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Dongpo Cloud: There are paintings in the poems, and there are poems in the paintings.
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Wang Wei's poems are generally based on pastoral style, which is characterized by the lofty artistic conception of landscape idyll, light and quiet; There are also some side poems, which are bright and beautiful, heroic and majestic; There are also some poems for friends, which are subtle and subtle, deep and sincere. The poet Wang Wei consciously or unconsciously integrates his own personality and temperament, unique aesthetic experience and aesthetic philosophy into his poetic imagery, constructing a quiet and ethereal artistic conception. In this artistic conception, there is a unique epiphany and rational thinking.
It gives people emotional, aesthetic and philosophical pleasure, and everyone loves him and his poetry.
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Wang Wei, a famous poet of the Tang Dynasty, actually has more than 400 poems, and Meng Haoran is collectively called "Wang Meng". The main features of his poems are as follows:
First, the landscape is idyllic, the artistic conception is lofty, light and quiet.
Second, the poems are bright and beautiful, heroic and majestic.
Third, the poems given to friends are tactful and subtle, deep and sincere.
Wang Wei is known as the "Buddha of Poetry", and Su Shi commented on him: taste the poems of the Maha Jie, there are paintings in the poems, observe the paintings of the Confession, and there are poems in the paintings.
Wang Wei's mastery of Buddhism was greatly influenced by Zen Buddhism, and Buddhism has a "Vima Sutra", which is the origin of Wang Wei's name and character.
Wang Weishi's calligraphy and painting are very famous, versatile, and very proficient.
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With a fresh and distant, natural and refined style, it creates an artistic conception of "painting in poetry, poetry in painting" and "Zen in poetry".
1) Poetry is like a picture scroll, beautiful Su Shi once said: "The poems of the taste of the Maha Jie, there are paintings in the poems, and the paintings of the observation are the poems in the paintings" ("Dongpo Zhilin"). Wang Wei is versatile, he brings the essence of painting into the world of poetry, and uses spiritual language and wonderful brushstrokes to depict us a romantic, ethereal, or distant expressive work.
His landscape poems are about coloring, such as "Flying egrets in desert paddy fields, yellow orioles in the yin summer wood" ("Cumulus Rim Chuanzhuang") "In the rain, the blue and green can be dyed, and there are flying flowers on the water. "(Rim River Farewell") "Outside the white water and Ming Tian, after the Bifeng comes out of the mountain" ("New Qing Ye Wang").
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Wang Wei Shen Zen enlightenment, learn Zhuang Xindao, proficient in poetry, calligraphy, painting, **, etc., with the name of poetry in Kaiyuan, Tianbao, especially long five words, many landscapes and pastorals, and Meng Haoran together called "Wang Meng", known as "Poetry Buddha". The calligraphy and painting are particularly exquisite, and later generations recommend it as the ancestor of Nanzong landscape painting. Su Shi commented on it:
The poems of the taste of Maha, there are paintings in the poems; Looking at the painting, there is poetry in the painting. There are more than 400 poems, and the representative poems include "Acacia", "Autumn Dusk in the Mountain House" and so on. He is the author of "Wang Youcheng Collection" and "The Secret of Painting".
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Wang Weigui is naïve and natural.
Reading Wang Wei's poems, I feel that I have never hidden them, there are relatively few dictionaries, and there are relatively few rare words. This is very different from Li Bai and Su Shi. Although the two of them also have some poems that are easy to understand, most of them must be read with annotations, otherwise it is difficult to obtain their true meaning.
And Wang Wei doesn't.
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Wang Wei is a poet of the Tang Dynasty, the main representative works are idyllic poems, his poems are called, poetry and painting are a must, as the so-called poems have paintings, and there are poems in paintings.
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Wang Wei is one of the important representatives of the Chinese landscape idyll, which not only inherited and developed the tradition of writing landscape poetry pioneered by Xie Lingyun, but also absorbed the plain and mellow beauty of Tao Yuanming's idyll, and then pushed the landscape idyll to a new height, so it occupies a very important position in the development of Chinese poetry.
Most of Wang Wei's landscape poems were written in the later period, and compared with his predecessors, he expanded the content of such poems, added its artistic style, and made the achievements of landscape poetry reach an unprecedented height, which is his outstanding contribution to classical Chinese poetry. Wang Wei's poems were famous during his lifetime and in later generations. The poems of Liu Changqing in the Tang Dynasty, the Ten Talents of the Great Calendar, and even Yao He, Jia Dao and others were all influenced by Wang Wei to varying degrees.
Until the Qing Dynasty, Wang Shizhen's charm said that in fact, Wang Weishi was also the ancestor.
Wang Wei's poems, often in the form of five rules and five uniques, are short, the language is exquisite, and the syllables are relatively soothing, which are particularly suitable for expressing the quiet landscape and the poet's comfortable mood. People often use the phrase "there are paintings in poems" to comment on Wang Wei's poems, which indeed summarizes the artistic characteristics of Wang Wei's poems. Wang Wei's landscape idylls are numerous, and most of them have the characteristics of this poetic and pictorial fusion.
The so-called "painting in poetry" refers to a high degree of imagery, that is, using language to depict a picture of life that seems to be seen and touched.
**Encyclopedia.
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Wang wei. (Chinese Tang Dynasty poet and painter).
Wang Wei (701-761), the word Maha, the name Maha. He was born in Puzhou, Hedong (now Yongji, Shanxi), and his ancestral home was Qi County, Shanxi. Tang Dynasty poet and painter.
Wang Wei was born in the Wang clan of Hedong, and was promoted to the Shidi in the ninth year of the Kaiyuan Dynasty (721) of Xuanzong of the Tang Dynasty, and was Taile Cheng. The right of the officials has picked up the remains, supervised the imperial history, and made the judge of the Hexi Festival. During the Tianbao period, the worship of the Ministry of Langzhong and the matter were in the middle of the matter.
When An Lushan captured Chang'an, he was forced to accept a false position. After Chang'an was recovered, he was appointed as the crown prince. During the first year of Tang Su Zongqian, he was appointed as Shangshu Youcheng, known as "Wang Youcheng".
Wang Weishen Zen enlightenment, proficient in poetry, calligraphy, painting, **, etc., with the name of poetry in Kaiyuan, Tianbao, especially long five words, more Yong landscape pastoral, and Meng Haoran together called "Wang Meng", because of the sincerity of the Buddha, there is a "poetry Buddha" said. The calligraphy and painting are particularly exquisite, and later generations recommend it as the ancestor of Nanzong landscape painting. He is the author of "Wang Youcheng Collection" and "The Secret of Painting", and has about 400 poems.
Su Shi of the Northern Song Dynasty commented on the clouds: "The poems of the taste of Maha, there are paintings in the poems; Looking at the painting, there is poetry in the painting. ”
Wang Wei's most famous painting is "Rim River", and the only surviving copy of this work is the original work, and the original has been lost. "Rim River" depicts a pavilion in the midst of a beautiful landscape, in which the figures are extremely chic, swimming in the mountains and rivers with wine glasses, and their expressions are proud. Wang Wei integrated his thoughts and feelings into the creation of the entire painting works, showing a unique literati atmosphere, which had a profound impact on ancient Chinese literati painting.
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In addition to "Rim River", "Snow Creek" is also one of Wang Wei's important works, and it is considered to be the work that best reflects Wang Wei's poetic painting style. As with the Rim River, the original of this work has been lost, and what remains is a copy. In the painting on the left, there are thatched huts, small bridges, trees, and even temples hidden through the cracks in the jungle of trees.
The uniqueness of "Snow Creek" is that it not only depicts the ethereal feeling in the painting, but also the breath of life on the paper. In this painting, the viewer can not only wash away the impetuousness in their hearts, but also experience the style and atmosphere of that era.
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Wang Wei also has a very interesting work, that is, the figure "Fu Sheng Sutra Diagram". On this painting paper, Fu Sheng is the only one who is preserving a copy of the Confucian Book of Shang. The content of this painting has a lot to do with the social history of the time, and it is based on the background of Qin Shi Huang's order to burn books and pit Confucianism.
Although the whole picture is not rich in color, the whole character is vividly outlined with lines.
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Wang Wei wrote more than 400 poems in his lifetime, including "Wang Youcheng Collection" and so on.
1, "Autumn Twilight in the Mountain House".
After the new rain in the empty mountains, the weather is late in autumn. The bright moon shines among the pines, and the clear spring stone is upstream. The bamboo noise returns to the Huannu, and the lotus moves the fishing boat. Feel free to rest in spring, and the kings and grandchildren can stay.
2, "Sending Yuan Er Envoy Anxi".
Weicheng is light and dusty towards the rain, and the guest house is green and willow-colored. Persuade you to have a glass of wine, and there is no reason to go out of Yangguan in the west.
3, "September 9th Memories of Shandong Brothers".
Alone in a foreign land as a stranger, every festival is full of relatives. The remote knowledge brothers ascended to the heights, and there was one less person in the dogwood.
4, "Make it to the Plug".
The bicycle wants to ask the side, and the subject country lives extends. Zheng Peng out of Hanse, return to the wild goose into Hu Tian. The desert is lonely, and the sun sets over the long river. Xiao Guan waited to ride, and he was all protected by Yan Ran.
5, "Birdsong Stream".
People are idle and osmanthus falls, and the night is quiet and the spring mountain is empty. The moonrise frightens the mountain birds, and the spring stream sings.
6, "Luchai".
There is no one in the empty mountain, but there is a sound of people's voices. Return to the deep forest, and revisit the moss.
7, "Bamboo Pavilion".
Sitting alone in the secluded grate, playing the piano and howling. People in the deep forest don't know, and the bright moon comes to take pictures.
8, "Farewell".
Send each other off in the mountains, and cover the firewood at dusk. The spring grass is green every year, and the kings and grandchildren will not return.
9, "Farewell".
Get off the horse and drink the wine, and ask the gentleman what to do. The gentleman was unexpected, and returned to the South Mountain. But don't ask again, when the white clouds are endless.
10, "Farewell to the South".
The middle-aged man is quite good, and his late home is in the south of the mountains. Every time you go alone, you know what you are winning. Go to the poor place of the water, and sit and watch the clouds rise. Occasionally, Lin Suo, talk and laugh without a repayment date.
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The characteristics of Wang Weishi are divided into three different situations: the first is the idyllic landscape with lofty artistic conception, clear and noisy, light and quiet. The second is that the poems are bright and beautiful, heroic and majestic.
The third is to give friends poems, tactful and subtle, deep and sincere.
Wang Wei (701-761), the word Maha, the name Maha. He was born in Puzhou, Hedong (now Yongji, Shanxi), and his ancestral home was Qi County, Shanxi. Tang Dynasty poet and painter.
Wang Wei participates in Zen enlightenment, proficient in poetry, calligraphy, sound and painting, and is famous for his poems in the lead socks Yuan, Tianbao, especially long five words, many landscapes and pastorals, and Meng Haoran is called "Wang Meng", because of his sincerity to the Buddha, he is known as the "Buddha of Poetry". The calligraphy and painting are particularly exquisite, and later generations recommend it as the ancestor of Nanzong landscape painting. He is the author of "Wang Youcheng Collection" and "The Secret of Painting", and has about 400 poems.
Wang Wei's poetry:
Poetry mainly refers to the emotional expression and description of scenery in poetry. Since Tao Yuanming's creation, the landscape idyll has always become the place where the literati of all dynasties send their affection. However, Tao Yuanming's landscape poems mainly focus on lyricism and belong to writing scenes, while Xie Lingyun emphasizes the delicacy of language, the beauty of rhetoric, and the delicacy and sincerity of description.
His landscape idylls sever the relationship between emotional expression and landscape description. Wang Wei integrates the strengths of the two of them, and achieves the blending of feelings and scenes, so the artistic style is clear and exquisite.
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The characteristics of his poems are as follows: first, the landscape is idyllic, the artistic conception is lofty, light and quiet. Second, the poems are bright and beautiful, heroic and majestic.
Third, the poems of the Hong Hungry people are presented to youmu, tactful and subtle, deep and sincere. Wang Wei is known as the "Buddha of Poetry", and Su Shi commented on him: The poems of the taste of Mo Xun return to the poems, there are paintings in the poems, the paintings of the observations, and the poems in the paintings.
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Wang wei. The characteristics of the poem: 1. Structure.
Wang Wei's poems are often written in the form of a group of poems, each of which can form a picture of filial piety, which can be assembled into a panoramic picture of harmony and difficulty. 2. Refining materials. Wang Wei's poems are good at capturing images and creating images, and reflect the characteristics of painting in his poems.
3. Language. Wang Wei's poems are good at use.
Wang Wei's poem is as follows:
1. Greet the guests lightly and come up from the lake. When Xuan respects the wine, the hibiscus opens on all sides. ——Tang Dynasty Wang Wei "Linhu Pavilion". >>>More
Throughout Wang Wei's life, it can be divided into two periods, before and after the age of about 40, with a smooth career in the early stage, high political enthusiasm, and full of ambition to help the world. The style of his early landscape poems is manifested as distinct images and profound rhymes. >>>More
September 9 recalls the Shandong brothers.
Wang Wei is a stranger in a foreign land, and he misses his relatives every festival. >>>More
Meng Haoran offended Emperor Tang Xuanzong because of the poem "Returning to Nanshan at Dusk", so he didn't want to stay in Chang'an for one more day. Wang Wei said to him very angrily: "What do you think, you have traveled thousands of miles to take the exam, and the emperor appreciates your talent very much, you can't recite another poem, just recite this poem, which will make the emperor unhappy, and it will be a blessing not to give you a death." >>>More
Precocious, and his younger brother Jin, who is one year younger, is very intelligent. When he was fifteen years old, he went to the capital to take the exam, because he could write a good poem, work in calligraphy and painting, and also had the best talent, so the young Wang Wei immediately became the darling of the princes and nobles of the capital as soon as he arrived in the capital. There is such a story about his talent in **: >>>More