From the idiom in Romance of the Three Kingdoms .

Updated on culture 2024-02-25
3 answers
  1. Anonymous users2024-02-06

    There are straw boats borrowing arrows, looking at plums to quench thirst, tongue fighting group Confucianism, three visits to the thatched house, happy not to think about Shu, etc., these idioms are all from "Romance of the Three Kingdoms".

    1. Straw Boat Borrowing Arrows: A story from the Battle of Red Cliffs. The borrowing of arrows was deliberately proposed by Zhou Yu (limited to 100,000 arrows in ten days), and the witty Zhuge Liang saw through it at a glance that it was a harmful plan, but calmly said that "it only takes three days".

    Later, with the help of a foggy day, Zhuge Liang took advantage of Cao Cao's suspicious personality to transfer a few grass boats to lure the enemy, and finally borrowed 100,000 arrows to make a miraculous achievement. It is now used as a metaphor for using resourcefulness and relying on the human or financial resources of others to achieve one's own ends.

    2. Wangmei quenches thirst: the original meaning is plum sour, when it comes to plums, you will think of plum sour and salivate, so as to quench thirst. After the metaphor that the wish cannot be fulfilled, comfort yourself with fantasy.

    3, Confucianism: It was originally written that Zhuge Liang went to Soochow alone to persuade the Sun-Wu group to fight against Cao on the eve of the Battle of Chibi. Now it is used to impress the people with great eloquence.

    4. Three visits to the thatched house: This refers to Liu Bei's three visits to the thatched house where Zhuge Liang lived to invite Zhuge Liang to work for it. Now it is used as a metaphor for sincere and repeated invitations.

    5. Happiness and Happiness: This refers to the fact that after the death of Shu Han, the later lord Liu Chan was placed in Luoyang, the capital of Wei, living a luxurious and hedonistic life, feeling very satisfied and not wanting to return to Shuzhong. Now it is used in general to refer to having fun in a new environment and not wanting to go back to the old environment.

  2. Anonymous users2024-02-05

    The idioms from the Romance of the Three Kingdoms are: borrowing arrows from grass boats, passing five levels and killing six generals, looking at plums to quench thirst, tongue fighting group Confucianism, three visits to the thatched house, happy not to think about Shu and so on.

  3. Anonymous users2024-02-04

    The idioms from the Romance of the Three Kingdoms include three visits to the thatched house, tongue battle group Confucianism, straw boat borrowing arrows, looking at plums to quench thirst, fledgling, happy to think about Shu, vain self-esteem, single-handed, etc.

    Romance of the Three Kingdoms:

    The Romance of the Three Kingdoms (also known as "Romance of the Three Kingdoms" and "Popular Romance of the Three Kingdoms") is a long chapter of Huiti Historical Romance created by Luo Guanzhong in the late Yuan Dynasty and early Ming Dynasty according to Chen Shou's "Three Kingdoms" and Pei Songzhi's annotations and folk tales and legends of the Three Kingdoms.

    The Romance of the Three Kingdoms is a processing and re-creation of Luo Guanzhong's processing and recreation on the basis of the Song and Yuan Dynasty scripts, operas and anecdotes about the story of the Three Kingdoms, based on the "Three Kingdoms" written by Chen Shou of the Jin Dynasty and the annotations made by Pei Songzhi of the Southern Song Dynasty for the "Three Kingdoms".

    The Romance of the Three Kingdoms can be roughly divided into five parts: the Yellow Turban Uprising, Dong Zhuo's Rebellion, the Heroes Competing for the Deer, the Three Kingdoms, and the Three Kingdoms Returning to the Jin Dynasty, describing the historical situation of nearly a hundred years from the end of the Eastern Han Dynasty to the early years of the Western Jin Dynasty.

    It reflects the transformation of various social struggles and contradictions in the Three Kingdoms era, summarizes the historical changes of this era, and shapes a group of heroes of the Three Kingdoms. At the end of the Ming Dynasty and the beginning of the Qing Dynasty, Mao Zonggang rectified the "Romance of the Three Kingdoms", revised the rhetoric, and changed the poems, and the version also became the highest level and the most widely circulated version among many versions.

    "Romance of the Three Kingdoms" is the first chapter in the history of Chinese literature, the pioneering work of historical romance, and also a literati novel. Since its inception, there have been countless literary and artistic works based on it. Its influence is so great that it makes the truth of art overshadow the truth of history.

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