How to perform a proposition sketch well? What are the techniques for skit acting?

1) Stay on topic. The first thing candidates should do when conceiving and rehearsing the sketch is to carefully review the questions, conceive according to the extracted propositions, and perform closely to the topics, and do not deviate from the topic. For example, if the candidate draws a scenario question "Park in the Early Morning", he should take the scene of the given proposition as the starting point of the conception, highlight the characteristics of the proposition in the sketch, show that the time is in the "early morning", the place is in the "park", and the plot events conceived in the sketch should also come in the given scene.

And if you draw an event question, such as "catch a plane", the sketch should grasp the requirements provided by the topic to conceive, catch the plane is the main event of the sketch, and should be especially made on the word "catch", closely related to the topic to develop. 3 j2 @1 ^&m6 x1 j( q" i; ?i

2) Connect with reality. Art ** in life, when candidates conceive sketches, they should pay attention to starting from the perspective of life, to find inspiration in life, and the plots and characters conceived must conform to the logic of life. However, candidates should note that although there are many events in life, not all of them are suitable for artistic expression, so when connecting with the reality of life, they should also pay attention to the selection of events in life.

The first is not to choose low-level interesting things in life when choosing events, many candidates like to use some low-level jokes in life as laughing points when conceiving sketches, thinking that this is interesting and can cause laughter, but in fact, this will affect the examiner's impression of you and will make them doubt your aesthetic ability. In addition, when candidates connect with the reality of life, they should not choose trivial and complex pieces of life to show, but should choose events with simple character relationships but typical of life for the sketch display, because the preparation time of the proposition collective sketch is only 30 minutes, and it is often difficult for candidates to arrange too trivial and complex events in a short period of time, and it is difficult to express them with performances. & p$ l- i9 d# z+ t:

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3) Show true feelings. In order to make the sketch infectious, candidates must pay attention to showing their true feelings, although it is said to be a collective performance, but each candidate must start from their own life reality, to experience the emotions in their own lives, and put their emotions in the sketches, so that the work can be emotional, infectious, and can move the audience. In order to make the work more true and confusing, candidates should rehearse and perform based on their own personal experience in life, and find materials and inspiration from their familiar environment and familiar people, such as acting in a play between a mother and a daughter, if you play a daughter, you can experience what your feelings for your mother are from your own life, and if you play a mother, you can also capture the material from your mother in real life, and figure out the role of your mother with your own understanding of your mother in life. Such an experienced performance is a performance with emotional expression, and such a performance with real feelings is also the performance that the examiner wants to see.

First of all, "solving the problem" is the most important, we must review the problem well, understand what the question core is, and firmly grasp the core performance. Secondly, it is necessary to clarify the relationship between the characters and the main contradictions, and avoid playing their own roles on stage, which is easy to mess up. Again, it's about being as committed as possible and emotionally authentic.

This is a specific and systematic teaching that requires performance teachers, and it is necessary to continue to practice in order to better grasp it.

The skills of the sketch performance are: 1. Speak clearly and brightly, use Mandarin as much as possible, and the dialect should be aimed at the dialect audience.

2. Language skills are very important, and the beginning and end, tone, and speed of each sentence must be carefully selected;

3. The performance needs to be cooperated. must be in the role from beginning to end, and you can't relax your expressions and body movements, or steal the scene, and cooperate with each other to be wonderful;

4. Learn to mobilize emotions. Before going on stage, we need to mobilize a bit of tension, and a moderate amount of tension helps us to invest in the performance;

5. If there is a mistake, especially if you forget the word, you must be able to adapt to it;

6. The position should be carefully designed, and different designs should be made for different stages. It is forbidden to appear ** lines and plots on the back stage;

7. The stage performance should be exaggerated, but not particularly excessive;

8. Performances should be spiritual.

1. Explore ways to overcome your nervousness and restore your instincts.

Nervousness and lack of self-confidence are the number one enemies of beginners. Performers should strive to find ways to overcome their nervousness, restore their instincts and establish a sense of belief in their performances, which can be done through various ways, such as using "restoring childlike innocence" as a guide, reducing self-criticism and enhancing the sense of play in sketch performances, and then practicing concentration, practicing getting rid of distracting thoughts, organizing a series of actions, using warm-up methods, etc., the method is to continue to explore in practice, and different people need different methods to achieve, which is also part of "my skills". This is the most important premise of performing sketches, and only by liberating one's own quality can one play a living person.

When I'm nervous, I always try to force myself to focus on how I feel about the situation, how I feel about the opponent, and it works well.

2. Practice more and go on stage more.

On paper, I finally feel shallow, and I never know that this matter must be respectful. Acting is a practical art, many people who have not gone to a specialized art school, can also become an excellent actor, there is a problem of talent here, but it is inseparable from a lot of practice, which is very clearly reflected in the students of the acting school, the first year and the graduation of the performance is very different. What's more, everyone's situation is different, and only with a lot of personal experience can we truly learn to perform.

In addition, performers should participate in as many formal sketch performances as possible, the feeling in the formal performance is absolutely different from the rehearsal, the tension and excitement of the body and mind should be greatly enhanced, and often a formal performance can be improved more than ten rehearsals. Above I have made some of my own very immature elaboration on how to perform stage sketches, I hope that teachers and students will criticize and correct, one thing is certain, everyone can only learn to perform good sketches through a large number of sketch performance exercises and summaries.

1.The pronunciation is clear and powerful, so that the audience can hear what you are saying.

2.Language rhythm, pay attention to the pitch of each sentence, the speed of speech, reconnection, the beginning and end, and figure out how to speak so that the audience can sound comfortable and conform to the plot.

3.Devote yourself to the role, no matter what role you play, you must ensure that you are in the role every minute and every second, do not take out of the play or steal the scene, and focus on the effect of the show.

4.Carefully design the positioning, according to the different stages of the careful design of different positions, to avoid the appearance of the stage and other discomfort to the audience.

5.The performance should be appropriately exaggerated, but not overdone.

6.The most important thing is to keep rehearsing, polishing the script, adjusting or innovating the background, soundtrack, etc.

There are many techniques in the sketch performance. For example, the emotional problems in the performance, the change of expression must change with the change of mood, as the characters are integrated into the plot, the skills of revealing the true feelings are very important, the beginning and end of each sentence, the tone, and the speed of speech must be carefully picked, and how to speak can make the audience listen comfortably and meet the needs of the plot, so that the audience can resonate and be recognized by the audience.

What are the techniques for skit acting? You must speak clearly, so that the audience can hear what you are talking about, otherwise there will be no story to promote and jokes to set off. The skills of language are very crucial, and the beginning and end, tone, and speed of each sentence must be carefully selected, and how to speak can make the audience listen comfortably and meet the needs of the plot.

Acting is a kind of coordination. You have to be in the role every minute and every second from beginning to end, and you can't relax your expressions and body movements just because you don't have a prominent role. Every little oversight on the stage can affect the overall effect.

You can't steal the show too much. In short, it's all about the effect of the show. Learn to mobilize your emotions.

Before going on stage, you should adjust your emotions and mobilize some tension, but you should not be too nervous.

1) Shake off the burden of use.

As an important part of the cross talk performance technique, shaking the burden is now widely used in many comedy sketches, which are based on foreshadowing in advance to create a unique comedic effect, which can attract the audience's attention at the beginning, and at the same time give people a sense of sudden enlightenment.

2) The use of exaggeration.

Among the many cross talk techniques, exaggeration is the most common performance technique. At the same time, this kind of performance technique meets the substantive requirements of cross talk performances, and is also used in comedy sketches, in Zhu Shimao and Chen Peisi's "The King and the Postman" There is an obvious exaggerated usage, the performance of this classic drama sketch must show the theme of the comedy sketch through exaggerated techniques, and after careful **, you can often understand the social philosophical implications, and at the same time gain life insights while laughing with tears.

3) The use of children and mothers.

Zimu is an important performance skill in stand-up comedy, for teasing and praise, there are certain similarities between the characters in the actual cross talk performance, and the two can enter the organization of the ** section by arguing with each other.

The biggest skill of sketch performance is that the actors need to cooperate with each other. Because every minute and every second of the plot from beginning to end you have to be in the role, you can't relax your expressions and body movements or steal the scene because you don't have a prominent role, which is not advisable, and the performance can't do without that role, and you can only be wonderful if you cooperate with each other. The emotional problems in the performance should also be controlled, the change of expression must follow the change of emotion, as the characters are integrated into the plot, the skills of true love and language are very critical, the beginning and end of each sentence, the tone, and the speed of speech must be carefully picked, and how to speak can make the audience listen comfortably, and meet the needs of the plot, you must interpret yourself as if in life, in order to be able to show the content of the sketch to the fullest, reflecting its sense of humor, can make the audience very enjoyable!

What are the techniques for skit acting? Emotional issues in performance. Facial expressions must change with emotions.

As the characters are integrated into the plot. The true feelings are revealed, the skill of the language is very crucial, the beginning and end of each sentence, and the tone. The number of words must be carefully picked, and how to speak can make the audience listen comfortably and meet the needs of the plot.