ability to improvise, first of all, you have to enrich your different dance styles, followed by the ability to respond to changes, and finally according to **, quickly react out, **The emotions expressed, or thoughts and the like, if you can understand it quickly**, relatively speaking, you can improvise very casually, and improvisational dance will also be easy.

We know that improvisational dance is random to give us a section of ** to dance along with ourselves, so this puts more emphasis on our own ability to understand **, and cultivating a good sense of musicality can allow us to step on the ** knot when dancing. Therefore, it is necessary to learn more knowledge and understand the laws of **.

Of course, we have to learn the expression of feelings, I think dance, like songs, is emotional, and it is also interconnected, so the most important thing to cultivate improvisation ability is to understand.

01 **。

We know that improvisational dancing is random, and we are given a section to dance along with. Therefore, this puts more emphasis on our own ability to understand **. Cultivating a good sense of musicality allows us to step on the best knots when dancing.

Therefore, it is necessary to learn more knowledge and understand the laws of **.

02 Imagine.

If you want to get a high score in improvisational dance, you not only need to have solid basic skills, but also emphasize the expression of your emotions. We have to associate a picture according to what we are, and then express it through dance. So imagination is crucial.

03 Practice.

In the process of training, we can first train separately, on any occasion and at any time when you hear a **, you can habitually imagine the story he tells, over time our reflex arc will be shortened, and the reaction will become faster.

04 Repeat.

When we encounter the rhythm of a song that is difficult to break, we need to practice the hall repeatedly to destroy it. And we should classify the types of ** and correspond to our same type of dance form, which is very helpful for our test-taking.

Improvisational dance refers to a dance form in which improvisation, emotion, and inspiration are created without pre-rehearsal or planning. It helps dancers to be creative and expressive, while also bringing a whole new dance experience to the audience. The following are the techniques and methods of improvisational dancing.

Preparation. Before engaging in an impromptu dance, do your homework. First of all, you should familiarize yourself with the **, understand its rhythm and emotion, and determine your own dance theme and expression.

This is followed by a warm-up to reduce the risk of injury and improve flexibility. Finally, it is necessary to determine the venue and audience of the performance so that you can better express yourself in the performance.

Freedom of expression. The biggest feature of improvised dance is freedom of expression, and the dancer needs to let go of himself and let his body move freely. In dance, you don't need to be bound by rules and constraints, you can change the width and form of dance movements at any time, and express your emotions and thoughts to your heart's content.

Physical sensations. Improvisational dance requires the dancer to have good physical sensations and be able to perceive every detail of their body. In dance, pay attention to the posture and movements of the body, and try to make the body feel comfortable and natural.

At the same time, it is necessary to pay attention to the mastery of breathing and rhythm, and combine breathing and body movements to achieve a state of unity of body and mind.

Audience interaction. Another feature of improvised dance is audience interaction, where dancers need to connect with the audience and convey their emotions and ideas to the audience. During the performance, you can interact with the audience through your eyes and movements, allowing the audience to better understand your own dance.

Practice and reflection.

Improvisational dance requires constant practice and reflection, and through continuous experimentation and improvement, you can improve your dance skills and expression skills. After the performance, it is necessary to reflect and summarize to understand your strengths and weaknesses in order to better improve and improve.

In conclusion, improvisational dance is a very challenging and deliberate form of dance that requires creativity, expressiveness, and physical sensation on the part of the dancer. When performing improvisational dance, you should pay attention to the skills and methods of free expression, body sensation, audience interaction, etc., and improve your dance level and expression ability through practice and reflection without leniency, and show your dance style.

The improvised dance steps are as follows:

Space scheduling: Space: Yes.

One, two, and three dimensions. At one point: lying down, lying down, kneeling, low movement on the floor.

Second degree: standing, half-squatting, standing on tiptoe, moderate movement in between. Third degree:

Vacating, generally refers to the "jump and flip" height action. Scheduling: Front, middle, back, and midline.

The front, middle, back and middle line are familiar concepts for every dancer, and we will not explain them here, but it should be emphasized that when scheduling the spatial position, you can skillfully use the way of "flow line" to grasp the position at any time, and in the impromptu examination of multiple people at the same time, you can avoid unnecessary collisions and mistakes, and you can also increase the fullness of your own movements and attract the attention of the examiners and judges.

The middle line is one of the most heard sentences in the study of every dance candidate, and it is also one of the most eye-catching and prominent positions in the exam.

Emotional expression is the most important thing in dance, and all the movements, vocabulary, and structures are designed to convey the dancer's thoughts, emotions, and inner words, telling everyone one thing, a sentence, or a person, so that people can know why it is true or think about it.

If in the improvisational choreography exam, the candidate has a good grasp of all the techniques, movements, directions, and ** and lacks emotion and emotional expression, then the judge can only think that the candidate is a well-functioning machine and not a living dancer. Therefore, in the exam, no matter what questions and what ** dance candidates encounter, they must seriously think and listen, combine what they see, think, and know, integrate into the role and **, and vividly express it.

In the improvisational choreography exam, there will be different style types, such as: classical, ethnic and folk, modern and contemporary, etc., different styles will have different characteristics, the following is a brief list of some common timbres, candidates need to pay attention to and distinguish.

Different styles require candidates to be familiar with the proficient classification and grasp the style characteristics of different dance types. Regardless of the type**, there will be a rhythmic division, and in the rhythm division, candidates need to pay special attention to "3 beats and 4 beats."", which is the common "and" in dance classes.

In addition, it is also necessary to pay attention to the structure of **, how to skillfully grasp the remake point and pause appearance point in the impromptu exam, here Mr. Xu of the School of Dance of the Chinese Film Art Examination has a small experience "1 2 4 8" and "every 4 changes to 1, every 1 card point, every change changes to 1 card point".

When you memorize the rhythm point of the main melody, every 4 changes to 1, every 1 stuck point, which will make the rhythm clearer, and every 1 o'clock, it must be the repetition point or remake point of **, which is also the point that needs to be highlighted by the candidates and the point that increases the highlights. It is the same to the reason that every variation changes 1 card point, and the variation must be the beginning of another short paragraph, and it is a prominent point. In this way, the candidate's movements will look clean and tidy, complement each other, interlock, and the score will be reflected.

1.Basic skills: This is of course very important, and the quality of basic skills will directly reflect the degree of professionalism. The basic skills are related to, personal physical ability, soft opening, ballet specifications, 2Repertoire performance: This will be a focus of the exam, not only the control of the body, the quality of the body, the expressiveness of the body, the inner feeling, the ability to perform, the specifications and norms of the profession.

Examiners can catch it all here. So this can be said to be a key point of the exam.

3.Imitation: It is generally indispensable in the dance professional exam, that is, to look at your body coordination, the ability to observe movements, and capture movements.

Generally, the teacher demonstrates the movement of two 8 rows 3 times. Learn it right away. It is recommended to learn more dance, so that after the coordination of the body is developed, it will not be a problem.

4. Improvisation: A paragraph or a proposition, and then improvisation of a dance based on the content. It's a test of the brain. It is advisable to do some training.

5.Technical skills: Practice one or two fine, particularly good or very creative, very beautiful. This will add you a lot of points.

If you don't do it well, don't take it out and make a fool of yourself!

6.Personal image: A little taller and a little better certainly has an advantage. The temperament of the individual is also important. Of course professional competence is the most important thing, if you are great. The image condition does not affect.

Jumping up should be in line with the ** rhythm, that is, to step on the point!

Needless to say, as long as you have a quick hand.

01 In fact, what I want to say here is that improvisational dance does not have any skills, it just requires that improvisational dancers must have the foundation of dance, as well as the perception of ** and dance, and follow the beat of ** to dance.

02 Many people think that improvisational dancing is different from hip-hop dancing or dancing the beauty gods and demons, here I tell you that an improvisational dancer must be particularly sensitive to **, so that he can dance seamlessly with**. That's the key to improvisational dancing well.

03 Many people do have a certain ability to perceive **, but the foundation of the hall dance they have mastered is very poor, and it is unsatisfactory, especially in the improvisation arena of the competition, your technique is the purity of your soul, and you must pass on what you want to express to the judges through your technique perfectly, and move them, which is the foundation of good dancing.

04 The final point is that art is in life, you must have a certain precipitation, perception of life, you can express what you want to express through your dance, this is the true meaning of your dancing.

Kiss, yes, the self-choreographed children's dance is an improvisational dance. A self-choreographed children's dance can be said to be an improvisational dance, but there are certain rules that can be followed. First of all, the design ideas of children's dance should be interesting, simple and easy to understand, so that children can grasp it. Secondly, the movements of children's dance should be large, repetitive, easy to remember, and should be combined with the characteristics of the child's age, such as the movements should be lively, brisk, and have a certain sense of rhythm; Finally, in the performance process of children's dance, certain improvisational performances can be introduced, such as changing the order of movements, adjusting the time interval of movements, etc., to increase the variability of the dance, so as to better show the vitality and nature of Xunhuai children.

In short, self-choreographed children's dance is a form of dance that can be improvised within certain rules, which can better express children's vitality and nature, and also has strong plasticity.