Which four calligraphers of the Song Dynasty refer to?

The four great calligraphers of the Song Dynasty refer to Su Shi.

Huang Tingjian, Mi Fu.

Cai Xiang. In the history of calligraphy, when it comes to calligraphy in the Song Dynasty, it is known as the four great calligraphers of "Su, Huang, Mi and Cai". The four of them are considered typical representatives of the Song Dynasty calligraphy style.

Song four", the first three refer to Su Shi (Dongpo), Huang Tingjian (Fu Weng) and Mi Fu (Xiangyang Manshi). From the perspective of calligraphy style, Su Shi is plump and innocent; Huang Tingjian is vertical and horizontal, and he is depressed; Mi Fu handsome and bold, calm and happy. They are all good at learning from the ancients and full of innovative spirit, and their style of writing is unique, and they are highly respected by the people of the time, and they are listed in the four schools, and there is no objection to them.

It is generally believed that the so-called Cai refers to Cai Xiang (Jun Mo), whose calligraphy is taken from the Jin and Tang Dynasties, and pays attention to the ancient meaning and law. But some people think it's Cai Jing.

Exactly who it refers to has always been controversial.

<>1, respectively, Su Shi, Huang Tingjian, Mi Fu, Cai Xiang, these four people in calligraphy attainments are relatively high, so the poet will call them the Song Dynasty calligraphy hail law four masters.

2. Of course, everyone is self-contained in calligraphy, not only to learn the calligraphy characteristics of the ancients, but also good at innovation, it can be said that they are self-contained, so the world's statement to them is highly respected, and it is merged into four masters.

3. However, among these four people, some people think that Cai Xiang refers to them, but some people raise objections, thinking that it should be Cai Jing, and it has been controversial as to who the last one refers to. In short, the artistic achievements of calligraphy in the Song Dynasty are still relatively high, and it is also a bend song in the history of Chinese calligraphy, which has an extremely important position.

1. They are Su Shi, Huang Tingjian, Mi Fu, Cai Xiang, these four people are relatively high in calligraphy, so the poet will call them the four masters of calligraphy in the Song Dynasty.

2. Of course, everyone is self-contained in calligraphy, not only to learn the calligraphy characteristics of the ancients, but also to be good at innovation, which can be said to be self-contained, so the world's statement to them is highly respected, and it is merged into four masters.

3. However, among these four people, among them, Cai, some people think that it refers to Cai Xiang, but some people in Duan Yuqi have raised objections, and it should be Cai Jing who is referring to the last one, and it has been controversial until now. In short, the artistic achievements of calligraphy in the Song Dynasty are still relatively high, and it also has an extremely important position in the history of Chinese calligraphy.

The calligraphers of the Song Dynasty were Su Shi, Huang Tingjian, Mi Fu and Cai Xiang.

The four masters of the Song Dynasty are Su Shi, Huang Tingjian, Mi Fu, and Cai Xiang. They have very different styles and characteristics, and they have always been respected by people.

1, Su Shi

Su Shi's calligraphy draws nourishment from the "two kings", Yan Zhenqing, Liu Gongquan, Chu Suiliang, Xu Hao, Li Beihai, and Yang Ningshi, and strives to innovate on the basis of inheriting the tradition. He is good at writing and regular script, and his penmanship is full of flesh and bones, ups and downs are natural, giving people the artistic beauty of "the air of the sea and the waves" and "the shape of the strange stone of Gucha". Su Shi's calligraphy has been highly praised by later generations.

Su Shi (1037-1101), the word Zizhan, the number of Dongpo layman, was a native of Meishan, Sichuan. Famous writer, calligrapher and painter of the Northern Song Dynasty. Poetry is open and bold, and it is one of the eight masters of the Tang and Song dynasties.

He and his father Su Xun and younger brother Su Zhe are famous for their poetry and writing"Three Sus"。Delicate.

2, Huang Tingjian

Huang Tingjian: Under the influence of his grandfather Huang Xiang, Huang Tingjian has been fond of calligraphy since he was a child. He is good at calligraphy and cursive writing, and regular script is also a family of his own.

Xueshu especially admires Wang Xizhi's "Orchid Pavilion Preface". He has a poem praising Yang Ning's style, which can show his deep experience of the practice of "Orchid Pavilion Preface": "The world has learned the Lanting Noodles, and wants to exchange for mortal bones without gold pills."

Who knows Luoyang Yang Fengzi, the next pen will go to the black silk column. This cannot be done without his deep understanding of Wang Jinhuxi's calligraphy learning.

3, Mi Fu

Mi Fu calligraphy is the deepest, the achievement of the book is the largest. Since the Southern Song Dynasty, most of the famous collection posts, most of them engraved their law books, widely circulated, far-reaching influence, in the "Northern Song Dynasty four great calligraphers", can really be the first to destroy the tomb. Kang Youwei once said:

Tang Yan structure, Song Shang interest. It means that the calligraphers of the Song Dynasty pay attention to interest and personality, and Mi Fu is particularly prominent in this regard.

4, Cai Xiang

Cai Xiang specializes in block letters, line script, and cursive script. Its calligraphy is dignified and dignified, simple and graceful, and self-contained. Rolling Cai Xiang's calligraphy, I suddenly felt a wisp of spring breeze blowing on my face, full of beautiful and gentle atmosphere.

Cai Xiang's calligraphy was highly respected by the people of the time during his lifetime, and he was highly prestigious, and the people who most admired his calligraphy were Su Shi and Ouyang Xiu.

Su Shi, Huang Tingjian leaked noise, Mi Fu, Cai Xiang.

1, Su Shi, the word Zizhan, the number Dongpo layman, a native of Meishan, Sichuan. Famous writer, calligrapher and painter of the Northern Song Dynasty. Poetry is open and bold, and it is one of the eight masters of the Tang and Song dynasties. He and his father Su Xun and his younger brother Su Zhe are famous for their poetry and writing, and they are known as "Three Sus".

2, Huang Tingjian, the word Luzhi, the number of the valley Taoist, later generations called him the Yellow Valley, the late name Fu Weng, Hongzhou Fenning (now Jiangxi Xiushui) people. Northern Song Dynasty poet and calligrapher. Yingzong Zhiping four years jinshi.

3, Mi Fu, the word Yuan Zhang, Xiangyang Manshi, Haiyue Waishi, Lumen Jushi. His ancestral home was in Taiyuan, and he later settled in Zhenjiang, Jiangsu. Mi Fu can poetry, good at painting and calligraphy, fine identification, set calligraphers and painters, connoisseurs, collectors in one, he is second to none in the "Song four".

His style is loose and unrestrained, and it is stricter than the law.

4, Cai Xiang, the word Junmo, Xinghua people. Tiansheng eight years of Jinshi, has served in the Song Dynasty **** pavilion survey, Zhizhi Yuan, Zhishi Museum, Zhi Zhi Hui, Longtu Pavilion straight bachelor, Privy Council direct bachelor, Hanlin bachelor, three envoys, Duanming Hall bachelor, etc., and served as Fujian Road transfer envoy and Hangzhou government affairs.

Song Sijia "achievements are mainly reflected in the line of books, in addition to Kai, grass two bodies, Mi Fu has a small number of seals, official books, but not commendable. As far as regular script is concerned, Cai Xiang is the first among the "Four Song Families". Its face is more like Yan Zhenqing, infiltrating a lot of literati popularity, and there is no victory over Tang Zhengda.

As far as cursive writing is concerned, the most accomplished of the "Four Song Families" is none other than Huang Tingjian. Su Shi, Mi Fu contempt Bo Zhang Xu, Huai Su for the "calligraphy", that they regard calligraphy as a career, contrary to the purpose of calligraphy to entertain themselves and others, lost the elegance of the wind under the forest, and "like the city prostitute smeared red". Su Shi cursive is extremely rare, Mi Fu cursive number is also very small, the lines are thin and smooth, the confidence in the creation of the book is swept away.