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Li Qingzhao's early style of writing was more about national feelings, but later because of her and her husband, they were separated from each other, often missing each other, and had melancholy feelings, so the style of words slowly turned to a miserable and poignant poetry school.
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Li Qingzhao's change in style of words is related to his own life experience, the first change is because he loves his husband very much, from a carefree girl to a happy marriage, and the second change is because his husband died, leaving him alone, lonely.
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The language of her poems in the early stage is fresh and natural, occasionally a little sad and embellished, and the tone of the later words is mainly sad and miserable, with a sense of heaviness; The reason why Li Qingzhao's style of words has changed is because of the change in her own life circumstances, and her mental journey has changed after experiencing the ruin of the country, the death of her family and the disaster of prison.
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I think it has something to do with the death of her husband, the fall of the Northern Song Dynasty, and the southern crossing of the dynasty. After all, she used to be the daughter of a rich family and a scholarly family, but the demise of recitation and the death of her husband, coupled with the desolation of her later years, led to some changes in her life and life, so the style of words changed.
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The flourishing of Song poetry is classical Chinese poetry.
Another literary peak in history after Tang poetry. Li Qingzhao.
She is a Song Dynasty woman, and her early and late words have obvious differences in content and style. Every dynasty has its rise and fall, in the Song Dynasty, it was not the king, but the words, even ordinary women have seen the wind and rain, and they know all kinds of customs, no matter how many grievances and feelings can be relieved in the poem. Li Qingzhao's tortuous life has experienced the process of the Song Dynasty from prosperity to decline.
When Li Qingzhao was young, her writing was fresh, lively, and vivid, like a new branch in March. After marriage, the style of words is charming, bright and fresh, such as green lotus.
The fragrance is fine; Late at night, the wind is miserable, thick and difficult to send, like a cold lake.
Autumn water, cold and miserable. Li Qingzhao's girls like to drink, watch the rain and slanting wind when they are drunk, and they also like to take a boat to pick lotus, so they have this song "Chang Ji Xiting Dusk, drunk and don't know the circuit". After returning to the ship at the end of the night, they got lost in the depths of the lotus root, quarreling over the ferry, arguing over the ferry, alarming a shoal of seagulls.
Like most girls, Li Qingzhao's early words were simple and fresh, and she liked softness. In every dynasty, there are miraculous women who are respected by later generations and go down in history, but Li Qingzhao likes to leave an eternal voice in different environments and express his feelings with poetry. When Li Qingzhao was a little girl, her words expressed her happiness and love.
She drank a jug of wine, looked at the scenery of the world, and wrote down her feelings. At this time, her writing was mostly natural landscapes, and she did not see the desolation of autumn, nor the haggard sorrow.
<> Li Qingzhao's later words are mostly desolate, sad and angry, and melancholy, Li Qingzhao experienced the separation and union with her husband, and witnessed the fall of the Song Dynasty at the same time, and her heart was sad, so she wrote "Dori Xu Baiju" with chrysanthemum lyric poems: "The house is very cold, and the night curtain is long and low. Hate the cold wind, the ruthless wind and rain, and rub the muscles at night.
The popularity is good, why do you need to remember, Zefan Dongli.
Chrysanthemums are ruthlessly ravaged by wind and rain, destroyed in the dark night, and no one can pity love. Warm and cold, but there is no need to be more nostalgic, just like the Tang Dynasty in the Song Dynasty, swaying.
In the turbulent dynasties of ancient times, Li Qingzhao faced the turmoil of the imperial court and the transformation of his family, and the style of words also changed greatly. The word is still sad, but it has a more bold and melancholy wind. Li Qingzhao faced her husband's betrayal, and her words were a little more sad.
So I wrote "Reminiscing Xiao in Phoenix Terrace": the fragrance was cold and the golden light was cold, and the hair was brushed by the waves dyed red. Dowry.
Idle bag cover, curtain hook. Because of the bitterness of being afraid of leaving, there are many things I want to say. New thin, no dry wine, no sad autumn. They. This back also, a thousand times the sun.
That is, it is difficult to stay. Read Wuling.
People are far away, and the smoke locks the Qin Tower. Only flowing water in front of the building, should remember me, staring all day long. Gaze, from now on add a new sorrow.
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Li Qingzhao's early works are very delicate and tactful, and the style of his later works is particularly desolate and poignant; The difference between the early and late stages is that the early stage is particularly delicate, and the later stage is particularly bleak.
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Li Qingzhao's words in the early stage are more leisurely and elegant, while some words in the later period are more bleak; There is a big difference in the style of words between the early and late periods, and I feel that there is a big gap in mood.
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The style of words in the early stage is beautiful and gorgeous, while the style of words in the later period becomes more melancholy and sad. Mainly because her life has changed a lot.
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Li Qingzhao. The change in the style of the words in the early and late periods is that Li Qingzhao's early lyrics mainly describe the themes of sad spring grievances and boudoir life, showing the passionate and sentimental personality of the female lyricist. Such as:"Like a Dream Order".Describe the feelings of cherishing spring and pity flowers. Therefore, her words in the later period of the bridge period changed from the beautiful and bright style of her early years, and were full of desolate and low voices, mainly expressing the feelings of nostalgia and nostalgia for the past when she was sad.
Li Qingzhao's early life was relatively carefree, she was born in a scholarly family, and her early life was prosperous, and her father Li Gefei.
She had a rich collection of books, and she laid a foundation for literature in a good family environment when she was a child. After getting married, she was married to her husband Zhao Mingcheng.
Jointly committed to the collection and sorting of calligraphy and painting gold and stone.
Li Qingzhao introduced
After the southern crossing, the political situation changed, the world was unpredictable, the party struggle in the imperial court became more and more intense, and Li Gefei's crime of "Yuanyou party" was actually connected to Li Qingzhao. Li Qingzhao and Zhao Mingcheng, the originally loving couple, are not only in danger of being separated, but also have a huge Bianjing.
There was no place for Li Qingzhao to stand, so he had to leave Beijing alone and return to his hometown to join his family who was repatriated first.
The lovesick goodbye she made because of Zhao Mingcheng's outing is even more affectionate and unique. Such as "Drunken Flower Yin".
When describing the female lyricist during the festive season and Chongyang, she felt lonely, so she used yellow flowers as a metaphor.
The mist is thick and the clouds are sad for eternity, and the brain is a gold beast. The festive season is chongyang, the jade pillow yarn kitchen, the middle of the night is cool and the beginning is penetrating. After dusk, there is a dark fragrance on the sleeves. Mo Dao does not kill the soul, the curtain is swept by the west wind, and people are thinner than yellow flowers.
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Li Qingzhao's early style of words is beautiful and elegant, Li Qingzhao's early stage mainly refers to her in the period after the girl and marriage, and some of her words that express the girl's mood are more obvious to show the style of this period with big colors, cheerful and happy, and occasionally embellished with sorrow.
Li Qingzhao's early "Boudoir Words", through the description of nature and the mood of the characters, grasped the small things rich in life characteristics, and strived to portray the mood and inner world of the characters. She and Zhao Mingcheng tempered each other, and created words and jokes, and her skills became more and more mature.
Li Qingzhao is a lyricist of the graceful school. Li Qingzhao, as a cultural woman in feudal society, she is not like everyone who is beautiful and small, and Jasper locks herself in the boudoir embroidery building to spend her youth, but extends her sense of touch to the broad society, faces the society, and relies on her keen and delicate observation and profound and exquisite artistic attainments, and uses literary language to reflect the upper class society, ethnic relations and class contradictions in the Song Dynasty. The spiritual world of a woman with a passionate love for her country. Since Li Qingzhao is a female lyricist, her words naturally have not been able to get rid of the spirit of the boudoir, but this must not be regarded as the same "boudoir words". >>>More
Drunken Huayin Li Qingzhao.
The mist is thick and the clouds are sad for eternity, and the brain is a gold beast. The festival is chongyang, the jade pillow yarn cupboard, the middle of the night is cool and the beginning is penetrated. >>>More
Date]: Song.
Author]: Li Qingzhao - "Huanxi Sha". >>>More
Li Qingzhao was remembered because of the song "Slow Voice". It is a kind of bleak beauty, especially the sentence "looking for and seeking, cold and lonely, miserable and miserable", which has simply become her personal exclusive brand, brilliant in literary history, unprecedented, and no one dares to reach it. As a result, she became the embodiment of sorrow. >>>More
Australopithecus --- early ape-man--- late ape-early sapiens - late sapiens - modern man.