What is the full text clue of the Drunkard Pavilion? What is the clue to the article?

In this travelogue, the author uses "music" as a clue throughout the whole text to select and lay out the materials. "Music" is the clue of the whole text, which runs throughout.

The woods are shady, the chirping is up and down, the visitors go and the birds are happy. However, birds know the joy of mountains and forests, but they do not know the joy of people; People know that they are too happy to swim, but they don't know that they are too happy to be too guarded.

The clue of this article - in addition to the "joy of mountains and rivers", there are also "the joy of the government and the people", "the joy of abundance", and the "joy of bitterness". In addition to the specific description and clarification of the "joy of mountains and rivers", the rest of the joy is hidden between the lines, euphemistic and subtle, which makes people think deeply.

The main line of the Drunkard Pavilion runs through the whole text: the drunkard's meaning is not in the wine, but in the mountains and rivers.

Also. Those who are lacking in stools surround the joy of mountains and rivers, the joy of feasting, the joy of tourists, and the joy of the people as their pleasure, layer by layer in chronological order.

Writing landscapes is the joy of expressing the "heart of gain"; Writing about the endless journey of tourists is to express the joy of human feelings; Writing about brewing springs for wine, wild food paved for feasts, and staggered planning is to express "the joy of feasting"; Writing the sound of singing, flying in the forest, is to show the "joy of birds", but also to express the self-absorbed and rough skin of "swimming and fun".

Joy in all things, joy in it, the whole text is happy because of the scene, lyrical because of the music, in this way, the writing is written, written all the way, around a "music", it is not a fragment.

The miscellaneous pieces, but the unified whole, like wearing a thousand pearls and jade embellished in the gold thread.

The Legend of the Drunken Man's Pavilion was written by Song Renzong.

In the fifth year of Qingli (1045 AD), Ouyang was appointed as the Taishou of Chuzhou at that time. The article describes the deep and beautiful natural scenery in Chuzhou and the peaceful and quiet life of the people in Chuzhou, especially the fun of the author in the mountains and forests with the people to enjoy the feast and drink.

Although sometimes the mountains are dewed, sometimes the water flows into the canvas, and sometimes the people are noisy on the paper, it seems to be scattered, but in fact it is not chaotic at all. The first reason is that the author has a gold thread in his hand. This golden thread is the author's subjective feeling - "music", "music" in drunkenness.

Because of this, the beginning, continuation, transfer, and integration of the article are all unified by the ups and downs of the author's subjective feelings and experiences.

The drunkard's intention is not in the wine, but in the mountains and rivers.

The full text of "The Legend of the Drunkard Pavilion" can be divided into 4 parts, as follows:

1. Paragraph 1: It mainly describes the location and environment of the Drunken Man Pavilion and explains the reason for the naming of the Drunken Man Pavilion.

2. Section 2: Using the passage of time to cover the lead branches, grasping the characteristics of dawn and dusk and the four seasons, it depicts the obscure change map and the scenery of the four seasons with sharp contrast.

3. Paragraph 3: Taishou is drunk for the scenery;

4. Paragraph 4: It is pointed out that Taishou is not only happy with the landscape, but more importantly, he is happy with the people. It also implicitly indicates the author's political ideals and aspirations.

By describing the beauty of the Drunken Man Pavilion, the natural scenery and the narration of the pleasure of tourists, a picture of Taishou and the people enjoying together is sketched, and the author's political ideals and the complex feelings of entertaining the landscape to dispel depression are expressed.

The second paragraph of "The Legend of the Drunkard Pavilion" first describes the beauty of the changes in the morning and dusk. The author writes about the beautiful scenery of the drunken man's pavilion that changes in the morning and evening. Secondly, it describes the beauty of the changing seasons.

The author not only wrote about the scenery of the morning and evening, but also took the drunken man's pavilion as the center, and further spread the pen and ink to describe the change of scenery of the four seasons.

It expresses the author's indulgence in the landscape and his endless joy.

The whole text revolves around the main line of "music":

1) The general situation of the pavilion (the environment, the origin of the pavilion name), express the "joy of the landscape, the heart and the wine of the house".

2) The beautiful scenery of the pavilion (natural beauty: morning and dusk pictures, four time scenes), "the joy is endless"; (The beauty of human affection: Churen tour, too shou feast, all guests drink, rotten and too drunk) should take care of "endless happiness".

3) The joy of the pavilion (visitors go, birds and birds; Da Shou Joy - Joy with the People) (Theme) "The Story of the Drunkard Pavilion" Learning Points].

The clue of this article - in "music", in addition to the "joy of mountains and rivers", there are also "the joy of the government and the people", "the joy of Feng'an", and the "joy of bitterness".

The main sentence is drunk and happy, and those who wake up and can narrate the text are too guarded.

This article describes the Wheel Judgment Drunkard Pavilion.

The beautiful environment and natural scenery outline a picture of Taishou and the people enjoying together, expressing the author's political thoughts and the complex feelings of sending the landscape to relieve the blows.

The author's praise for the beautiful landscapes of Chuzhou, the efforts and yearning for the construction of an ideal society of peace and stability and happiness with the people, especially the author's euphemistic and implicit confession of depression, this is a pair of Song Renzong.

The dim politics of the times is undoubtedly an objective revelation, and these are naturally shining with ideological light. In particular, the language of this article is accurate, distinct, vivid, and beautiful, the sentence structure is neat and varied, and the whole text repeats the use of "............also", and use twenty-one "also" words in a row to enhance the unique rhythm of the article.