Seeking color knowledge and the shaping of a single still life!

How to draw clay pots and vases.

Clay pots and vases are very common in color exams over the years. However, the common subject matter is not easy to express, especially in the form of silent painting. Before we draw silently, we should first understand the characteristics of this type of subject:

The shape is rough and heavy, and the color is subtle and steady.

Their texture can be divided into two types: glazed (e.g., vase) and unglazed (e.g., clay pot). The glazed surface is shiny, reflective, bright and obvious, and the color should be saturated and heavy when performing; The unglazed surface is rougher, the reflection is weaker, there is no obvious highlight, and the color can be appropriately dry and dignified. In the college entrance examination, most of the dark clay pots are silently painted, which is the weakness of many candidates, which is embodied in the following aspects:

First, in terms of color.

First of all, it is easy to paint dark clay pots with "powder". The main reason is that some candidates do not have enough understanding of the brightness of dark clay pots, and in the process of silent painting, too much white is added to the gray part, bright part and even reflective part. In order to solve such problems, the use of white should be controlled in the process of silent painting, and the saturation of color should be maintained, and the characteristics of dark clay pots from the light part to the dark part should be clarified.

This method is also suitable for depicting some opaque dark objects. The dark part of the dark clay pot is generally not suitable for adding white, if the gray part and the bright part are added to the white part in the process of paving, then the original color should be kept as much as possible in the in-depth process, and it should not be modified repeatedly.

Secondly, it is easy to paint dark clay pots silently as "dirty" and "gray". The main reason is that some candidates do not have an accurate grasp of the basic color of dark clay pots. The main reason for the occurrence of "gray" and "dirty" is that there are too many types and too many miscellaneous colors in color harmony, resulting in unclear color tendency and weakened chromaticity.

To solve such problems, full attention should be paid to the inherent color of the clay pot in the process of silent painting. When blending colors, the proportion and type of similar colors can be arbitrary; Be cautious between adjacent colors; The mixing between contrasting colors should pay attention to the proportional configuration between them, and the types of mixing should not be many, generally not more than four. In the specific color matching process, the dark part of the dark clay pot and the gray part of the color should be dominated by the dark color of the color palette.

For example, when painting dark brown clay pots, ripe brown, dark red and plain blue are the main ones, supplemented by earth red, ochre, dark green, olive green and cobalt blue.

Finally, there are some candidates who tend to paint dark clay pots as if they are burnt. This is mainly due to the excessive use of high-purity colors, especially the use of too much pure earth red and ochre, which generally appear in the gray and bright parts of the clay pot. To avoid these problems, add the right amount of cool or warm colors to the solid colors to reduce their purity.

If you can draw a portrait well, you can understand it when you look at a still life.

The characteristics of a still life with low color purity are:

The color is elegant, the tendency is weak, and the relationship between light and dark changes is highlighted by high-brightness contrast.

What is Color Purity:

Color purity refers to the percentage of primary colors in a color. Purity is used to express the shades and shades of color. Purity is the criterion for judging the vividness of colors such as dark and light colors.

The purest color is the primary color, and as the purity decreases, the color fades. When the purity is minimized, it loses its hue and becomes colorless, i.e., black, white, and gray. In the color system, chroma or saturation is often expressed, and the purity of black and white can be called grayscale.

Purity means:

Purity refers to how vivid a color is, and it depends on the singularity of the wavelength of a color. The colors that we can recognize with a sense of hue have a certain degree of vividness, such as green, when it is mixed with white, although it still has the special banquet sign of the green phase, its vividness is reduced, and the brightness is improved, and it becomes pale green; When it mixes in with black, the vividness decreases, and the brightness becomes darker, becoming a dark green.

Different hues are not only unequal in brightness, but also unequal in purity, for example, the purest color is red, and yellow is also more pure, but green is different, and its purity is almost half that of red. In the range of colors that can be felt in human vision, most of them are non-high-purity colors, that is, a large number of gray-containing colors, and with the change of purity, the colors appear extremely rich.

Both intrinsic and ambient colors are important.

Only the intrinsic color can only mean that it is not color blindness, and the plain relationship is okay.

However, the ambient color illustrates the ability to control the overall picture of the old color.

Summary. Hello dear, glad to answer for you. Several primary and secondary relationships in the process of color still life painting:

1) Dark first and then shallow: Generally, painting starts with the dark side or dark color of the main object, and then paints the gray side and bright side, so that the colors are easy to compare;

2) Thin first and then thick: spread the big tone, the color should be thin, similar to watercolor painting, in this way, you can paint faster, it is not only inaccurate, but also easy to modify, dark painting is thinner, easy to express the space;

3) First simple and then rich: start to spread the color tone, mainly grasp the basic hue, the variety of color palette is not many, to summarize, and then through multi-layer in-depth depiction, so that the tone is gradually rich and subtle;

4) First big and then small: first draw the color block or the hue of the main object that has a large impact on the hue, or you can first paint the thing with a bright sense of color, grasp the large color block, and use this as the standard, and draw other parts of the color by comparison;

5) Color before shape: Don't be cautious at the beginning because of the constraints of shape, you should boldly rely on the first impression, quickly pave out a large color impression, and take into account the shape and color with the deepening of the painting, and the main and secondary are clear.

If the object is not copied, if the light in the examination room is scattered, the main light can be appropriately strengthened to weaken the reflection; If the angle is not favorable to the composition, the position can be appropriately moved, and if there is no room for movement, the position of individual still life objects can be appropriately changed from the perspective of composition.

This paper discusses what kind of picture relationships should be taken into account in the process of sketching color still life.

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Hello dear, glad to answer for you. Several relationships in the process of color still life painting: 1) first deep and then shallow:

Generally, painting starts with the dark side or dark side of the subject, and then paints the gray side and the bright side, so that the colors are easy to compare; 2) Thin first and then thick: spread the big tone, the color should be thin, similar to watercolor painting, in this way, you can paint faster, it is not only inaccurate, but also easy to modify, dark painting is thinner, easy to express the space; (3) First simple and then rich: start to widen and spread the big tone, mainly grasp the basic hue, the variety of color mixing is not many, to summarize, and then through the in-depth portrayal of multiple layers, so that the tone is gradually rich and subtle; (4) First big and then late to small:

First draw the color block or the hue of the subject object that has a great impact on the hue, or you can first paint the thing with a bright sense of color, grasp the large color block, and use this as the standard, and draw other parts of the color by comparison; (5) color before the shape: do not be cautious at the beginning because of the constraints of the shape, should be bold with the first impression, quickly pave out a large color impression, with the deepening of the painting, take into account the shape and color, the main and secondary clearly do not copy the object, such as the examination room light scattered, you can appropriately strengthen the main god Dan bright light, weaken the reflection; If the angle is not favorable to the composition, the position can be appropriately moved, and if there is no room for movement, the position of individual still life objects can be appropriately changed from the perspective of composition.

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Landscape sketching is the choice of scenery and what relationship should be there.

Dear, when painting landscapes, you must have a positive one. Side. Above.

Under. When framing, the key scenery should be taken, and when the picture is expressed, the first feeling will attract the audience, and the shouting fight will arrange the entire department of the picture to make people feel comfortable with filial piety and dust, and there should be a beautiful scene.

Summary. Please wait patiently for 3 minutes, we are sorting out, and we will answer you immediately, and please do not end the consultation.

This paper discusses what kind of picture relationships should be taken into account in the process of sketching color still life.

Please wait patiently for 3 minutes, we are sorting out, and we will answer you immediately, and please do not end the consultation.

The composition is complete, harmonious, and composed. The composition of still life sketching is to establish a banner or vertical picture according to the perspective of the specific object and the painter, and after determining the composition, the outline structure is outlined with brown lines, which requires the proportion, the perspective of the split branches, and the transformation of the shape and structure to be accurate and sensitive, and according to the priority and strength of the object, it briefly summarizes the depth of the conversation, and the relationship between the virtual and the real.

Appreciation: "Sunrise Impression" is an impressionist painting painted by Claude Monet. In the second half of the 19th century, the principles of optics changed the painters' concept of intrinsic color, and they began to explore light and color in art.

In fact, at that time, people did not accept "Impressionism" as an art school, and Claude Monet's oil painting "Sunrise Impression" was ridiculed by a journalist: "This work is very rough, too casual, it is completely scribbled by impressions, and others echo that these painters are all "impressionists".

Unexpectedly, these sarcastic words instead fulfilled these painters, and "Impressionism" was born. In the seventies and eighties of the nineteenth century, Impressionism reached its heyday, and its influence spread throughout Europe and gradually spread to all parts of the world, but it achieved its most brilliant artistic achievements in France.

From the second half of the 19th century to the beginning of the 20th century, a large number of Impressionist artists emerged in France, who produced a large number of classic masterpieces that are still familiar today. Sunrise Impression is a 1873 sketch by Monet at the port of Havre. It depicts the sunrise over the port of Havre through the mist.